DF INTERVIEW: CHRISSY WILLIAMS EXAMINES OLDER WOMEN SEWING, BAKING AND FIGHTING TO THE DEATH IN ‘GOLDEN RAGE’07/07/22 @ 12:09 pm EST
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DF Interview: Chrissy Williams examines older women sewing, baking and fighting to the death in ‘Golden Rage’By Byron BrewerIn a world where older women who've been deemed useless to society are abandoned on an island, Golden Rage documents their golden years of making friends, baking dessert, and fighting to the death.
Created by writer Chrissy Williams (editor of DIE, The Wicked + The Divine), artist Lauren Knight (Buffy the Vampire Slayer), and colorist Sofie Dodgson (Bitter Root, Tank Girl), Golden Rage is a brand-new five-issue miniseries where Battle Royale meets The Golden Girls!
After that build-up, I could not wait to chat with scribe Chrissy Williams.
Byron Brewer: Chrissy, as a writer and editor myself, it always does me good to see an editor finally getting the chance to shine with Golden Rage. “Battle Royale meets Golden Girls”, eh? I don’t know why, but sounds like my late mom would sure love this! Tell readers about the inspiration and genesis of this book you are so enthusiastic (also does me good to see) about. Chrissy Williams: So, Golden Rage looks at a group of older women who have been deemed useless to society and abandoned on an island to fight to the death, whilst making friends and dessert. The idea originally sprang from watching Mad Max: Fury Road. That scene where we meet all the badass older women in the desert, all so perfectly capable and tough? I remember feeling really moved in that moment, just to see those characters on screen at all. We are so rarely shown older women who are tough and capable, and I wanted them to be my protagonists and celebrate them as heroes.
I’ve always looked to older women as role models – Angela Lansbury is still working now at 96. 96! Anyway, the idea of older women being exiled and forced to live together sprang from that – and the two touchstones of Battle Royale and The Golden Girls came together quite naturally in my head as a result. I’m so sorry to hear about your mother – that’s rough. I’m glad to hear she would love the idea of Golden Rage. I hope my mother likes it.
Byron: Take us into the world you and artist Lauren Knight are building for this mini-series. Chrissy Williams: Lauren and I have talked a lot about what happened on the mainland to bring the women to the island. We’ve talked about what kind of horrific fascist society would tell its children that old women are weak and useless. The worrying thing is that I don’t think that society is a distant dystopia, but only a (hopefully) slightly exaggerated version of our own reality. Golden Rage doesn’t care about that fascist society though. It is a comic explicitly focused on the women themselves and their island existence. They get to make the rules up for themselves – we see how they live, how they fight, and how they survive.
Byron: Introduce readers to some of your prime protagonists, spotlighting who they are and a bit about their natures. Chrissy Williams: One of the first old women we meet is Rosie. She’s Italian, and incredibly physically strong. She’s terse and blunt and takes no sh*t. She’d make a great wartime consigliere. Rosie lives in an abandoned lighthouse with two other women, Lottie and Caroline. Lottie is…less strong. She frets about cats and chickens and wants to make sure everyone is dressed warmly enough. Caroline is a creative writing teacher who wishes there were more books on the island, and she makes fun of the chicken-obsessed Lottie. Then we have Jay. Jay is only in her thirties, and she’s only just been sent to the island to join all these older women. But why…?
Byron: What else can you tell us about the island? Are there more than one of these extant? Chrissy Williams: That is an excellent question I’m hoping we’ll explore more in the future! Other islands would surely bring their own unique challenges and constraints. Imagine being trapped on an island surrounded by bears, for example. This particular island has a rugged North Atlantic vibe, but it’s good that we’re seeing it in the summer. The women have a very different fight for survival come winter…
Byron: Any other inhabitants on the island outside the “golden warriors”? Chrissy Williams: There are lots of inhabitants on the island, and we explore a few of the various gangs. Different groups settle in different areas and have different challenges based on whether they’ve living in a lighthouse, a cave, or some other kind of structure. These women have had to build their society here for many many years, so all sorts of interesting behaviors and beliefs have developed. We look at life and death, but what else is there? Is there room for art in a survivalist society? Can you have a nice bath there? What about a tasty piece of cake?
