Dynamite announces a new original James Bond graphic novel for release in February, incorporating contributions from a cavalcade of writers and artists to celebrate the timelessness of the character and the countless talented creators who have brought him to comics.



James Bond in "Reflections of Death" is a 128 page hardcover of nonstop thrills and intrigue. Several Dynamite Bond veterans return for this tapestry, including Benjamin Percy (Wolverine, X-Force), Andy Diggle (Daredevil, Green Arrow) and Greg Pak (Star Wars, Agents of Atlas) and the writers of the December-launching new ongoing series, Vita Ayala (Morbius, Xena) & Danny Lore (Queen of Bad Dreams). Stars of both Dynamite and comics at large Gail Simone (Deadpool, Wonder Woman) and Mark Russell (Red Sonja, The Flintstones) join the team as well. Artists enlisted for the mission include Luca Casalanguida (Hammerhead, Kill Chain, The Body), Robert Carey (James Bond 007), Jordi Perez (Xena), Dean Kotz (Warlord of Mars Attacks), Eoin Marron (Killer Groove) and Kewber Baal (KISS). All wrapped up in another beautiful noir and pulp flavored cover by Fay Dalton (Casino Royale, Vampirella).


With a framing story Ayala and Lore, over 20 total creators will collaborate to contribute stories that both stand on their own and tie into an overarching narrative. The central figure through the anthology of case files is Moneypenny. She's been kidnapped. and the mystery of her captors and their demands will only be revealed when, or if, 007 is able to complete his missions. While Moneypenny herself may have some surprises up her sleeve.

"We're incredibly fortunate to work with so many talented creators, and of course they all want to write one of the most crucial characters in modern fiction!," said Nick Barrucci, Dynamite CEO and Publisher. "Just in time for the new movie, for fans to enjoy a bounty of Bond too!"

Dynamite asked each writer to distill what they think makes Bond such a timeless character and compelling to write.

Benjamin Percy - "Bond epitomizes cool. He wears the sharpest suits, drives the sleekest cars, owns the wildest gadgets. Men want to be him, women want to be with him. He never shies from danger. He always says the right thing, usually with a confident smile curling the corner of his mouth. He’s aspirational. Through him, we can dream of shrugging off our insecurities and making an impact in the world."

"But that veneer of perfection hides a relatable flaw. He is emotionally scarred, numb, cold. This is a person who does horrible things for a greater good. So he drinks liver-deadening amounts of booze and sleeps around and discards those close to him so that he can armor himself against horrors."

Vita Ayala - "To me, what makes James Bond timeless is that he is that he can adapt to any situation, smoothly and with a cool no one can match. What that does, on a meta level, is make him able to be placed in any context, because the core parts of him are his resolve, his suaveness, and his ability to alter himself to the situation at hand – and all of THAT is timeless."

"For me, what makes him so compelling to work with is his complexity. James is a man who has dedicated his life to protecting his country, to SAVING lives, but he does it often by killing. He is a man who uses his charm and sexuality to achieve his goals, but there are tender, very vulnerable parts of him that he exposes to pain to do so. I love spies as a concept, and James is the epitome of Spy."

Danny Lore - "Bond is enduring because he's all about competence and style; even when he's wrong, he does it with such panache that we want him to come out on top. He's the calm in the storm that solves the problems that feel too big for one guy to solve, and does it while barely messing up the hem of his trousers. That kind of ingenuity and class and charm sticks with us as readers and as writers--in part because we know that he's entangled in darkness while still being able to don that classic smirk."

Greg Pak - "I love Bond stories for their glorious combo of sci-fi and spy thriller, their dry humor, their emphasis on a cool professional doing the impossible, and their joy in mind-blowing action set pieces. I love the Odd Job stories I've been able to do for throwing a cocky, passionate improvisor in the mix and seeing him drive Bond out of his mind. I'm hugely excited to get another bite of the apple with this story and hope both Bond and Odd Job fans enjoy reading it as much as we're enjoying making it."

