DF Interview: Joe Kelly yanks on readers’ heartstrings in ‘Immortal Sergeant’

By Byron Brewer

On the eve of his unwelcome retirement, Jim Sargent (aka "Sarge"), a grizzled, old-school detective, catches a break on a murder case that's haunted him for decades. Unfortunately, Sarge must drag his anxiety-riddled adult son, Michael, along for the ride or risk losing the lead forever. Can this dysfunctional duo overcome their own hang-ups, blind spots, and secrets to catch a killer?

Award-winning I Kill Giants storytellers Joe Kelly (Deadpool, Savage Spider-Man) and Ken Niimura (Eisner Award-winning Umami) return to yank on your heartstrings with Immortal Sergeant! I had the honor of sitting down with legendary scribe Joe Kelly to see what this latest limited series is all about.


Byron Brewer: Joe, before we get to Immortal Sergeant proper, how does it feel to be reunited with your I Kill Giants artist, Ken Niimura? How did this reteaming come about and why did it take 15 years?



Joe Kelly: It is always a pleasure working with Ken – and luckily for me we have worked together since I Kill Giants was published! We’ve done some Marvel work as well as a BlackJack story in Japan, not to mention our thrilling cameos in the I Kill Giants film. (Blink and you’ll miss us!) Despite these smaller pieces, it’s amazing to be back in a long form story like Sarge.

Ken and I have always wanted to do more graphic novels together and plan to do more post-Immortal Sergeant. But the best laid plans of mice and comics professionals often go awry. Sometimes it’s scheduling, sometimes it’s financial issues – there are a ton of things that can get in the way of moving forward on a project.
I will take the lion’s share of the blame this time, though, as Ken is a machine who’s always working and it took me a long time to find the words for Sarge. I knew that this was my next book with him, but it was a challenge to write.


Byron: I understand this story is very personal for you. What can you tell readers about the inspiration for this new limited series?



Joe Kelly: To put it bluntly, Immortal Sergeant is almost entirely inspired by my father and our relationship. That’s what made this one a challenge to write, even though it had been a decade since my father’s passing that I finally started the script.

My dad was a complicated figure in my life, as many fathers are. Even though we had a good relationship, especially in the latter years of his life, there were some rocky parts. I loved him and miss him, but growing up was tough. We didn’t exactly gel. I learned some family secrets in my teens that explained a lot, but there is a big difference between understanding a thing in your mind as opposed to in your heart.
So Immortal Sergeant was a way to process a lot of that, but it took time. Even the title of the book came from him – It was his email address, though he spelled “Immortal” incorrectly, which was kind of perfect.


Byron: Tell us a little about the world, the canvas Ken and you are building in this book.



Joe Kelly: The story takes place now, on a road trip that begins in suburban Long Island, New York and ends in suburban Atlanta, Georgia. As usual, Ken went to great lengths to research the route our father and son would take and does a beautiful job painting a portrait of this span of the East Coast.

It's a world of cops, criminals, and the relationships between them and their families. It’s a very human story, again, challenging to write because of the times we live in, but Ken and I went through great pains with our editor, Joe Illidge, to make sure we were telling a layered story that touches on many societal issues while keeping everyone’s humanity in sight.


Byron: Introduce readers to Jim Sargent aka Sarge. Give us your take on this character.



Joe Kelly: Sarge is a pain in the ass. He’s a career cop who has stayed on the force well beyond the time any sane person would. The sort of guy who tells stories about crime scenes at dinner in front of his kid/grandchildren because he thinks that’s a normal thing to do. He’s a detective with no aspirations other than putting “bad guys” in jail. The world is pretty black and white for him, which is his biggest flaw. Nuance isn’t his thing. Sarge doesn’t do subtle.

