DF Interview: Deniz Camp mixes history, politics and comics lore into the saga of ‘20th Century Men’



By Byron Brewer

At the end of the 20th century, superheroes, geniuses, madmen, and activists rush towards WWIII! A Soviet "iron" hero, a super-powered American president, an insane cyborg soldier, an Afghan woman hellbent on building a better life for her people: these strange yet familiar beings collide in a story that mixes history, politics, and comics mythology into something totally new.

Welcome to 20th Century Men – from writer Deniz Camp and artist S. Morian – where the edges of our reality and fiction touch, overlap… and then explode! I had to learn about this new book right away, and so sat down and chatted with scribe Deniz Camp.


Byron Brewer: Deniz, tell readers about the inspiration for 20th Century Men, a very layered, speculative comic, I would say. Is this a concept you have been carrying around for awhile? It is very tight and concentrated, as good comics are.



Deniz Camp: I have been thinking about it for a long time, but the story has changed and evolved in the writing, as I think all the best ones do. The main goal is, and has always been, to put as much humanity into these pages as possible. I think people are their most beautiful when they are at their lowest, that vulnerability is the truest, bravest, most inspiring thing in the world. War doesn’t interest me for the sake of war, war interests me because it’s human beings in extremis, and there you can find every human characteristic in heightened state. Everyone is beautiful, and ugly, there, often at the same time.

In terms of being tight/concentrated, I think that’s just my overall obsession. Decompressed comics can be and have been great, but the ones that made me a fan were the ones that gave you a lot. It takes a lot more work, but I’m not here to make disposable comics. I want you to be reading and rereading my comics all month, all year, for the rest of your life.


Byron: Can you give us an overview of the atmosphere of the world you and artist S. Morian are building here? What is life like on this Earth (I assume), and how did it get this way?



Deniz Camp: This world is pretty similar to our own, actually. I wanted to keep the story grounded and historical, to intertwine the fantastic with real events. The major difference is that super soldiers have been a significant factor in the outcome of both world wars, Korea, Vietnam and, now, Afghanistan. The Soviet Union is stronger here than it was in the real world, thanks to the super-technology and economic reforms of one of our characters, Petar Platonov, The Iron Star. Much of what we know from our world still happened, but HOW it happened is different; for instance, there was a Chernobyl meltdown in this world, but it was the result of a super-powered conflict, not a technological malfunction.

Most of the action takes place in Afghanistan, during the incredibly brutal Soviet invasion and occupation of the 1980s. In our world, the Soviets have managed almost complete victory thanks to the direct intervention of the Iron Star. But things quickly change, and the International “Great Powers” — represented by super-powered stand-ins — converge on the country to fight their proxy war, without consideration for the damage they do to the Afghan people.
There will be a bunch of easter eggs and fun twists for fans of history and pop culture, but you won’t need to know of that to enjoy it.
This is a world very much on the brink, with sentient weapons of mass destruction working in the brutal interest of their states with almost total impunity. It’s a powder keg that seems ready to blow at any moment.


Byron: Introduce readers to your protagonists, which I am guessing are “...a Soviet ‘iron’ hero, a super-powered American president, an insane cyborg soldier, an Afghan woman hellbent on building a better life for her people”. Who are they, and what is their common denominator?



Deniz Camp: We have a pretty large cast, none of whom are the “main” character. Our POV shifts issue to issue, and the goal here is to establish for the audience one interpretation of events, and then, through other characters, undercut or challenge that interpretation.

We start with Petar Platonov, the soviet diplomat-hero the Iron Star. He’s an alcoholic genius weapons manufacturer who built himself a futuristic suit of armor. Sound familiar?
We also see President Thomas Goode. Goode was one of the first super-soldiers, emerging in WWII with the name The American Dream. He is America’s greatest hero, having defeated the Nazi Uber-mench, commanded American forces in Vietnam, and is generally one of the most beloved Americans to ever live. He’s also a sociopath who sees war as a purifying process, and as the president he’s got the power to do something about it.
There’s Egon Teller, an American technological genius who helped design American weapons as “The Big Idea” in Vietnam and has since become the richest man in the world. He regrets pretty much everything and is trying to atone, with mixed results.
Azra is an Afghan woman who is extremely smart — even smarter than she lets on — and is trying to balance all the various factions for the good of her people. When we open she works for Platonov as his right hand, but by the first issue she leaves to pursue her own goals.
Finally, there’s a Soviet reporter nicknamed Krylov. He comes to the war to report on what’s happening, “to find the truth about war”. It quickly becomes clear he was not at all prepared.
There are many, many other characters, and I genuinely empathize and love each of them, for all their madness and flaws. It’s a big, sprawling cast, but we try to make all of them come alive.