Andy Diggle - "It's all too easy to feel hopeless and helpless against powerfully malevolent forces in our world, but James Bond encapsulates the idea that one man - one person - can make a difference. He endures, he persists, and he prevails. It's clear in Ian Fleming's work that Bond has a strong sense of moral outrage at the villains' disregard for human life. He knows right from wrong, and he's fighting the good fight for “us.”"

Gail Simone - "It’s an interesting thing, because I read several of the Fleming books before ever seeing a proper Bond film, and I liked that spy. He wasn’t incredibly noble, he didn’t have a lot of human empathy. But he was the man for the job. He was a human being who had to go to some dark places. That’s my favorite Bond. I love the stunts and glamour, I love the locations and gadgets, all of that. But the Bond I most enjoy is the guy who goes where the snakes are, so the rest of us don’t have to."

Mark Russell - "The thing I've always found fascinating about James Bond is that he's a killer who pretends to be a rich and sophisticated man in order to get at other rich and sophisticated men who are, in fact, killers. In that sense, he's a great metaphor for modern plutocratic democracy."

James Bond in "Reflections of Death" will be solicited in Diamond Comic Distributors’ December 2019 Previews catalog, the premier source of merchandise for the comic book specialty market, and slated for release in February 2020. Comic book fans are encouraged to preorder copies of the issue with their local comic book retailers. It will also be available for individual customer purchase through digital platforms courtesy of Comixology, Kindle, iBooks, Google Play, Dynamite Digital, ComicsPlus, and more!

Though we have yet to see season two of the Percy Jackson series, season three is adding Kate McKinnon, known for her energetic performances and comedic brilliance on “Saturday Night Live,” as the goddess Aphrodite. McKinnon brings her unique charm and wit to the role, promising an exciting new take on the goddess of love and beauty. Aphrodite is one of the most famous figures from Greek mythology. She is the goddess of love, beauty, desire, and passion. Ancient Greeks believed Aphrodite had the power to inspire love and attraction in gods and mortals alike. According to myth, she was born from the sea foam and emerged fully grown, captivating all who saw her. Aphrodite’s stories often involve her relationships with gods like Ares and mortal heroes, and she played a key role in the legendary events leading up to the Trojan War, most notably by awarding the golden apple to Paris. With Kate McKinnon stepping into the role, viewers can expect a fresh, humorous, and dynamic portrayal of Aphrodite. Besides her time on SNL, McKinnon has been in various movies including the 2016 reboot of Ghostbusters and the 2023 mega-hit Barbie. 

In an interesting turn of events, someone posted an image of the wrap gift for the upcoming Lanterns series, showing a baseball hat with the Green Lantern symbol and in the center of that symbol, a series of concentric circles. That person then commented that the modified logo could be indicating an involvement of The Centre, the main antagonist in Darwyn Cooke’s celebrated DC: The New Frontier series. That post was then removed by Warner Bros… In completely unrelated coincidence, have you read The New Frontier? Let me tell you about The Centre, a metaphysical, almost Lovecraftian presence, embodying existential dread and posing a challenge unlike any other faced by the world’s greatest superheroes. The Centre made its debut in "DC: The New Frontier" (2004), a miniseries that bridges the gap between the Golden Age and Silver Age of superheroes. In this alternate history, The Centre is portrayed as an ancient, primordial being that predates humanity itself. It is described as the very source of life on Earth, a sentient landmass that witnessed the rise and fall of prehistoric creatures and eventually grew to despise humanity, whom it perceives as a threat to the planet’s balance. The Centre is not a conventional villain. It is a massive, floating island with psychic and reality-altering abilities. Its consciousness spans across its entire form, making it nearly impossible to attack or reason with in any traditional sense. The Centre’s powers include: <!--[if !supportLists]-->·         <!--[endif]-->Telepathy: The Centre can communicate with and manipulate the minds of others, sending visions, inducing madness, or telepathically broadcasting its intentions. <!--[if !supportLists]-->·         <!--[endif]-->Physical Invulnerability: Its immense size and composition make it resistant to most forms of attack, even those from the world’s strongest superheroes. <!--[if !supportLists]-->·         <!--[endif]-->Creation of Monsters: The Centre spawns various mutated and monstrous creatures to defend itself and attack humanity. <!--[if !supportLists]-->·         <!--[endif]-->Levitation and Flight: It can float above the Earth, moving with intention and purpose. In "DC: The New Frontier," The Centre’s appearance catalyzes the unification of the DC universe’s heroes, including Superman, Batman, Wonder Woman, Green Lantern, and The Flash. Realizing that The Centre’s power is too great for any single hero to face alone, they join forces, combining their unique abilities and intellects in a coordinated assault. This is basically the precursor for the Justice League and would be an interesting story to loosely adapt if you were, say, building a new cohesive universe. 