That said, even though it’s hidden away behind layers of sarcasm, gruffness, and emotional armor, Sarge does have a heart. Trying to find it is a huge part of his story.
As he relates to my Dad, some of Sarge’s character is plucked right from reality. The rest is the distilled, espresso version of who my dad might have been. My father was a policeman in Nassau County, and while he never had to draw his gun he saw a lot of pain and inhumanity. It affected him in many ways, the least of which was an anger issue that took a long time to fade. He was also incredibly fearful and raised me to be “aware of my surroundings” which was code for “bad sh*t is going to happen wherever you are, so be ready.”
And yes, he did tell us tales of murders over dinner when we were young.


Byron: Without spoilers, clue us into the relationship between Sarge and his son Michael. What else can you tell us about the Sargent offspring?



Joe Kelly: So if Sarge is a dramatized version of my dad, Michael is a dramatized version of me – actually it’s me and Ken as we both put a lot of ourselves into the book. (Daddy issues abound!) Michael’s creative mind is a breeding ground for anxiety, especially as a kid of a cop who taught him that there was danger around every corner. So he’s afraid of the world at large, afraid of his father…

And now he’s Sarge’s “partner” on a murder investigation. Perfect storm of hell for that poor guy.


Byron: Can you give us an overall summary of Immortal Sergeant, of the new mini readers will be picking up come the new year?



Joe Kelly: When Michael and his family visit Sarge on the eve of his reluctant retirement from the police force, Sarge gets a break on a decades old cold case. Sarge must make a split-second decision to follow his lead or let the case that’s haunted him for years remain unclosed. So Sarge follows the trail of a killer with his maladjusted, confrontation averse, anxiety riddled adult son from Long Island to Atlanta where truths are told, secrets are exposed, and their relationship is put to the ultimate test.



Byron: Talk more on the awesome art of Ken Niimura, what he brings to the table here.



Joe Kelly: It’s hard to compliment Ken without embarrassing him – he’s a humble master of his craft. Ken is an exceptional storyteller and character designer and graphic designer and a writer – he can do it all! I am lucky that he doesn’t have a huge ego and allows me to drop into his life from time to time and write for him, because anything he touches, he just makes better.

One of the things I love most about Ken’s work is the magical way he can keep a light, open style with cartoony elements while delivering stories with emotional heft and punch. Very few people can ride that line, but Ken is always pushing his art in subtle ways to convey more emotion and subtext with fewer lines – he’s a true wizard.
And for Sarge, he had to learn to love drawing cars, because Sarge’s ride – The Beast – is a character in its own right. Sometimes I think Ken believes I write these things just to torture him, but I like to think I’m helping him evolve. (smiles)


Byron: Joe, I know your talent covers multiple media. So tell readers what you can about projects involving you coming up, inside or outside comics.



Joe Kelly: Ken and I are already talking about the next book, since I have not made him sick of me yet. As I continue my run as luckiest guy in comics, I have a two-issue arc on Amazing Spider-Man happening at the top of the year, illustrated by Terry Dodson. It’s the first time we’ve ever worked together and I’m pumped – also Spidey is my fave. In a completely different corner of my brain, there’s kids animation! Sonic:Prime airs on Netflix in December, courtesy of Man of Action and Wildbrain. We have been working on that for a long time, so I’m excited for it to finally be out in the world. There’s plenty of other work that I hope will be announceable soon, but you know the NDA game. And lastly, even though I don’t do it as often as I would like to, I continue to post videos on YouTube about creativity, writing, and comics on my channel @ThatJoeKelly.



Dynamic Forces would like to thank Joe Kelly for taking time out of his busy schedule to answer our questions. Immortal Sergeant #1 from Image Comics is slated to be on sale January 18th, 2023!



For more news and up-to-date announcements, join us here at Dynamic Forces, www.dynamicforces.com/htmlfiles/, “LIKE” us on Facebook, www.facebook.com/dynamicforcesinc, and follow us on Twitter, www.twitter.com/dynamicforces.