Byron: No spoilers, but you can tell from issue #1 that there will be a great deal of subtext in this mini-series – which, I agree, is for readers to interpret each to his own. But from a writer’s POV crafting such a tale, talk about juggling historic fact and fiction, trope politics and, best of all, comic book lore into such a satisfactory blend. Very different!



Deniz Camp: I’m glad you think so! I guess it just comes out of a mix of a lot of stuff that interests me. You can’t really understand characters without understanding their context, geographical, historical, cultural. It’s all one thing, and I spend a lot of time reading about all that, even before I started planning this story.

The deeper you go the more complicated you realize it all is, for everyone — and also, beautiful. And terrible. And funny. I think we’re able to get some of that complication into the book. I’m really proud of that.
The key is the characters. I know it’s a cliche, but it really is true; everything is in service of making these people come alive.


Byron: 20th Century Men has some brutal character work, especially the first issue. What character in the limited series best reflects its creator (scribe Camp)?



Deniz Camp: There’s a character we introduce in the second issue, a Russian reporter nicknamed Krylov. The artist based his face on mine, so that’s the obvious one! He’s a young man way out of his depth, not as smart as he thinks he is, no less destructive for being “well meaning”. Sounds about right!



Byron: Haha!… Talk about your collaboration with S. Morian, and the artist’s epic contributions to this saga.



Deniz Camp: This has been the most intimate collaboration of my life, without a doubt. S. Morian is a natural storyteller and a total genius. Our process is chaotic and work intensive and beautiful. We brainstorm together before I start to write a script, then I write a full script with panels and all the traditional stuff — then he changes what needs to be changed, sometimes drastically, sometimes not at all. He compensates for my weaknesses in a big way, and magnifies my strengths; he gets what I’m TRYING to do, and often has a better way of doing it.

He has such a variety of styles and techniques at his disposal, and changes them almost every scene to better fit the story. It is impossible to overstate how much he adds. There is no book without him.
When the art comes back I basically rewrite the whole thing from scratch to better fit his work. The end result is something that feels as though it were made by one person, I think, a person more talented than either of us alone.
And the process is dynamic, always changing. Occasionally I’ll give him just a basic description of something and he’ll go and make a scene, and I’ll letter it from scratch. It’s such an incredible experience, truly. Chaotic and scary at times, but I think that comes out on the page.
He isn’t just a collaborator, he is my brother, and the friendship that has emerged from creating this book is one of the best things ever to come out of my comics career.


Byron: Deniz, what other projects in which you are involved can you tell readers about?



Deniz Camp: My creator owned series, Agent of WORLDE, comes out from Scout Comics June 29th. It’s a mad, sci-fi spy story half a decade in the making in the vein of Hard Boiled, the Filth, and Casanova, with the most intricate, beautiful art you’ve ever seen from series artist Filya Bratukhin (and colorist/designer/saint Jason Wordie) — comparisons are often made to Geof Darrow and Frank Quitely, and with good reason. Each issue is a self contained mission, as Agent Philip Blank faces time travelers, aliens, robot armies, and his belligerent Orangutan boss.

Bloodshot Unleashed launches in September from Valiant Comics. My partners on that are Jon Davis Hunt (of The Wildstorm fame), Jordie Bellaire and Hassan Otsmane Elhaou. Another “done in one” series, we are doing beautiful violence in 20 pages, as Bloodshot tracks down a bunch of escaped living weapons and struggles with his own demons. Every issue is centered around an incredible action set piece, but we also go very deep into Bloodshot’s head (figuratively and literally). I’m extremely happy with how it’s turning out; there’s never been a Valiant book quite like it.
And then, soon to be announced, I’ve got a middle grade graphic novel coming out sometime in 2024, I think. It’s different for me, but exciting. But I’m not allowed to talk about it.