Rian Johnson, the acclaimed writer-director behind the “Knives Out” franchise, has made headlines with his latest entry, “Wake Up Dead Man: A Knives Out Mystery.” Johnson has openly described this third film as the closest the series has come to emulating the classic structure of an Agatha Christie novel—a deliberate shift from the subversive approaches of “Knives Out” and “Glass Onion.” At the Deadline Contenders London event, Johnson explained that “Wake Up Dead Man” adopts a “more traditional murder mystery structure,” echoing the formula Christie perfected. In his words: “This is how most Agatha Christie books work, where in the first act you meet all the suspects, you meet the protagonist, who’s not the detective. Then the murder happens, and the detective shows up.” This marks a departure from the previous films, which played with audience expectations—solving the murder early in “Knives Out,” and presenting a deceptively simple case in “Glass Onion.” In “Wake Up Dead Man,” Daniel Craig’s Benoit Blanc returns to tackle a darker, more gothic mystery, set in a remote stone church and featuring religious intrigue. The film’s protagonist, played by Josh O’Connor, is a priest who becomes Blanc’s sidekick, further grounding the story in classic whodunnit territory. Johnson also cited inspiration from Edgar Allan Poe, aiming for a “grounded, gothic tone” that predates Christie’s work. With the release of “Wake Up Dead Man,” Johnson completes his two-film deal with Netflix. So, what’s next? Johnson has confirmed that he will be taking a break from the “Knives Out” series to focus on an original project. “I’m writing right now, [but] it’s not one of these [Knives Out] films. It’s just something completely different, an original thing. I actually feel very energized after making this one [Wake Up Dead Man], but this is three in a row. It’s probably healthy to see other people.” He hasn’t revealed details about this new project or whether it will be with Netflix, but he’s made it clear that he wants to explore a different genre. Johnson’s creative philosophy is to “empty the well and then start from scratch,” ensuring each new film is a fresh challenge. Despite the break, Johnson remains enthusiastic about returning to the world of Benoit Blanc. He’s stated that as long as Daniel Craig is interested and audiences are engaged, he’d be happy to keep making “Knives Out” mysteries for life. Producer Ram Bergman echoed this, saying future installments are possible, but for now, the focus is on Johnson’s original script.