In a twist worthy of a Hollywood script, Ryan Coogler’s breakout horror film Sinners—a 2025 box office juggernaut—owes part of its haunting aesthetic to a Marvel movie that never made it to set. The film’s eerie, period-perfect costumes were originally designed for Marvel Studios’ long-delayed Blade reboot, which remains in production limbo. According to Sinners producer Sev Ohanian, the film’s costume designer, Oscar-winner Ruth E. Carter (Black Panther), had been working on Blade when the project was shelved indefinitely. That version of Blade, starring Mahershala Ali, was once envisioned as a 1920s-set vampire thriller—eerily similar in tone and era to Sinners. When Sinners was greenlit on a tight schedule, Carter had a warehouse full of unused, period-appropriate costumes. Marvel, in a rare behind-the-scenes collaboration, allowed Coogler’s team to purchase the wardrobe “at price”. While the main cast including Michael B. Jordan, Hailee Steinfeld, and others wore custom-designed costumes tailored specifically for their characters, many of the extras in Sinners were dressed in the repurposed Blade costumes, giving the film a rich, textured authenticity without the usual prep time. First announced in 2019, Marvel’s Blade reboot has faced repeated delays due to creative changes, director exits, and industry strikes. The film was removed from Disney’s release calendar in 2024 and remains without a confirmed production date. Despite the setbacks, Mahershala Ali has expressed continued interest in the role, recently telling reporters, “Call Marvel. I’m ready”. 

Nearly 50 years after One Flew Over the Cuckoo’s Nest became a cinematic landmark, a new television spinoff is in the works—this time told through the eyes of the character who saw everything but said very little: Chief Bromden. Producer Paul Zaentz, nephew of the original film’s producer Saul Zaentz, revealed on the CK Café podcast that he has signed an agreement with the widow of author Ken Kesey to develop a TV series based on the 1962 novel. The first season will be told entirely from the perspective of Chief Bromden, the towering half-Native American patient who pretended to be deaf and mute in the original story. Zaentz explained that the series will begin within the psychiatric hospital, as in the original, but will then follow Chief’s journey after his dramatic escape—territory the original film never explored. While Milos Forman’s 1975 film adaptation won five Academy Awards, including Best Picture and Best Actor for Jack Nicholson, it famously diverged from Kesey’s novel by shifting the narrative focus from Chief Bromden to Randle McMurphy. Kesey was openly critical of this change. The upcoming series aims to restore the novel’s original point of view and delve deeper into the Chief’s inner world. Chief Bromden’s character—played by Will Sampson in the film—was a symbol of silent resistance and eventual emancipation. The new series promises to explore his backstory, his psychological trauma, and his life beyond the institution. It’s a chance to reframe the narrative around Indigenous identity, mental health, and the long shadow of institutionalization. 

Julian McMahon, the charismatic Australian actor known for his iconic roles in Nip/Tuck, Charmed, and the Fantastic Four films, has passed away at the age of 56 following a private battle with cancer. His wife, Kelly McMahon, confirmed that he died peacefully on July 2, 2025, in Clearwater, Florida. Born in Sydney on July 27, 1968, McMahon was the son of former Australian Prime Minister William McMahon. He began his career as a model before transitioning to acting in Australian soaps like The Power, The Passion and Home and Away. His move to Hollywood led to breakout roles in Profiler and Charmed, where he played the complex and seductive demon Cole Turner. But it was his portrayal of Dr. Christian Troy in FX’s Nip/Tuck that cemented his status as a television icon. The role earned him a Golden Globe nomination and showcased his ability to balance charm, darkness, and vulnerability. He later brought gravitas to the role of Victor Von Doom in the Fantastic Four films, becoming one of Marvel’s earliest cinematic villains. McMahon’s career spanned decades and genres. He starred in FBI: Most Wanted as Jess LaCroix, appeared in Hulu’s Runaways, and most recently played the Australian Prime Minister in Netflix’s The Residence—a poignant nod to his real-life heritage. McMahon is survived by his wife Kelly and his daughter Madison, whom he shared with ex-wife Brooke Burns. In her statement, Kelly described him as a man who “loved life… and whose deepest wish was to bring joy into as many lives as possible”. 