Byron: It’s a comic, so it begs the question: Is there any manipulative behind-the-scenes big-bad lurking? If so, can we get a clue or two other than “buy the book”? (LOL) Chrissy Williams: Well, the biggest-bad is obviously the mainland and its underlying threat is felt throughout. I want to say the ageism and sexism in this society has been instituted by the menfolk, but I imagine that many women would have participated willingly in the denigration of older women, conditioned by the society they were raised in. Societal conditioning doesn’t make for a super-fun villain, though, so of course we focus more on the island women themselves. There is a constant fight for supplies and survival, which makes it inevitable that different factions develop, based on strength, intelligence, and other skillsets. Sometimes these different groups of women can coexist peacefully. And then sometimes a woman comes along who thinks she should get more than everyone else.
Byron: Talk about your collaboration with Lauren on Golden Rage. Chrissy Williams: Working with Lauren has been brilliant. It’s her first full series as an artist, and my first full series as a writer, so we’ve been learning how to make it work together. Obviously I’ve brought in my previous experiences working as an editor on series like DIE and The Wicked + The Divine, but being able to make all the final creative decisions ourselves has been really exciting. There’s so much of our own personalities wrapped up in the book. Lauren has a great eye for horror, and I think some of the comic’s best moments come from seeing her dark art juxtaposed with humor in the text. I honestly can’t wait for people to see this strange little world we’ve created.
Byron: Chrissy, as a creator or as an editor, tell readers as you can about some projects ready to come out or that you are working on. Chrissy Williams: Well, we just sent the DIE hardcover to press, which is very exciting. That’s all four series of Kieron Gillen and Stephanie Hans’ comic in one gorgeous volume. It’ll be out at the start of November. The Poetry Comics anthology I co-edited is out in PDF form now, from the publisher Sidekick Books. I’m also a poet, and my latest collection LOW is available in the UK and U.S. It includes a lot of poems about clowns and drag queens.
Dynamic Forces would like to thank Chrissy Williams for taking time out of her busy schedule to answer our questions. Golden Rage #1 from Image Comics is slated to be on sale August 3rd!For more news and up-to-date announcements, join us here at Dynamic Forces, www.dynamicforces.com/htmlfiles/, “LIKE” us on Facebook, www.facebook.com/dynamicforcesinc, and follow us on Twitter, www.twitter.com/dynamicforces.
RYAN COOGLER SAYS BLACK PANTHER 3 IS NEXT FOR HIM11/16/25 @ 12:48 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a CommentWhile most of the focus over at Marvel Studios is currently on the pair of upcoming
Avengers films,
Ryan Coogler is ready to return to Wakanda for a third
Black Panther film. We’d heard of the possibility of the film originally from
Denzel Washington who, while speaking of his potential retirement, mentioned the film as one of his future projects and then when
Nate Moore left Marvel last year, he said he would be back producing the third
Black Panther film. Now, Coogler himself said while on stage talking about his film Sinners, that Black Panther 3 would be his next movie. The series kicked off with
Chadwick Boseman as T’Challa, king of the African Nation of Wakanda and while he reprised the role in Avengers: Infinity War and Endgame, he sadly passed away shortly after. The sequel dealt with the characters death and passed the mantle on to his sister Shuri played by
Letitia Wright who is expected to reprise the role in the upcoming Avenger films, but with talks of a potential soft reboot of the MCU, it’s unclear who will be wearing the mask for the third film.
JIMMY OLSEN SERIES HEADS TO HBO MAX11/16/25 @ 12:31 pm EST
Source: Variety | Comments (0) | E-mail Article | Add a CommentThe most recent news on the DCU has to do with Jimmy Olsen.
Variety is reporting that
Skyler Gisondo will reprise his role from
Superman in a true-crime docuseries style show that focuses on villains in the universe starting with the Flash rogue, Gorilla Grodd.
Tony Yacenda and
Dan Perrault are set to write and showrun with
James Gunn and
Peter Safran joining them as executive producers. The show is planned for HBO Max and will be a mockumentary style similar to Yacenda and Perrault’s previous series like
American Vandal and
Players. In the original report,
Variety claimed the series would be called
DC Crime, something Gunn took to social media to debunk, saying there had never been any project in production called
DC Crime, he then added that his saying that doesn’t mean that the rest of the report is false. This sounds like a pretty good confirmation to me.
GOLDSTEIN AND DALEY TO HELM NEW STAR TREK FILM11/15/25 @ 12:49 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a CommentA new
Star Trek film is in the works and Paramount is tapping the team of
Jonathan Goldstein and
John Frances Daley to write, produce and direct. This news comes shortly after
David Ellison, founder of Skydance who recently purchased the studio, told investors that the next
Star Trek film would not be a sequel to the
Chris Pine/
Zachary Quinto lead series of films. While this hasn’t been 100% confirmed, word is that the new film will be focused on new characters and not directly tied to any previous film or television series. Goldstein and Daley have a good track record when it comes to revitalizing franchises having written
Spider-Man: Homecoming for Marvel Studios and wrote and directed
Dungeons & Dragons: Honor Among Thieves which was very well received by fans and critics.
