DF Interview: Chrissy Williams examines older women sewing, baking and fighting to the death in ‘Golden Rage’

By Byron Brewer

In a world where older women who've been deemed useless to society are abandoned on an island, Golden Rage documents their golden years of making friends, baking dessert, and fighting to the death.

Created by writer Chrissy Williams (editor of DIE, The Wicked + The Divine), artist Lauren Knight (Buffy the Vampire Slayer), and colorist Sofie Dodgson (Bitter Root, Tank Girl), Golden Rage is a brand-new five-issue miniseries where Battle Royale meets The Golden Girls!

After that build-up, I could not wait to chat with scribe Chrissy Williams.


Byron Brewer: Chrissy, as a writer and editor myself, it always does me good to see an editor finally getting the chance to shine with Golden Rage. “Battle Royale meets Golden Girls”, eh? I don’t know why, but sounds like my late mom would sure love this! Tell readers about the inspiration and genesis of this book you are so enthusiastic (also does me good to see) about.



Chrissy Williams: So, Golden Rage looks at a group of older women who have been deemed useless to society and abandoned on an island to fight to the death, whilst making friends and dessert. The idea originally sprang from watching Mad Max: Fury Road. That scene where we meet all the badass older women in the desert, all so perfectly capable and tough? I remember feeling really moved in that moment, just to see those characters on screen at all. We are so rarely shown older women who are tough and capable, and I wanted them to be my protagonists and celebrate them as heroes.

I’ve always looked to older women as role models – Angela Lansbury is still working now at 96. 96! Anyway, the idea of older women being exiled and forced to live together sprang from that – and the two touchstones of Battle Royale and The Golden Girls came together quite naturally in my head as a result. I’m so sorry to hear about your mother – that’s rough. I’m glad to hear she would love the idea of Golden Rage. I hope my mother likes it.


Byron: Take us into the world you and artist Lauren Knight are building for this mini-series.



Chrissy Williams: Lauren and I have talked a lot about what happened on the mainland to bring the women to the island. We’ve talked about what kind of horrific fascist society would tell its children that old women are weak and useless. The worrying thing is that I don’t think that society is a distant dystopia, but only a (hopefully) slightly exaggerated version of our own reality. Golden Rage doesn’t care about that fascist society though. It is a comic explicitly focused on the women themselves and their island existence. They get to make the rules up for themselves – we see how they live, how they fight, and how they survive.



Byron: Introduce readers to some of your prime protagonists, spotlighting who they are and a bit about their natures.



Chrissy Williams: One of the first old women we meet is Rosie. She’s Italian, and incredibly physically strong. She’s terse and blunt and takes no sh*t. She’d make a great wartime consigliere. Rosie lives in an abandoned lighthouse with two other women, Lottie and Caroline. Lottie is…less strong. She frets about cats and chickens and wants to make sure everyone is dressed warmly enough. Caroline is a creative writing teacher who wishes there were more books on the island, and she makes fun of the chicken-obsessed Lottie. Then we have Jay. Jay is only in her thirties, and she’s only just been sent to the island to join all these older women. But why…?



Byron: What else can you tell us about the island? Are there more than one of these extant?



Chrissy Williams: That is an excellent question I’m hoping we’ll explore more in the future! Other islands would surely bring their own unique challenges and constraints. Imagine being trapped on an island surrounded by bears, for example. This particular island has a rugged North Atlantic vibe, but it’s good that we’re seeing it in the summer. The women have a very different fight for survival come winter…



Byron: Any other inhabitants on the island outside the “golden warriors”?



Chrissy Williams: There are lots of inhabitants on the island, and we explore a few of the various gangs. Different groups settle in different areas and have different challenges based on whether they’ve living in a lighthouse, a cave, or some other kind of structure. These women have had to build their society here for many many years, so all sorts of interesting behaviors and beliefs have developed. We look at life and death, but what else is there? Is there room for art in a survivalist society? Can you have a nice bath there? What about a tasty piece of cake?



Byron: It’s a comic, so it begs the question: Is there any manipulative behind-the-scenes big-bad lurking? If so, can we get a clue or two other than “buy the book”? (LOL)



Chrissy Williams: Well, the biggest-bad is obviously the mainland and its underlying threat is felt throughout. I want to say the ageism and sexism in this society has been instituted by the menfolk, but I imagine that many women would have participated willingly in the denigration of older women, conditioned by the society they were raised in. Societal conditioning doesn’t make for a super-fun villain, though, so of course we focus more on the island women themselves. There is a constant fight for supplies and survival, which makes it inevitable that different factions develop, based on strength, intelligence, and other skillsets. Sometimes these different groups of women can coexist peacefully. And then sometimes a woman comes along who thinks she should get more than everyone else.