Jim Shooter was a towering figure in the comic book industry—both literally and professionally. He began his career at just 14 years old, writing for DC Comics, where he made a splash with stories for the Legion of Super-Heroes. His early creations included characters like Karate Kid, Ferro Lad, and Princess Projectra, as well as the villain group Fatal Five. Here’s a snapshot of his legacy: <!--[if !supportLists]-->·         <!--[endif]-->DC Comics: Started as a teenage writer, contributing to Adventure Comics and Action Comics. <!--[if !supportLists]-->·         <!--[endif]-->Marvel Comics: Rose to become Editor-in-Chief from 1978 to 1987. Under his leadership: <!--[if !supportLists]-->o    <!--[endif]-->Oversaw iconic runs like Uncanny X-Men by Claremont & Byrne, Daredevil by Frank Miller, and Thor by Walt Simonson. <!--[if !supportLists]-->o    <!--[endif]-->Introduced creator royalties and launched the Epic imprint for creator-owned work. <!--[if !supportLists]-->o    <!--[endif]-->Created the first major crossover event: Secret Wars. <!--[if !supportLists]-->·         <!--[endif]-->Valiant Comics: Co-founded the publisher in the early '90s, bringing characters like Solar: Man of the Atom and Harbinger to life. <!--[if !supportLists]-->·         <!--[endif]-->Also founded Defiant Comics and Broadway Comics, though both were short-lived. Shooter was known for his strict editorial style, which helped Marvel stay on schedule but also led to clashes with many creators. Despite the friction, his tenure is credited with revitalizing Marvel during a critical period. Jim Shooter passed away on June 30, 2025, at the age of 73. His influence on comics—both in storytelling and industry practices—remains profound. 

In the ever-watchful world of fandom sleuthing, even a simple Instagram follow can ignite a firestorm of speculation. That’s exactly what happened when filmmaker and DC Studios co-head James Gunn followed actress Adria Arjona on Instagram—a move that fans quickly interpreted as a hint she might be cast as the next Wonder Woman. But Gunn was quick to clarify: “I followed Adria on Instagram, but everybody came out, ‘He just followed her, that means she’s Wonder Woman!’” he said in a recent interview with Extra. “She’d be a great Wonder Woman, by the way. But she was in a movie that I made seven years ago. We’ve been friends and have known each other since that time. I followed her then, I didn’t just follow her.” The film Gunn referred to is The Belko Experiment (2016), which he produced and in which Arjona appeared. Their professional relationship and friendship date back to that project, making the social media follow less of a casting clue and more of a long-standing connection. Still, Gunn’s comment that Arjona “would be a great Wonder Woman” has only fueled fan enthusiasm. With a new Wonder Woman film currently in development and the DC Universe undergoing a major reboot, speculation remains high—even if Gunn insists fans shouldn’t read too much into his Instagram activity. 

In a move that blends personal branding with practical necessity, It’s Always Sunny in Philadelphia star and co-creator Rob McElhenney has officially filed to change his name to Rob Mac. The decision, confirmed by McElhenney himself, marks a significant shift for the actor, writer, and entrepreneur whose surname has long been a source of confusion—and comedy. McElhenney, whose last name has famously stumped fans and media alike (despite Ryan Reynolds’ musical pronunciation tutorial), cited global business expansion as the primary reason. As his company, More Better Industries, continues to invest internationally—including ventures in Colombia and Mexico—he found that “McElhenney” was often mispronounced or misunderstood. “As our business and our storytelling is expanding into other regions of the world and other languages in which my name is even harder to pronounce, I’m just going by Rob Mac,” he told Variety. Interestingly, the name “Mac” isn’t just a simplification—it’s also a nod to his iconic Always Sunny character, known simply as Mac. It’s a full-circle moment that blends his personal identity with his pop culture persona. The name change is already being reflected in FX press materials for both It’s Always Sunny and Welcome to Wrexham, the Emmy-winning docuseries chronicling McElhenney and Reynolds’ ownership of Wrexham AFC. 