Dynamic Forces would like to thank Deniz Camp for taking time out of his busy schedule to answer our questions. 20th Century Men #1 from Image Comics is slated to be on sale Aug. 17th!



For more news and up-to-date announcements, join us here at Dynamic Forces, www.dynamicforces.com/htmlfiles/, “LIKE” us on Facebook, www.facebook.com/dynamicforcesinc, and follow us on Twitter, www.twitter.com/dynamicforces.

Eric Kripke, the creator and showrunner of the hit series "The Boys," recently shared an exciting update about the highly anticipated spin-off, "The Boys: Mexico." In a recent interview, Kripke revealed that the pilot for "The Boys: Mexico" is currently in development and described the project as "super fun" with a "totally different tone" compared to the original series. Kripke emphasized that while the new spin-off will exist within the same universe as "The Boys," it will offer a unique perspective and style. He praised the involvement of executive producers Gael García Bernal and Diego Luna, noting that they are deeply engaged with the project. The script for the pilot, penned by Gareth Dunnet-Alcocer, is reportedly "good," and Kripke expressed confidence in its potential. "The Boys: Mexico" was first announced in 2023, and the series is expected to film in Mexico, though specific plot details remain under wraps. Bernal and Luna, who are longtime friends and collaborators, may also appear in the series, albeit in smaller roles. This new spin-off is part of a broader expansion of "The Boys" universe, which includes other projects like "Gen V," "Vought Rising," and the animated series "The Boys Presents: Diabolical”. With "The Boys" preparing to wrap up its fifth and final season in 2026, "The Boys: Mexico" represents a significant step in continuing the franchise's legacy and exploring new narratives within its satirical superhero world. 

Sean Astin, the beloved actor known for his roles in "The Lord of the Rings," "Stranger Things," and "Rudy," has been elected as the new president of SAG-AFTRA, the union representing approximately 160,000 actors, announcers, broadcast journalists, dancers, DJs, program hosts, recording artists, and other entertainment and media professionals . Astin, who is the son of the late Academy Award-winning actress Patty Duke, succeeds Fran Drescher, who served as the union's president for four years . Astin's election marks a significant moment for the union, as he received an overwhelming 79% of the vote, defeating his opponent, Chuck Slavin . Michelle Hurd, known for her roles in "Ash vs. Evil Dead," "Blindspot," and "Star Trek: Picard," was elected as the union's secretary-treasurer . In his acceptance speech, Astin expressed his gratitude to the members for their support and emphasized the importance of optimism and creativity as the union navigates through challenging times . He also acknowledged the legacy of his mother, Patty Duke, who served as the president of the Screen Actors Guild from 1985 to 1988 . Astin's election comes at a critical time for SAG-AFTRA, as the union prepares for upcoming contract negotiations with the major studios. The industry is facing numerous challenges, including the impact of artificial intelligence on performers' work, streaming residuals, and the increasing costs of healthcare . Astin's leadership and experience on various negotiating committees will be crucial in addressing these issues and advocating for the rights and interests of the union's members . With his extensive career in Hollywood and strong union ties, Astin is well-positioned to lead SAG-AFTRA into a future defined by confidence, progress, and fierce advocacy . His election is a testament to the trust and support he has garnered from the union's members, and his commitment to representing their interests and ensuring their voices are heard . 