Byron: Talk about your collaboration with Lauren on Golden Rage.



Chrissy Williams: Working with Lauren has been brilliant. It’s her first full series as an artist, and my first full series as a writer, so we’ve been learning how to make it work together. Obviously I’ve brought in my previous experiences working as an editor on series like DIE and The Wicked + The Divine, but being able to make all the final creative decisions ourselves has been really exciting. There’s so much of our own personalities wrapped up in the book. Lauren has a great eye for horror, and I think some of the comic’s best moments come from seeing her dark art juxtaposed with humor in the text. I honestly can’t wait for people to see this strange little world we’ve created.



Byron: Chrissy, as a creator or as an editor, tell readers as you can about some projects ready to come out or that you are working on.



Chrissy Williams: Well, we just sent the DIE hardcover to press, which is very exciting. That’s all four series of Kieron Gillen and Stephanie Hans’ comic in one gorgeous volume. It’ll be out at the start of November. The Poetry Comics anthology I co-edited is out in PDF form now, from the publisher Sidekick Books. I’m also a poet, and my latest collection LOW is available in the UK and U.S. It includes a lot of poems about clowns and drag queens.

Dynamic Forces would like to thank Chrissy Williams for taking time out of her busy schedule to answer our questions. Golden Rage #1 from Image Comics is slated to be on sale August 3rd!

For more news and up-to-date announcements, join us here at Dynamic Forces, www.dynamicforces.com/htmlfiles/, “LIKE” us on Facebook, www.facebook.com/dynamicforcesinc, and follow us on Twitter, www.twitter.com/dynamicforces.

You may have noticed that I’m not the biggest fan of ‘Industry Insiders’ who have paywalls set up to dole out rumors like… well, I couldn’t find a metaphor that wasn’t extremely insulting so we’ll just move on. Those ‘insiders’ need to have a ready supply of rumors to keep their subscribers coming back and since there is no accountability for erroneous rumors, one has to wonder if some of them are just made up out of thin air. James Gunn, co-head of DC Studios, has a times come out and addressed a batch of rumors that fans ask him about on social media. He did this again recently and here are some of the rumors he addressed along with his response. A report that the upcoming Man of Tomorrow has changed its title to Superman: Man of Tomorrow. Gunn has said before that this was more than a Superman movie and confirms the title has NOT changed by simply saying, “Nope.” Another report says that the film with begin filming in a few weeks, and while it will begin shortly, he says “by strict definition of Few, nope.” Reports say that he’s trying to rush through Matt Reeves’ The Batman Epic Crime Saga so he can then get to Brave and the Bold. That’s another ‘Nope’. Scoopers claim that Paradise Lost, the Wonder Woman prequel series was now dead or shelved. I know this will surprise you, but he said, “Nope”. And he did confirm one thing, that Superman does not believe in Santa Claus because, “He’s an adult.” Rumors can be fun to talk about and debate, but if they set unrealistic expectations that ruin the film for someone, then that’s a problem. And paying for rumors… that seems a bit crazy to me. 

Many MCU fans wonder why the events of Daredevil: Born Again won’t be even referenced in upcoming films like Spider-Man: Brand New Day. In Born Again, Wilson Fisk (Vincent D’Onofrio) is the new Mayor of New York and has declared martial law along with creating a taskforce to hunt down vigilantes and you would think someone like Spider-Man (Tom Holland) would be on his radar. But that’s not going to happen on the big screen, no Fisk in BND and SFX Magazine thought that would be a good thing to ask Born Again showrunner Dario Scardapane about. “I’d be into it, because I dig the comics! But no, that’s been kind of a fun and challenging thing. We know there’s a huge world out there of the MCU. This corner of it has crossovers. We’ve seen Daredevil in other shows, there are other characters that are going to be popping up in movies and stuff, and that all goes into the larger MCU of it all. The joke we make is, ‘Oh, those guys are uptown – we’re downtown!’ We kind of have a pocket that’s in this world of Hell’s Kitchen, in this world of New York. I always think that maybe these characters take a little vacation into the larger world but the story that we’re focusing on is really granular.” Let me translate that, “They can borrow our toys, but we can’t touch there’s.” A shame as we all want a real Daredevil/Spider-Man crossover.   

“You have failed this beach!” Okay, there is probably no way Stephen Amell will say that line in the new Baywatch reboot, but I can’t be the only one who thought about it. Fox announced yesterday that the former Arrow, Heels and Suits LA star would be the lead in the networks bid to recapture the popularity of their lifeguard themed drama from the 90s. Amell will be playing the role of Hobie Buchannon, a role first introduced in the OG series. Hobie’s world turns upside down when Charlie, the daughter he didn’t know he had, shows up ready to put on the red bathing suit and follow in the family business. The show got a straight-to-series 12-episode order back in September, so the network is moving quickly. An interesting note is that Amell is the right age if the network wanted to bring back David Hasselhoff to reprise the role of Hobie’s father Mitch for an episode or two. 

