DF INTERVIEW: PAUL TOBIN UNLEASHES MURDER, MAYHEM AND MATHEMATICS IN ‘A CALCULATED MAN’05/27/22 @ 7:42 am EST
Source: Dynamic Forces | Categories: MIsc | Comments (0) | E-mail Article | Add a Comment
DF Interview: Paul Tobin unleashes murder, mayhem and mathematics in ‘A Calculated Man’, now in early development by Hulu as a TV series By Byron BrewerA verifiable math genius, Jack Beans used to run the numbers for the Pinafore crime family, until one day he ran them too well and concluded that the only way out of this life was in a casket or Witness Protection. So, he turned state's evidence and ran.
Now, the Pinafores are out to end their favorite accountant. Little do they know that Jack's skills with math and his perfect memory have made him a better killer than they ever could have realized. What follows is a journey full of murder, mayhem and mathematics.
Writer Paul Tobin (Bunny Mask, My Date With Monsters) and artist Alberto Albuquerque (Amazing Spider-Man, Savage Sword) unleash a master of math on a mission to eliminate a criminal empire for good.
AfterShock had be at “Paul Tobin”. I sat down with my old friend and acclaimed scribe to see what he is concocting for us in this noir tale, literally by the numbers!
Byron Brewer: Paul, I had to reshuffle my deck of Qs after the news that your coming comic, A Calculated Man, is in the very early stages of development by Hulu as a television series. I know you cannot discuss this at all, at least at this stage, but can you at least tell us how it feels having a comic as yet unpublished be so highly thought of? And any other remarks about the situation that you are free to make. Paul Tobin: It was a fun process, bringing A Calculated Man to Hulu. We grabbed a lot of interest from different studios immediately upon announcing the upcoming process, and Lee Kramer, AfterShock’s film/TV guru, kept me up to date on all the various incoming offers and thoughts from the studios. We liked Hulu’s thoughts the most, and Peter Calloway being aboard helped turn my eye in Hulu’s direction, because I’ve always admired his work. It was weird, though, still working on the fourth issue of the series when it had already sold to Hulu! I had to put aside thoughts of what actors might portray Jack Beans and the others, and focus on what is always paramount to me: a good story with interesting characters, making the best comic I can.
Byron: Tell readers a little bit about your inspiration for this crime comic, A Calculated Man. Was this take on murder, mayhem and mathematics something that has been bubbling on the Tobin backburner awhile? Paul Tobin: To a certain degree, yes. I love a good action/crime story, but I wanted to wait until I had something unique, something that really spoke to my love of character. I have a love for somewhat eccentric geniuses, the likes of Richard Feynman, or the INCREDIBLY eccentric Jack Parsons, and I started to have thoughts of, “What if they applied that genius outside their own fields?” A Calculated Man grew from that germ.
Byron: Introduce us to math genius Jack Beans. Tell what his life was like and what it will become in this series. Can you offer any insight into the character of the man beyond mathematics? Paul Tobin: Jack is far more than just mathematics. He has several other aspects that deviate from the norm. His memory is absolute, for one, and he sees numbers as colors, which contributes to his math genius, and he absolutely can’t lie. At all. That said, I really wanted to make Jack normal in most respects. I’m tired of entertainment tropes that say if a person is gifted in one way, they must “pay the price” in some other way, aka Rain Man. Jack is, for the most part, a pretty normal guy. You could have a beer with him and never know he was any different from anyone else at the bar.
Byron: What can you tell readers about the Pinafore crime family? Any individuals you can spotlight here as well? Paul Tobin: Hector Pinafore is the head of the company. Is he a bad guy? Oh, absolutely yes. But not that bad a guy for a crime lord. He’ll even draw the line at some crimes. His son turns him against Jack, though, convincing his dad that Jack—the family’s ex-accountant—is too dangerous to let live. After all, this is a guy who knows everything, forgets nothing, and can’t lie. It’s decided Jack has to die, and events snowball from there.
Byron: What other important characters might you let us know about? Is there an agent who is Jack’s contact with Witness Protection, or similar? Love this storyline! Paul Tobin: Other main characters are Omaha Avery, Jack’s contact in the Witness Protection agency. Omaha and Jack have an actual friendship that’s built over the years, but Omaha is retiring, and his replacement, Elene Santos, isn’t quite the Jack fan that Omaha has been. Another hugely important character to the plot is Jack’s “kind of” girlfriend, Vera, a woman he met online, and who he’s never met in person at the start of the series. Jack’s relationship with Vera is odd, because he doesn’t want to tell her the truth about his life, but…he literally can’t lie. Jack solves this in a unique way that readers can see in the series!