MILES TELLER BLAMES FANTASTIC FOUR 2015 FAILURE ON ONE PERSON11/15/25 @ 12:32 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a CommentWith
The Fantastic Four: First Steps having moved to Disney+, the
Pedro Pascal and
Vanessa Kirby lead team is now first in fans minds. But one person still thinks about the First Family of Marvel presented a decade ago and what went wrong.
Miles Teller, who played Reed Richards in
Josh Trank’s 2015 version of the property, still thinks about the project and how he believes the problems all came down to one person. Teller was on Sirius XM’s
Radio Andy show said, “You saw the movie, right? Your eyes were working during that time? I think it’s unfortunate because so many people worked so hard on that movie. And, honestly, maybe there was one really important person who kind of f***ed it all up.” While Teller didn’t say who that was, he was referring to the person who made the final cut on the film, which was not director Trank. Teller said that he wanted a superhero film on his resume to help show him as a serious leading man, but after seeing the final cut recalled, “I remember talking to one of the studio heads, and I was like, ‘I think we’re in trouble.'” The 2015 version made $167 million worldwide compared to this year’s version which made $521 million. He stopped short of calling for a director’s cut of the film.
WHY THE CREEPER SHOULD GET HIS OWN DCU FILM11/09/25 @ 2:03 pm EST
Source: Wikipedia | Comments (0) | E-mail Article | Add a CommentThe Creeper is a unique character from DC Comics, first introduced in "Showcase #73" in 1968. Created by Steve Ditko, The Creeper’s real name is Jack Ryder, a former television talk show host and investigative journalist in Gotham City. After being attacked during an undercover operation at a costume party, Ryder is injected with a serum by Dr. Yatz and gains superhuman abilities, including enhanced strength, agility, rapid healing, and a pain tolerance bordering on the supernatural. The serum, combined with a bizarre costume, transforms him into The Creeper, a vigilante known for his wild laughter, erratic behavior, and flamboyant appearance—a shock of green hair, yellow skin, and a red mane-like cape. The Creeper remains largely untouched by mainstream media, providing an opportunity to introduce audiences to a fresh face and break away from more established archetypes. His blend of horror, humor, and psychological complexity could create a film that stands out from traditional superhero fare. The Creeper’s unsettling persona and visual style lend themselves well to a film that could blend genres—horror, black comedy, and superhero action. His maniacal laugh and unpredictable methods could inject dark humor and psychological thrills, appealing to fans of films like "Joker" and "Deadpool" while carving out a distinctive identity in the DCU. Jack Ryder’s journey from cynical journalist to bizarre vigilante offers rich storytelling potential. Exploring themes of identity, sanity, and the nature of heroism, a Creeper film could delve into Ryder’s internal struggles and the impact of his dual life, making for a character-driven narrative that resonates with audiences seeking depth and complexity. And with being set in Gotham City, The Creeper’s adventures naturally intersect with the city’s gritty underworld, providing opportunities for noir-style detective storytelling. His background in journalism and investigation can be leveraged to create suspenseful plots involving corruption, criminal conspiracies, and moral ambiguity—making him an ideal protagonist for a film that explores the darker aspects of the DC Universe. The Creeper stands as one of DC Comics’ most unconventional and intriguing characters. His untapped potential, distinctive personality, and ability to straddle multiple genres make him a perfect candidate to lead a film in the new DCU.
PREDATOR: BADLANDS HAS FRANCHISE BEST OPENING11/09/25 @ 1:37 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a CommentPredator: Badlands is doing very well, thanks for asking. The latest film in the long-running franchise set a few high franchise marks including domestic opening with $40M, best worldwide opening with $80M and best Cinemascore with an A-. The film also sits a the top of this week’s box office beating out the 2nd place film, Regretting You, by $32.9M… though that film is in its 3rd week. Other new films opening this week,
Sarah’s Oil and
Nuremberg, opened in 4th and 5th with just over $4M each.
Badlands is the third
Predator project for director
Dan Trachtenberg, the first
Prey showed how he could handle the franchise but then he wanted to follow it up with an animated film,
Killer of Killers and then for the first time
Badlands make the Predator the protagonist.