The Season 2 finale of Peacemaker has left fans with mixed feelings and a lot of speculation for the future. Known for its irreverent humor, brutal action, and surprising depth, the closing episode focused more on wrapping up emotional drama but also planted significant seeds for the future of the DC Universe (DCU). This was done through the introduction of Checkmate and Salvation, signaling the long-term direction for the first phase of the new universe. Checkmate, for those unfamiliar with DC Comics lore, is a covert intelligence agency known for operating in the shadows, often handling threats that are too dangerous or politically sensitive for public superhero teams. They first appeared in Action Comics #598, created by Paul Kupperberg and Steve Erwin. While in the comics, the organization is created by Amanda Waller, in the HBO Max series, it is founded by Amanda’s daughter, Leota Adebayo and the rest of the 11th Street Kids using the drug money that Vigilante had been saving. Their arrival marks a significant turning point, suggesting that future seasons—and perhaps other DCU projects—will explore the complex world of espionage, betrayal, and secret wars within the superhero community. Salvation in the comics is a prison planet where Waller and Rick Flag started sending metahumans too powerful to be held in regular prisons. This was introduced in the Salvation Run comic series, originally pitched by George R.R. Martin, written by Bill Willingham and Lilah Sturges and drawn by a variety of artists including Sean Chen and Joe Bennet. This lead into the Final Crisis event which had Darkseid coming to Earth. In the series, Salvation is an alternate reality discovered through the Quantum Unfolding Chamber that appears to be Earth-like and ideal for Flag and Lex Luthor’s plan for a place to send Metahumans. The season ends with Chris Smith aka Peacemaker, forced into Salvation by Argus and left to fend for himself. These introductions show that James Gunn overall plan for Gods & Monsters, the first phase of the DCU, is going to loosely adapt Salvation Run and may lead us to a version of Final Crisis. Even though there is a cliffhanger ending, Gunn has said that there are no immediate plans for a third season of Peacemaker, but he’s promised that these characters will be seen again soon, and the existence of Salvation will playout over all of the DCU including the upcoming Lanterns series and the 2027 film Man of Tomorrow. Reaction to the finale has been mixed with some fans disappointed with the lack of action nor any big cameo that many had speculated. Other fans though appreciated the emotional catharsis achieved by the characters and the new direction which included a few members of Argus, specifically Sasha Bordeaux, Langston Feury and Judo Master, becoming members of Checkmate along with the 11th Street Kids. Where and how we’ll see this story continue has yet to be announced.    

One of the more controversial things in this summer’s Superman film was the appearance of Kara Zor-El aka Supegirl played by House of the Dragon’s Milly Alcock. The character has been on screen before, first played by Helen Slater and then Melissa Benoist and in both interpretations the character came across in a lot of ways as a female version of her cousin, Kal-El. This didn’t make sense to writer Ana Nogueira who DC Studios asked to take a swing at writing a new feature for. Nogueira, a former actor turned writer, told Variety, “She watched Krypton completely be destroyed. I was always like, ‘I can’t get my head around the version of the character that is so sunny.’” And then she came across Tom King’s Woman of Tomorrow series with a rougher, grittier, edgier and funnier Supergirl. “When I read it, I was like, ‘There she is,’” Nogueira says. Fueled by this different take on the character, Nogueira crafted a script that not only won over DC Studios co-heads James Gunn and Peter Safran, but earned her two more assignments, Wonder Woman and Teen Titans. Supergirl, directed by Craig Gillespie, will hit theaters in June of 2026. 

While appearing at the Hamptons International Film Festival to promote her new film Eternity, Elizabeth Olsen was asked about a possible return to the MCU. “It is something that I love, and it’s something I always want to return to. I think the thing that’s been so special about the last five years is I’ve gotten to do so much with the character that I never thought I would. There are still character through lines that have happened in the comics that I’d love to do that I think fans also want to. I mean, these movies aren’t for critics, these movies are for fans.” Olsen first appeared as Wanda Maximoff in a brief cameo at the end of Captain America: The Winter Soldier in 2014 and reprised the roles in Avengers: Age of Ultron (2015), Captain America: Civil War (2016), Avengers: Infinity War (2018), Avengers: End Game (2019) and Doctor Strange in the Multiverse of Madness (2022) as well as lead a spinoff Disney+ series, WandaVision in 2021. And while her character has died, that doesn’t necessarily mean the end when it comes to comic=book-based movies. And while she’s not been announced for any new Scarlet Witch projects, she remains very positive towards the whole thing. “It’s really fruitful, and the stories have only gotten better for me, my character. I really enjoyed it. Some people have ongoing television series that they get to return to. Very few, I feel like, get to be a part of franchises that, I know we might culturally get a little bit exhausted by, but there is something about them that becomes very familial. There’s nothing else really like it, and I don’t know that I’ll have [that] again unless it’s for an ongoing show. I do like that kind of consistency. It feels good. I mean, job security feels nice — I think we can all agree on that.” 

