Dynamite announces a pair of stunning exclusive variant covers featuring Red Sonja and Vampirella by powerhouse duo Jim Balent and Holly Golightly, available right now on Indiegogo!

"I’m a huge fan of Frank Thorne’s work, especially on the Red Sonja Series!," said Jim Balent. "Although I will never surpass his depiction of this She-Devil With a Sword, I could not pass up this opportunity to illustrate one of my favorite covers he created. I consider this a huge honor to have my cover on his iconic issue."

"Lush and glamorous, romantic, goth and melodramatic... as a teen, all of these qualities pulled me into Vampirella’s world," said Holly Golightly. "I wanted to be her best friend and join her in all her adventures. It’s a dream come true to share my passion for her and Jose Gonzalez’s art through my cover with other Vampi fans!“





This is actually a very special project for both Balent and Golightly, who have long been fans of these iconic characters and that influence is seen in their styles and work to this day.

Holly was such a big fan of Vampirella, and particularly the sensual stylings of her definitive 1970s artist Jose Gonzalez, that she used an image of the Drakulonian for her high school graduation yearbook page! As she navigated growing up and honing her artistry, Holly identified with the outsider nature of Vampi and the macabre horror of those original stories. Her favorite issue was the 1972 Annual, which featured a deep roster of top artists across 64 pages like Gonzalez, Wally Wood, Jeffrey Catherine Jones, Neal Adams, and more. Which is why her exclusive new art is adorning a limited-edition printing of that issue and at magazine size!

On the other hand, Jim Balent taps into his "Barbarian Jim" persona to channel the legendary strokes of Frank Thorne for a Crom-ful classic new cover. Fans should make sure to watch the promo video to see Jim in his full barbarian glory. His Red Sonja cover pays homage to Thorne and Bruce Jones' "Eyes of the Gorgon" story, originally published in 1976 in Marvel Feature #4. His cover will be gracing a stunning limited edition of that classic story.

Each cover is being offered in three main variations. Balent's comes standard with traditional trade dress, as a virgin logo-free edition, or a black and white line art variant. Holly's comes standard, with the line art, or as a special alternate version she designed to homage pop art pioneer Patrick Nagel, known for his striking portraits of women. Fans can get combo packages of the covers, CGC graded copies, signed editions, or even remark sketches from Holly. She'll also be doing a limited number of truly one-of-a-kind sketch covers - in full color!



Trading card sets for each cover represent all the editions, the original inspiration issue, and a fun behind the scenes photo of each artist's process. Tee shirts, lithograph prints, and collectible coins round out this overflowing extravaganza of Vampi and Sonja celebration!



Jim Balent is a 35 year veteran of comics, establishing himself at the forefront of the "bad girl" movement in comics nearly right off the bat. His Dynamite DNA goes way back, with some of his earliest work being inking the Vampirella: The Dracula War story arc early into the Harris era, and drawing Purgatori's first solo series with Chaos! Comics. In 1993 he kicked off a new Catwoman series at DC, which still stands as her longest-running. Jim drew over 80 issues in a row over a 7-year run, intersecting with fan-favorite crossovers like Knightfall and No Man's Land, and even a tussle with Vampirella! Characters like Catwoman, Vampi, Purgatori, and Billy Tucci's Shi lead the way as the most popular comics of the 1990s began to star kickass women.


Holly Golightly kicked off her comics career with her own bad girl creation, Vampfire. She's also balanced the scales and shown off her versatility on the "good girl" end with a plethora of stories for Archie Comics on everyone's favorite Riverdale teens. This includes a fan-favorite run on Sabrina the Teenage Witch, a natural match for Holly - a practicing witch!

In 2000 the duo turned their attention to the indie scene and launched BroadSword Comics. Their flagship title Tarot: Witch of the Black Rose will be celebrating a whopping 125 issues at the end of this year. The pair collaborate on the series with Jim writing, drawing the interiors and covers, while Holly colors, letters and handles production for the character inspired by her.

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While most of the focus over at Marvel Studios is currently on the pair of upcoming Avengers films, Ryan Coogler is ready to return to Wakanda for a third Black Panther film. We’d heard of the possibility of the film originally from Denzel Washington who, while speaking of his potential retirement, mentioned the film as one of his future projects and then when Nate Moore left Marvel last year, he said he would be back producing the third Black Panther film. Now, Coogler himself said while on stage talking about his film Sinners, that Black Panther 3 would be his next movie. The series kicked off with Chadwick Boseman as T’Challa, king of the African Nation of Wakanda and while he reprised the role in Avengers: Infinity War and Endgame, he sadly passed away shortly after. The sequel dealt with the characters death and passed the mantle on to his sister Shuri played by Letitia Wright who is expected to reprise the role in the upcoming Avenger films, but with talks of a potential soft reboot of the MCU, it’s unclear who will be wearing the mask for the third film.   