BROWN AND HARBOUR APPEAR TOGETHER ON RED CARPET11/08/25 @ 4:21 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a CommentRecent reports about problems on the set of
Stranger Things may not have been what they seemed. There were stories being published that
Millie Bobby Brown had filed a report against co-star
David Habour, accusing the older actor of bullying. But the validity of those reports are now in question as both Brown and Harbour joined their Stranger Things cast members at the red=carpet premiere of the show’s fifth and final season. Brown and Harbour were seen joking together and even hugging. Brown has also spoke of Habour to Extra, saying: “It’s been amazing. We’re so lucky to have each other. The show means so much to the both of us, and to everyone here. This has been the last 10 years of our lives.” Brown stars as the psych-powered Eleven and Harbour plays Sherriff Jim Hopper who ends up adopting her. The fifth and final season will release on Netflix in three sets with Volume 1 on November 26 (four episodes), Volume 2 on Christmas (three episodes), and The Finale on New Year’s Eve.
A KILLER BY ANY OTHER NAME.... 11/01/25 @ 2:53 pm EST
Source: comicbook.com | Comments (0) | E-mail Article | Add a CommentThere is a major movie franchise out there that is not going by its original name and it’s thanks to the star. When screenwriter
Derek Kolstad finished what would become is most popular film, he was inspired by revenge-thrillers with one-word titles like
Payback and
Shooter. He dubbed his film,
Scorn. The problem came when the star of the film went out and talked about it, he always referred to it by the lead character’s name rather than the title. After a while, the studio realized that their star,
Keanu Reeves, had done millions of dollars worth of brand recognition for the name John Wick… they decided to go with it and renamed the film. Why Reeves did this is unknown, but Kolstad has since admitted that
John Wick is a better franchise name, saying, “I can’t imagine it being Scorn now.” Was this an intentional thing on Reeves’ part or just a happy coincidence? We may never know.
OCTOBER 2025 - WHAT COULD'VE BEEN11/01/25 @ 2:38 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a CommentIf you check the major Hollywood sites like
Deadline and
Variety, they’ll tell you that October 2025 has been the lowest box office take in almost 30 years. It sits currently at $440 million with a few days left to add. In 1998 the box office did $455 million, which this month should just creep past. By comparison October 2018 did $832 million with just three films:
Venom,
A Star is Born and
Halloween, taking in $481 million. But last year, October only took in $478 million showing the decreasing trend. Adding to the decline is the fact that no major releases were scheduled for this weekend because of the Halloween holiday. And what was put into theaters the whole month really didn’t get people’s attention.
Tron: Ares was the highest profile film and that hasn’t even broken $70 million in its four weeks in theaters. When you look at numbers like that, it’s hard not to think about what might have been. There was a big budget film slated for release this month, a film that got delayed and delayed and hasn’t even started filming. A film that finally has a finished script and is set to release in October of 2027… that of course is
Matt Reeves’ The Batman Part 2. One of the most anticipated films currently in production, the sequel to the 2022 hit, bolstered also by the fan favorite HBO series
The Penguin, would easily match and likely succeed the success of the first film.
The Batman opened on March 4, 2022 and ended that month with $338 million domestically. It was originally scheduled to be released October 3rd, looking at that release date, this year there really wasn’t any big film put in its place. The film would’ve done better than the first and that amount would’ve driven 2025 towards the top of the list, maybe even surpassing 2018. Ah, what could’ve been.
NEW TRADEMARK FILING HINTS AT FUTURE OF DCU10/26/25 @ 12:25 pm EST
Source: The Direct | Comments (0) | E-mail Article | Add a CommentDC Studios has potentially taken a significant step by filing for a trademark for a film titled "Salvation Run." A move that isn’t too surprising since the Salvation planet and the idea of using it as a prison for meta humans was introduced in the season finale of Peacemaker season 2. But the filing does indicate just how big this idea could be for the DCU. "Salvation Run" is a storyline from DC Comics that originally ran in the late 2000s. The story centers on the mass exile of some of DC's most notorious villains to a hostile alien world, forcing them to band together for survival. It was a concept originally pitched to DC by Game of Thrones writer George R.R. Martin. The trademark filing by DC Studios suggests that the company is considering developing "Salvation Run" into a feature film. While trademark filings do not guarantee that a film will be produced, they often indicate serious intent or early-stage development. The filing protects the title and concept, ensuring that DC Studios retains exclusive rights as plans evolve. Should "Salvation Run" move forward, it could introduce a fresh dynamic to DC's film slate. Instead of focusing on heroes, this story would shine a spotlight on villains, possibly expanding character development and offering audiences new perspectives on well-known antagonists. It also opens opportunities for ensemble casting, complex storytelling, and connections to other DC properties.