The first three episodes of Peacemaker season two has led to a lot of speculation about the “Best Dimension Ever” as Chris Smith calls it and just what might be the big twist coming up later in the season. And while we are not getting into the spoiler game, we thought it would be helpful to explain what everyone is talking about.   So possibly spoilers if everyone is guessing right. Leave now if you don’t want to know.   Still here? Okay.   In DC Comics’ multiverse, few alternate Earths are as haunting and politically charged as Earth-X. First introduced in Justice League of America #107 (1973), Earth-X imagines a world where Nazi Germany won World War II, plunging the planet into a totalitarian nightmare. Earth-X is a parallel universe within DC’s Pre-Crisis Multiverse. Unlike Earth-One or Earth-Two, Earth-X is defined by its alternate historical trajectory: the Axis powers emerged victorious in WWII, and the Nazi regime continues to dominate global affairs well into the 20th century. Some of the unique things about the dimension is that there were no native superheroes originally existed on Earth-X. The planet’s defenders are immigrants from Earth-Two, led by the patriotic spirit Uncle Sam. The world is locked in a perpetual struggle between fascist control and scattered resistance movements. To combat the oppressive regime, Uncle Sam formed the Freedom Fighters, a ragtag team of heroes from other Earths who chose to stay and fight that includes: The Ray, Phantom Lady, Black Condor, Doll Man, Human Bomb, and Red Bee. Doll Man was mentioned in season one of Peacemaker. These characters came from DC’s acquisition of Quality Comics similar to how Peacemaker was part of DC’s acquisition of Charlton Comics. If this is the direction James Gunn is going in season two, and the clues so far do point in this general direction, this would not be the first time we’ve seen Earth X represented in live action. The Arrowverse did a crossover event called Crisis on Earth-X which introduced us to variations of characters like Green Arrow and Supergirl and brought the Ray to television screens. While this remains to be just speculation, the reality that Peacemaker is visiting does have a few oddities to it that are leading fans to this idea including how Chris along with his dad and brother are revered when Auggie was an over-the-top racist in the main DCU. And then if you look closely when Chris is in that reality you’ll notice an extreme lack of diversity among the background actors where Gunn is known for the opposite in his other projects. While this may not end up being Earth-X, it does feel like Gunn is setting up a twist that will pull the rug out from under Peacemaker.     

The first night of the 2025 Creative Arts Emmy Awards lit up the Peacock Theater in downtown Los Angeles with a celebration of television’s behind-the-scenes brilliance and standout guest performances. While the Primetime Emmys are still a week away, this precursor event honored the artisans, designers, and guest stars who bring depth and texture to the small screen. Here’s a breakdown of the biggest winners and standout moments from Night One: 1. The Studio (Apple TV+) – 9 Wins Apple TV+’s satirical drama The Studio dominated the evening, taking home nine trophies. Among its accolades: <!--[if !supportLists]-->·         <!--[endif]-->Outstanding Contemporary Costumes for a Series <!--[if !supportLists]-->·         <!--[endif]-->Production Design for a Narrative Contemporary Program <!--[if !supportLists]-->·         <!--[endif]-->Guest Actor in a Drama Series – Bryan Cranston 2. The Penguin (HBO) – 8 Wins HBO’s gritty crime drama The Penguin followed closely with eight awards, showcasing its technical prowess: <!--[if !supportLists]-->·         <!--[endif]-->Contemporary Makeup (Non-Prosthetic) <!--[if !supportLists]-->·         <!--[endif]-->Prosthetic Makeup <!--[if !supportLists]-->·         <!--[endif]-->Contemporary Costumes for a Limited Series <!--[if !supportLists]-->·         <!--[endif]-->Hairstyling <!--[if !supportLists]-->·         <!--[endif]-->Sound Editing and Mixing <!--[if !supportLists]-->·         <!--[endif]-->Special Visual Effects 3. Severance (Apple TV+) – 6 Wins The psychological thriller Severance continued its critical streak: <!--[if !supportLists]-->·         <!--[endif]-->Production Design <!--[if !supportLists]-->·         <!--[endif]-->Guest Actress in a Drama Series – Merritt Wever 4. Arcane (Netflix) – 4 Wins The animated series Arcane impressed with: <!--[if !supportLists]-->·         <!--[endif]-->Outstanding Animated Program <!--[if !supportLists]-->·         <!--[endif]-->Character Voice-Over Performance – Julie Andrews <!--[if !supportLists]-->·         <!--[endif]-->Background and Color Design Notable Guest Acting Wins <!--[if !supportLists]-->·         <!--[endif]-->Bryan Cranston (The Studio) – Guest Actor in a Drama Series <!--[if !supportLists]-->·         <!--[endif]-->Julianne Nicholson (Hacks) – Guest Actress in a Comedy Series <!--[if !supportLists]-->·         <!--[endif]-->Shawn Hatosy (The Pitt) – Guest Actor in a Comedy Series <!--[if !supportLists]-->·         <!--[endif]-->Merritt Wever (Severance) – Guest Actress in a Drama Series Craft and Design Highlights <!--[if !supportLists]-->·         <!--[endif]-->Bridgerton dazzled with a win for Outstanding Period Costumes <!--[if !supportLists]-->·         <!--[endif]-->House of the Dragon earned recognition for Fantasy/Sci-Fi Makeup <!--[if !supportLists]-->·         <!--[endif]-->Andor took home awards for Costumes, Production Design, and Picture Editing With Night Two set to continue the celebration of television’s finest in writing, casting, and editing, the Creative Arts Emmys have already set a high bar. And with The Studio, The Penguin, and Severance leading the charge, the Primetime Emmys promise a thrilling showdown.  