You may not have known this, but in 2021 a Zatanna movie was in the works. J.J. Abrams had given the project to Emerald Fennell to script as she was coming off 2020 directorial debut, A Promising Young Woman. So, what happened? According to Fennell, who recently joined the Happy Sad Confused podcast, what she had written was “probably too far away from the genre.” She was very honest about the work, saying: “I think it was demented because I was probably going through it at the time. And the thing is, I think what I can’t help but—and then, I’d just finished A Promising Young Woman, and there was this huge thing in this world I’d never operated in. And again, it was a kind of superhero movie, and I was like, ‘How do I make the version of a superhero movie that I would connect to emotionally?’ Which is sort of the woman in the middle of a nervous breakdown, so it’s a script reflective of a woman in the middle of a nervous breakdown. And in terms of what that means, I suppose it just meant that it was probably too far away from the genre.” For those of you who are not familiar with Zatanna, she was created by Gardner Fox and Murphy Anderson in the pages of November 1964’s Hawkman and has been a consistent magical character in the DC Universe ever since, regularly teaming up with Batman, John Constantine and was a member of the Justice League. Fennell went on to describe the script, “It was really dark. I haven’t read it for a really long time, because I found it really difficult. Because, also the thing is, I love JJ [Abrams] so much, and he took a chance offering me to do it, and I really wanted to deliver something amazing for them. And I always felt like I hadn’t quite maybe delivered the thing that they wanted. So, I haven’t read it since, and I wonder if I read it now, I’d be more generous toward myself. But I felt like, I wished I’d been able to deliver the thing they wanted. They were really lovely about it, it’s even just remembering. You’re making me remember scenes, I’m like, ‘Nobody would have made that.'” I have to admit I totally want to read that script now. 

Don’t expect to see Vincent D’Onofrio show up in Spider-Man: Brand New Day. It seems the rights to the character still precludes him from appearing in a film unless Sony wants him to. Which, yes, Brand New Day is a Sony/Marvel production… but while visiting the Bingworthy podcast, the Kingpin actor responded to the question about the current mayor of the MCU NYC showing up by saying, “No. I think I’ll just wait until they have the rights to my character and they put me in one of those movies, and then I’ll figure it all out.” This makes sense that Marvel can’t just have the character show up in any random film, like The Thunderbolts, without Sony saying okay, but he is available for television appearances. Why Sony has chosen to not let the character show up in a Sony film though seems a little odd, unless the actor is using the rights issue as a cover to keep from telling us that Wilson Fisk will not be the mayor after the events of the upcoming Daredevil: Born Again season two, which is scheduled to release in March and complete well before Brand New Day hits theaters. 

In 1989 writer/artist John Byrne was working on the West Coast Avengers title for Marvel and decided to have some fun. Since there was both an east and west coast version of the team, he decided to make a third one, in the middle of the country, and keeping with the body of water theme to the names… we got the Great Lakes Avengers. The team was made up of five founding members: Mr. Immortal, Flat Man, Big Bertha, Dinah Soar and Doorman and while the team has probably had more cease-and-desist lawsuits filed against them than real battles, they have been around for years now and have popped up a lot. The interesting thing though is that two of these members have now made appearances in the MCU. And not just blink-and-you-missed-it moments. Both Mr. Immortal and Doorman have had at least half, if not a full episode of a series dedicated to them. In She-Hulk: Attorney at Law, David Pasquesi plays Craig Hollis aka Mr. Immortal who has his immortal ability and uses it to get out a marriages, which he has a lot of. When pressured by his own attorneys, he leapt out of a high-rise window and plummeted to the street below, slamming into the roof of a car, only to pop right back up and walk away. It doesn’t end well for him though as he is forced to pay off all of his exes. Then we get to meet DeMarr Davis aka the Doorman in the new Wonder Man series. Byron Bowers plays the man with the ability to use his body as a door in and out of the dark dimension. While he is a mutant in the comics, in the MCU he gets his abilities by touching toxic waste from Roxxon, similar to how Cloak & Dagger got their powers. DeMarr becomes a cautionary tale about chasing fortune and fame in Hollywood that may have cost the life of beloved actor Josh Gad. It also made the industry enact a law banning superpowered people from working in show business. This is a major plot point in the series. With two of the five characters both located in Southern California, could we end up getting the rest of the team at some point and them relocating for a fresh start? Sounds like the perfect idea for one of those Marvel Spotlight one-hour specials. 