The most recent news on the DCU has to do with Jimmy Olsen. Variety is reporting that Skyler Gisondo will reprise his role from Superman in a true-crime docuseries style show that focuses on villains in the universe starting with the Flash rogue, Gorilla Grodd. Tony Yacenda and Dan Perrault are set to write and showrun with James Gunn and Peter Safran joining them as executive producers. The show is planned for HBO Max and will be a mockumentary style similar to Yacenda and Perrault’s previous series like American Vandal and Players. In the original report, Variety claimed the series would be called DC Crime, something Gunn took to social media to debunk, saying there had never been any project in production called DC Crime, he then added that his saying that doesn’t mean that the rest of the report is false. This sounds like a pretty good confirmation to me. 

A new Star Trek film is in the works and Paramount is tapping the team of Jonathan Goldstein and John Frances Daley to write, produce and direct. This news comes shortly after David Ellison, founder of Skydance who recently purchased the studio, told investors that the next Star Trek film would not be a sequel to the Chris Pine/Zachary Quinto lead series of films. While this hasn’t been 100% confirmed, word is that the new film will be focused on new characters and not directly tied to any previous film or television series. Goldstein and Daley have a good track record when it comes to revitalizing franchises having written Spider-Man: Homecoming for Marvel Studios and wrote and directed Dungeons & Dragons: Honor Among Thieves which was very well received by fans and critics.   

With The Fantastic Four: First Steps having moved to Disney+, the Pedro Pascal and Vanessa Kirby lead team is now first in fans minds. But one person still thinks about the First Family of Marvel presented a decade ago and what went wrong. Miles Teller, who played Reed Richards in Josh Trank’s 2015 version of the property, still thinks about the project and how he believes the problems all came down to one person. Teller was on Sirius XM’s Radio Andy show said, “You saw the movie, right? Your eyes were working during that time? I think it’s unfortunate because so many people worked so hard on that movie. And, honestly, maybe there was one really important person who kind of f***ed it all up.” While Teller didn’t say who that was, he was referring to the person who made the final cut on the film, which was not director Trank. Teller said that he wanted a superhero film on his resume to help show him as a serious leading man, but after seeing the final cut recalled, “I remember talking to one of the studio heads, and I was like, ‘I think we’re in trouble.'” The 2015 version made $167 million worldwide compared to this year’s version which made $521 million. He stopped short of calling for a director’s cut of the film. 

The Creeper is a unique character from DC Comics, first introduced in "Showcase #73" in 1968. Created by Steve Ditko, The Creeper’s real name is Jack Ryder, a former television talk show host and investigative journalist in Gotham City. After being attacked during an undercover operation at a costume party, Ryder is injected with a serum by Dr. Yatz and gains superhuman abilities, including enhanced strength, agility, rapid healing, and a pain tolerance bordering on the supernatural. The serum, combined with a bizarre costume, transforms him into The Creeper, a vigilante known for his wild laughter, erratic behavior, and flamboyant appearance—a shock of green hair, yellow skin, and a red mane-like cape. The Creeper remains largely untouched by mainstream media, providing an opportunity to introduce audiences to a fresh face and break away from more established archetypes. His blend of horror, humor, and psychological complexity could create a film that stands out from traditional superhero fare. The Creeper’s unsettling persona and visual style lend themselves well to a film that could blend genres—horror, black comedy, and superhero action. His maniacal laugh and unpredictable methods could inject dark humor and psychological thrills, appealing to fans of films like "Joker" and "Deadpool" while carving out a distinctive identity in the DCU. Jack Ryder’s journey from cynical journalist to bizarre vigilante offers rich storytelling potential. Exploring themes of identity, sanity, and the nature of heroism, a Creeper film could delve into Ryder’s internal struggles and the impact of his dual life, making for a character-driven narrative that resonates with audiences seeking depth and complexity. And with being set in Gotham City, The Creeper’s adventures naturally intersect with the city’s gritty underworld, providing opportunities for noir-style detective storytelling. His background in journalism and investigation can be leveraged to create suspenseful plots involving corruption, criminal conspiracies, and moral ambiguity—making him an ideal protagonist for a film that explores the darker aspects of the DC Universe. The Creeper stands as one of DC Comics’ most unconventional and intriguing characters. His untapped potential, distinctive personality, and ability to straddle multiple genres make him a perfect candidate to lead a film in the new DCU. 