The DC Universe is expanding rapidly, and with James Gunn’s announcement of Man of Tomorrow—the next chapter in the Superman Saga—fans are dissecting every social media breadcrumb for clues. One of the most intriguing reactions came from Lanterns star Aaron Pierre, whose subtle comment has ignited speculation that his portrayal of John Stewart may leap from HBO Max to the big screen. James Gunn revealed Man of Tomorrow will hit theaters on July 9, 2027, featuring returning stars David Corenswet as Superman and Nicholas Hoult as Lex Luthor. Though Gunn clarified it’s not a direct sequel to Superman (2025), the film is expected to be a major ensemble piece, continuing the “Superman Saga” with a broader Justice Gang presence. Aaron Pierre, who is set to debut as John Stewart in HBO’s Lanterns next year, responded to Gunn’s Instagram post with a simple but tantalizing comment: “Yes, indeed!”. While brief, the timing and context of the comment—especially as a reply to Hawkgirl actress Isabela Merced’s “See you soon”—suggest Pierre may be hinting at his involvement in Man of Tomorrow. Fans immediately latched onto the exchange, interpreting it as a soft confirmation that Stewart will join Superman, Hawkgirl, and potentially other Justice Gang members in the upcoming film. Given Stewart’s prominence in DC lore and his longstanding partnership with Superman in animated series like Justice League Unlimited, the move would make narrative sense. Pierre’s portrayal of John Stewart is already generating buzz ahead of Lanterns, where he stars opposite Kyle Chandler’s Hal Jordan and Nathan Fillion’s Guy Gardner. Stewart is expected to be the emotional anchor of the series, and many believe he’s being positioned as the DCU’s flagship Green Lantern. Pierre’s comment joins a wave of social media teases from other cast members. Isabela Merced, Rachel Brosnahan, and Skyler Gisondo have all hinted at their return, while rumors swirl around appearances by Supergirl, Peacemaker, and even Lobo. Though Gunn has yet to confirm Pierre’s involvement, the director has stated that Man of Tomorrow will feature “a group of characters we’ve already met”—a description that fits Stewart perfectly. 

Marvel fans have been buzzing for weeks, dissecting every cryptic post and offhand comment from Ryan Reynolds in hopes of confirming Deadpool’s involvement in the upcoming Avengers: Doomsday. Now, Reynolds has finally addressed the rumors—and in true Deadpool fashion, he’s left us with more questions than answers. It all began with a seemingly innocuous Instagram post: Reynolds shared an image of the Avengers logo spray-painted with a red “A,” igniting speculation that Deadpool would join the MCU’s biggest ensemble since Endgame. The timing was suspicious—just weeks after Marvel unveiled the Doomsday cast, notably without Reynolds’ name. During a press tour for his new documentary John Candy: I Like Me, Reynolds was asked point-blank about his involvement in Avengers: Doomsday. His response? “There’s four [John Candy Easter eggs] that I’ve got in there. Of course, I’ve written them all at home in my PJs, and nobody’s seen ’em nor have I stepped foot on set. But, yeah, that’s about as far as I’ll go on that one.” It’s a classic Reynolds dodge—playful, vague, and just enough to keep fans guessing. In a separate interview, Reynolds clarified that the red “A” logo wasn’t a tease for Doomsday, but rather a variant flag design from Deadpool & Wolverine that didn’t make the final cut. He explained: “That was just a flag. I came across it and thought, ‘Oh yeah, I loved that flag. The red and black vibe.’” Marvel Studios president Kevin Feige has hinted that not all cast members have been revealed, leaving the door wide open for Reynolds to make a surprise appearance. While Reynolds remains coy, insiders suggest that even if Deadpool doesn’t appear in Doomsday, he may play a pivotal role in Avengers: Secret Wars, the Phase 6 finale. With a solo X-Men project reportedly in development, the Merc with a Mouth isn’t going anywhere. 