If you're a fan of Peacemaker, you may have recognized the familiar face of Keith Smith as David Denman, a seasoned actor whose career spans television, film, and even stage performances. Denman is perhaps best known for his role as Roy Anderson on the beloved NBC sitcom The Office. He played Pam Beesly’s fiancé during the first few seasons, making frequent appearances and creating memorable moments in the show's iconic Scranton branch setting. Where I first saw him was as Brian Murphy, one of the football players in the sports comedy The Replacements, starring alongside Keanu Reeves and Gene Hackman. His portrayal of the tough yet endearing deaf tight end made him a standout in this memorable ensemble cast. He also starred alongside John Krasinski in 13 Hours: The Secret Soldiers of Benghazi, portraying a member of the security team. Denman worked with James Gunn previously in the horror film Brightburn, playing the adoptive father to the film’s central character. Denman’s television career includes appearances in shows like Parenthood, Outcast, and Mare of Easttown. His ability to slip into a variety of characters has made him a familiar face to audiences across genres, from comedy and drama to horror and action. In addition to his main roles, Denman has also shown up in guest spots on popular series such as Grey’s Anatomy, True Detective, and The X-Files. His versatility and range have made him a reliable presence in Hollywood for over two decades. So, if you’re watching Peacemaker and wondering where you’ve seen David Denman before, chances are it’s been in one of these standout projects. His extensive resume ensures that he’s a familiar face to fans of both television and film. 

After several seasons of quirky humor and heartwarming family moments, Fox has officially canceled the animated series The Great North. The series premiered on Fox as part of the network’s Sunday night animation lineup, joining the ranks of beloved shows like Bob’s Burgers and The Simpsons. Created by Wendy Molyneux, Lizzie Molyneux-Logelin, and Minty Lewis, the show focused on the Tobin family living in the wilds of Alaska. Its cast featured the voices of Nick Offerman, Jenny Slate, Will Forte, and Dulcé Sloan, who brought the unique and eccentric characters to life. Fox did not cite a specific reason for the cancellation. Despite positive critical reception and a loyal audience, The Great North struggled to achieve the same mainstream popularity as some of its animated peers. This likely contributed to the network’s decision to end the series. 

If you are enjoying season 2 of Peacemaker and are wondering if there is going to be a season 3… well, sort of. According to writer/director James Gunn, the eight and final episode of the season will set up what’s next, “Some of these characters will continue, but also, it’s not exactly Peacemaker 3. I’m not ruling it out. You’ll see (episode) 8 and maybe you’ll find out a little bit more.” There is speculation that this might be tied into the planned Amanda Waller series with Viola Davis, which has been progressing slowly since the initial Gunn/Peter Safran announcement. One interesting thing, it seems this week’s scene between Lex Luthor (Nicholas Hoult) and Rick Flag Sr. (Frank Grillo) had been in the works even before the Earth X plot for the season had been settled on. “When I pitched to DCU what the basic stories were throughout the TV shows and movies, this was a part of that.” The Belle Reve scene and the Justice Gang auditions were filmed on consecutive Saturdays during the filming of the Superman movie. There is also one more Superman character crossover to come in episode 8.  

Tom Holland is on the mend after an incident on the set of Spider-Man: Brand New Day which left the actor with a concussion and a week off as production halted. Holland was well enough to attend a recent gala for his parents’ nonprofit The Brothers Trust alongside his fiancée and co-star Zendaya. He posted to Instagram, “What a night! Another huge success. The Brothers Trust means more to me than I could possibly say and I have to say a huge thank you to my Mum and her wonderful friends for putting on another incredible night. Raising money for fantastic causes and having fun doing it! I’m sorry I had to leave early but I’m feeling better and on the mend. A huge thanks to my Dad for taking over after I left. The show got considerably funnier.” Holland received the mild concussion during a stunt gone wrong and was taken to the hospital immediately but not admitted. The film is being shot in Scotland and even with the delay should still be able to make it’s July 31st, 2026 release date.