Predator: Badlands is doing very well, thanks for asking. The latest film in the long-running franchise set a few high franchise marks including domestic opening with $40M, best worldwide opening with $80M and best Cinemascore with an A-. The film also sits a the top of this week’s box office beating out the 2nd place film, Regretting You, by $32.9M… though that film is in its 3rd week. Other new films opening this week, Sarah’s Oil and Nuremberg, opened in 4th and 5th with just over $4M each. Badlands is the third Predator project for director Dan Trachtenberg, the first Prey showed how he could handle the franchise but then he wanted to follow it up with an animated film, Killer of Killers and then for the first time Badlands make the Predator the protagonist. 

Recent reports about problems on the set of Stranger Things may not have been what they seemed. There were stories being published that Millie Bobby Brown had filed a report against co-star David Habour, accusing the older actor of bullying. But the validity of those reports are now in question as both Brown and Harbour joined their Stranger Things cast members at the red=carpet premiere of the show’s fifth and final season. Brown and Harbour were seen joking together and even hugging. Brown has also spoke of Habour to Extra, saying: “It’s been amazing. We’re so lucky to have each other. The show means so much to the both of us, and to everyone here. This has been the last 10 years of our lives.” Brown stars as the psych-powered Eleven and Harbour plays Sherriff Jim Hopper who ends up adopting her. The fifth and final season will release on Netflix in three sets with Volume 1 on November 26 (four episodes), Volume 2 on Christmas (three episodes), and The Finale on New Year’s Eve. 

There is a major movie franchise out there that is not going by its original name and it’s thanks to the star. When screenwriter Derek Kolstad finished what would become is most popular film, he was inspired by revenge-thrillers with one-word titles like Payback and Shooter. He dubbed his film, Scorn. The problem came when the star of the film went out and talked about it, he always referred to it by the lead character’s name rather than the title. After a while, the studio realized that their star, Keanu Reeves, had done millions of dollars worth of brand recognition for the name John Wick… they decided to go with it and renamed the film. Why Reeves did this is unknown, but Kolstad has since admitted that John Wick is a better franchise name, saying, “I can’t imagine it being Scorn now.” Was this an intentional thing on Reeves’ part or just a happy coincidence? We may never know. 

If you check the major Hollywood sites like Deadline and Variety, they’ll tell you that October 2025 has been the lowest box office take in almost 30 years. It sits currently at $440 million with a few days left to add. In 1998 the box office did $455 million, which this month should just creep past. By comparison October 2018 did $832 million with just three films: Venom, A Star is Born and Halloween, taking in $481 million. But last year, October only took in $478 million showing the decreasing trend. Adding to the decline is the fact that no major releases were scheduled for this weekend because of the Halloween holiday. And what was put into theaters the whole month really didn’t get people’s attention. Tron: Ares was the highest profile film and that hasn’t even broken $70 million in its four weeks in theaters.   When you look at numbers like that, it’s hard not to think about what might have been. There was a big budget film slated for release this month, a film that got delayed and delayed and hasn’t even started filming. A film that finally has a finished script and is set to release in October of 2027… that of course is Matt Reeves’ The Batman Part 2. One of the most anticipated films currently in production, the sequel to the 2022 hit, bolstered also by the fan favorite HBO series The Penguin, would easily match and likely succeed the success of the first film. The Batman opened on March 4, 2022 and ended that month with $338 million domestically.  It was originally scheduled to be released October 3rd, looking at that release date, this year there really wasn’t any big film put in its place. The film would’ve done better than the first and that amount would’ve driven 2025 towards the top of the list, maybe even surpassing 2018. Ah, what could’ve been. 

DC Studios has potentially taken a significant step by filing for a trademark for a film titled "Salvation Run." A move that isn’t too surprising since the Salvation planet and the idea of using it as a prison for meta humans was introduced in the season finale of Peacemaker season 2. But the filing does indicate just how big this idea could be for the DCU. "Salvation Run" is a storyline from DC Comics that originally ran in the late 2000s. The story centers on the mass exile of some of DC's most notorious villains to a hostile alien world, forcing them to band together for survival. It was a concept originally pitched to DC by Game of Thrones writer George R.R. Martin. The trademark filing by DC Studios suggests that the company is considering developing "Salvation Run" into a feature film. While trademark filings do not guarantee that a film will be produced, they often indicate serious intent or early-stage development. The filing protects the title and concept, ensuring that DC Studios retains exclusive rights as plans evolve. Should "Salvation Run" move forward, it could introduce a fresh dynamic to DC's film slate. Instead of focusing on heroes, this story would shine a spotlight on villains, possibly expanding character development and offering audiences new perspectives on well-known antagonists. It also opens opportunities for ensemble casting, complex storytelling, and connections to other DC properties.