ABC has officially pulled the plug on Doctor Odyssey, the high-concept medical drama from prolific creator Ryan Murphy, after just one season. The show, which followed a team of doctors navigating emergencies aboard a luxury cruise ship, will not return for a second voyage. Premiering in fall 2024, Doctor Odyssey starred Joshua Jackson as Dr. Max Bankman, alongside Phillipa Soo, Sean Teale, and Don Johnson. The series blended medical drama with high-seas spectacle, drawing comparisons to The Love Boat with a modern, campy twist. Its trailer broke records with 77.8 million views in 48 hours, and the premiere drew 13.6 million cross-platform viewers. Despite the flashy debut and a loyal cult following, the show struggled to maintain momentum. Ratings dipped over the season, and its linear performance lagged behind other ABC dramas. While ABC has yet to issue a formal cancellation statement, the cast contracts are expiring on Monday with no sign of renewal and the sets are being dismantled. And while the ship has sailed on ABC, Ryan Murphy retains creative control and could potentially revive the series elsewhere, such as Hulu, where it performed well on streaming platforms. 

Is The Batman Part II script finally done? It appears so. Writer/Director Matt Reeves just posted to social media a blurry picture of himself and co-writer Mattson Tomlin that shows the title page for a script with the logo from The Batman and appears to have the title "The Batman: Part II". Co-head of DC Studios James Gunn said recently that he was expecting to get the script soon but denied that the deadline had already passed. If the script is complete and ready to move forward, it is still in plenty of time to make the current release date of October 2027. This should be good news to fans of the director and franchise and also to actor Robert Pattinson who had commented recently that he was worrying he was going to age out of the role if it took too much longer.  

Prime Video’s hit action-thriller Reacher is shaking things up for its fourth season, and one of the most notable changes is the addition of Christopher Rodriguez-Marquette to the cast. The Barry actor steps into the role of Jacob Merrick, a small-town policeman, in a recasting that follows the departure of Jay Baruchel due to personal reasons. Rodriguez-Marquette’s casting came together at lightning speed—he was reportedly selected the same day the role breakdown was released and flown to set within days. His character, Merrick, is said to play a significant role in the upcoming season, which adapts Lee Child’s 13th Jack Reacher novel, Gone Tomorrow. The story kicks off with a tense encounter on a train that spirals into a deadly conspiracy involving powerful enemies. Season 4 also welcomes a host of new faces, including Sydelle Noel, Agnez Mo, Anggun, Kevin Corrigan, Kevin Weisman, Marc Blucas, and Kathleen Robertson. Alan Ritchson returns as the titular Jack Reacher, with Maria Sten reprising her role as Frances Neagley. Rodriguez-Marquette brings a diverse résumé to the series, with recent appearances in Barry, Mozart in the Jungle, and indie films like Grind and Fear, Inc.. 

In a move that’s sending ripples through both Hollywood and Her Majesty’s Secret Service, acclaimed filmmaker Denis Villeneuve has officially been named the director of the next James Bond movie. This marks the first 007 installment under Amazon MGM Studios’ creative leadership, following their acquisition of the franchise’s rights in 2022. Villeneuve, the visionary behind Dune, Arrival, and Blade Runner 2049, brings a reputation for cerebral storytelling and breathtaking visuals. His appointment signals a bold new chapter for the Bond saga—one that may blend the franchise’s signature espionage thrills with a deeper, more atmospheric tone. “Some of my earliest movie-going memories are connected to 007,” Villeneuve said in a statement. “I grew up watching James Bond films with my father, ever since Dr. No with Sean Connery. I’m a die-hard Bond fan. To me, he’s sacred territory. I intend to honor the tradition and open the path for many new missions to come”. The film will be produced by Amy Pascal and David Heyman, with Villeneuve also serving as executive producer alongside Tanya Lapointe. While no release date has been announced, production is expected to begin after Villeneuve completes work on Dune: Part Three, slated for release in late 2026. As for who will don the tuxedo next, speculation continues to swirl. Aaron Taylor-Johnson remains a frontrunner, but no official casting has been confirmed.