It’s a weird weekend at the box office as Weapons returns to first place on its fourth weekend with $12.4M for the four-day stretch. A re-release of the classic Jaws takes second with $9.8M while the two new releases Caught Stealing ($9.5M) and Roses ($8M) take third and fifth respectively. Also on it’s fourth weekend, Freakier Friday pulls in $8.3M for fourth place. The big summer superhero films are hanging on with the Fantastic Four making $6M for seventh place and Superman swooping up another $3.28M even though it has already been released on home consumption. Not quite breaking into the top ten is the Toxic Avengers finally getting a theatrical release and earning $2.2 million over the holiday weekend. 

With the new season of Peacemaker underway, DC fans have been wondering about the announced series set to focus on Amanda Waller, former head of ARGUS and Taskforce X. While on-line scoopers have called the series dead, co-head of DC Studios, James Gunn says that Viola Davis lead series is still in the works. The writer/director of Superman told People, “We’re working on it, so we’ll see what happens. Some things have moved faster than others. Waller’s not been the fastest. But I can’t wait to see Viola put on their Waller pants again.” The series was originally planned to run prior to the second season of Peacemaker, but Gunn has admitted that Waller has been a difficult series to crack and that he wrote the second season of Peacemaker quickly, which is why it came out first. The most recent update had Christal Henry from Watchmen and Doom Patrol creator Jeremy Carver on board to write the series, but those announcements were made a few years back. 

Fans eager to return to the blood-soaked arenas of Outworld will have to wait a little longer. Warner Bros. has officially delayed the release of Mortal Kombat II, moving the highly anticipated sequel from its original October 24, 2025 slot to May 15, 2026. According to studio insiders, the decision wasn’t due to production issues—the film is reportedly completed and has already screened for press. Instead, Warner Bros. is making a strategic play, aiming to capitalize on the lucrative early summer box office window. The move mirrors the success of Final Destination: Bloodlines, which opened in mid-May and raked in over $50 million. An official post from the studio teased, “The tournament demands a new time and place, worthy of its spectacle”—a fittingly dramatic justification for the shift. The sequel introduces Karl Urban as Johnny Cage, a fan-favorite character who was notably absent from the 2021 reboot. Urban has described the film as “a significant level-up,” comparing it to how The Road Warrior elevated the Mad Max franchise. The trailer, which broke records with over 106 million views in 24 hours, showcases the franchise’s signature fatalities and brutal choreography. Directed by Simon McQuoid and written by Jeremy Slater, Mortal Kombat II promises to deliver the full tournament fans craved in the first film. This time, Earthrealm’s champions will face off against interdimensional foes in a no-holds-barred battle to stop the dark reign of Shao Kahn. The new release date places the film between The Devil Wears Prada 2 (May 1) and The Mandalorian & Grogu (May 22), giving it a prime spot to dominate the box office. 

At today’s Destination D23 presentation, Marvel Studios pulled back the curtain—just slightly—on one of its most anticipated projects: Avengers: Doomsday. In a pre-recorded video message from the set in London, directors Joe and Anthony Russo addressed fans with palpable excitement, calling the film “the biggest movie they’ve ever made”. The Russo Brothers, known for helming Avengers: Infinity War and Endgame, are back in action, this time tackling a multiversal crisis of unprecedented scale. Filming is underway at Pinewood Studios and other international locations, including Bahrain and Windsor Great Park. The directors were joined in the video by Paul Rudd, who playfully interrupted their message, blocking the camera and turning the update into a light-hearted moment that delighted fans. Rudd added, “We’re surrounded by jaw-dropping sets and some truly incredible talent… Bringing this story to the big screen means the world to us, and we couldn’t do it without your support”. The film is co-written by Stephen McFeely and Michael Waldron (creator of Loki), with cinematography by Newton Thomas Sigel (Bohemian Rhapsody, X-Men: Days of Future Past) and production design by Kasra Farahani. The plot centers on the collapse of the multiverse, with Earth’s Mightiest Heroes racing to stop catastrophic incursions—collisions between realities that threaten existence itself. At the heart of the chaos is Victor Von Doom, played by none other than Robert Downey Jr., marking a dramatic shift from his iconic role as Tony Stark. Doomsday is slated for release on December 18, 2026, followed by its sequel Avengers: Secret Wars on December 17, 2027.