Fans are eager to see the upcoming Lanterns series on HBO and besides a still shot and a few seconds of footage, very little about the series is known at this point. We got our first comments about it from series star Kyle Chandler who will be playing one of the most well-known Green Lanterns, Hal Jordan. Chandler was being interviewed on the Today Show for his new film The RIP with Ben Affleck and Matt Damon. During the interview he was asked about Lanterns and said, “I’ve never had as much fun shooting something as I did that. The people from the top to the bottom. I can’t say enough about Chris Mundy, and the producers, the DC folks. It was an excellent experience. I expect the show to be as good as the experience I had. Aaron Pierre, who I worked with, he and I had a great time.” The series is slated to be released later this year and comes from Mundy, Damon Lindelof and Tom King. Joining Chandler and Pierre in the cast are Ulrich Thomsen as Sinestro, Nathan Fillion as Guy Gardner and then Kelly Macdonald, Garret Dillahunt, Jason Ritter, Poorna Jagannathan, and Paul Ben-Victor. There will be eight episodes and it is said to be mostly an Earth-based mystery set in the heartland of America with a True Detective vibe. 

Netflix’s proposed acquisition of Warner Bros. has stirred plenty of speculation across Hollywood, but one message from the streamer’s leadership has been unusually clear: the theatrical experience isn’t going anywhere. In fact, if the sale closes, Netflix says it will strengthen Warner Bros.’ traditional theatrical model rather than shrink it. Ted Sarandos, Netflix’s co‑CEO, has repeatedly emphasized that Warner Bros. films will continue to enjoy a 45‑day exclusive theatrical window—a stance that directly counters fears that Netflix would rush major releases to streaming. Sarandos described Warner Bros.’ theatrical distribution as a “phenomenal” engine that generates billions in revenue, insisting Netflix has no intention of putting that at risk. This commitment marks a notable shift in tone for Netflix, which historically prioritized streaming-first strategies. But after reviewing Warner Bros.’ financials, Sarandos acknowledged that the economics of theatrical releases are stronger than Netflix had previously modeled. He framed the 45‑day window not as a compromise but as a competitive strategy: Netflix wants to “win opening weekend” and “win box office,” embracing the same metrics that drive traditional studios. Industry observers have taken notice. While some feared the acquisition would accelerate the decline of theatrical exclusivity, Netflix’s public stance suggests a more balanced future—one where streaming power and box office ambition coexist. For now, at least, moviegoers can expect Warner Bros. films to keep lighting up big screens for a full month and a half before landing on Netflix’s platform. 

The DCU is expanding with the casting of one of the universe’s biggest bads… Darkseid. While this seems to go against something co-studio head James Gunn has said previously about staying away from the cosmic threat, but this casting isn’t for Man of Tomorrow, but rather the upcoming Mister. Miracle animated series and you can’t really tell the story of Scott Free with mentioning his adopted daddy. Writer Tom King was on the Word Balloon podcast when he talked about the series that he is showrunning and said that they had cast Darkseid and Orion along with Mr. Miracle and Big Barda. If you’re not familiar with these characters, they are all part of the Fourth World Saga created by comic legend Jack Kirby during his short stint with DC Comics. It tells the story of two warring factions, the New Gods and the planet Apokolips and a deal that was made in an attempt for peace. The leaders of the factions, High Father and Darkseid, would exchange children… this sent Scott Free to be raised on the oppressive planet while Orion was sent to the peaceful New Genesis. Scott would become and escape artist, finding a way off of Apokolips with the female warrior, Barda, and eventually come to Earth. Exactly what part of that history the series will focus on is unclear, but we do know that Darkseid and the others will be involved. Gunn also confirmed on social media that the series will be cannon to the DCU that includes the recent Superman movie, the Peacemaker series and the animated Creature Commandos. This means that whoever is voicing these characters in the series would also play them in live action in the future and King has said that the Mister Miracle series will have big ramifications on the DCU as a whole. No word on when the series will debut, but with the casting already made, we can expect an announcement in the near future. 

Takashi Yamazaki’s follow-up to the 2023 Godzilla Minus One is set to hit North American theaters on November 6th, 2026, three days after its premier in Japan. The Academy Award winning film took in $11.4 million in the US on its opening weekend and $57 million total during its domestic box office run. Godzilla Minus Zero is the second film in the franchise from Gkids since taking Toho acquired the company in 2024. David Jesteadt, president of Gkids, said in a statement: “Gkids is proud to bring Godzilla Minus Zero to North American audiences, following the incredible global reception of Godzilla Minus One. This next chapter is sure to become another defining moment for the most colossal monster ever to dominate the screen. It is only fitting that this bold, new Godzilla event be experienced in its fullest theatrical glory, and we’re honored that Toho has entrusted us to carry this legacy forward.”