Byron: Can you give readers a type of overview for this coming series, an extended elevator pitch, if you will? Paul Tobin: I talk about it as John Wick, mixed with A Beautiful Mind, when ex-mobster/math genius Jack Beans is flushed from hiding in the Witness Protection program, and decides that all he needs to do to safely return to his old life is…kill every last member of the Pinafore crime family.
Byron: Talk about the pulse-pounding pencils of artist Alberto Albuquerque. What makes him right for this book? Paul Tobin: Alberto is right for ANY book. I love working with him because he’ll always bring an ENTIRE scene to life. If I ask him for a city scene, there will be unique architecture populated by interesting, unique people. He manages to make anything, from a bedroom to a boardroom to a back alley, vibrant. He inspires me to bring more to the story. And plus we’ve been friends for years, and have interests outside comics as well, which I think can really help with a creative team. It allows us to feel like more than a couple of people brought together in their work: we’re friends having a blast sharing our passion for telling stories in our own way.
Byron: Paul, what other projects do you have upcoming that you can tell readers about? Paul Tobin: In the all-ages market, I still have more Plants vs. Zombies and Wrassle Castle on the way. In the horror field, I’m still working on Bunny Mask, and there are two more horror series on my slate. I’m also working on a western. Never really had a good western idea coalesce in my head, but it finally happened! Really excited about it. I have a huge graphic novel that I just finished scripting, based around adventure and cooking (yeah!). And then there’s another horror germ that’s been percolating, and that’ll probably find a home, too. And, as I continue to make my mark on several genres, I even have a romance on the way!
Dynamic Forces would like to thank Paul Tobin for taking time out of his busy schedule to answer our questions. A Calculated Man #1 from AfterShock Comics is slated to be on sale June 15th! Stay tuned to DF News on further information of the comic’s development into a Hulu TV series. For more news and up-to-date announcements, join us here at Dynamic Forces, www.dynamicforces.com/htmlfiles/, “LIKE” us on Facebook, www.facebook.com/dynamicforcesinc, and follow us on Twitter, www.twitter.com/dynamicforces.
RYAN COOGLER SAYS BLACK PANTHER 3 IS NEXT FOR HIM11/16/25 @ 12:48 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a CommentWhile most of the focus over at Marvel Studios is currently on the pair of upcoming
Avengers films,
Ryan Coogler is ready to return to Wakanda for a third
Black Panther film. We’d heard of the possibility of the film originally from
Denzel Washington who, while speaking of his potential retirement, mentioned the film as one of his future projects and then when
Nate Moore left Marvel last year, he said he would be back producing the third
Black Panther film. Now, Coogler himself said while on stage talking about his film Sinners, that Black Panther 3 would be his next movie. The series kicked off with
Chadwick Boseman as T’Challa, king of the African Nation of Wakanda and while he reprised the role in Avengers: Infinity War and Endgame, he sadly passed away shortly after. The sequel dealt with the characters death and passed the mantle on to his sister Shuri played by
Letitia Wright who is expected to reprise the role in the upcoming Avenger films, but with talks of a potential soft reboot of the MCU, it’s unclear who will be wearing the mask for the third film.
JIMMY OLSEN SERIES HEADS TO HBO MAX11/16/25 @ 12:31 pm EST
Source: Variety | Comments (0) | E-mail Article | Add a CommentThe most recent news on the DCU has to do with Jimmy Olsen.
Variety is reporting that
Skyler Gisondo will reprise his role from
Superman in a true-crime docuseries style show that focuses on villains in the universe starting with the Flash rogue, Gorilla Grodd.
Tony Yacenda and
Dan Perrault are set to write and showrun with
James Gunn and
Peter Safran joining them as executive producers. The show is planned for HBO Max and will be a mockumentary style similar to Yacenda and Perrault’s previous series like
American Vandal and
Players. In the original report,
Variety claimed the series would be called
DC Crime, something Gunn took to social media to debunk, saying there had never been any project in production called
DC Crime, he then added that his saying that doesn’t mean that the rest of the report is false. This sounds like a pretty good confirmation to me.
GOLDSTEIN AND DALEY TO HELM NEW STAR TREK FILM11/15/25 @ 12:49 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a CommentA new
Star Trek film is in the works and Paramount is tapping the team of
Jonathan Goldstein and
John Frances Daley to write, produce and direct. This news comes shortly after
David Ellison, founder of Skydance who recently purchased the studio, told investors that the next
Star Trek film would not be a sequel to the
Chris Pine/
Zachary Quinto lead series of films. While this hasn’t been 100% confirmed, word is that the new film will be focused on new characters and not directly tied to any previous film or television series. Goldstein and Daley have a good track record when it comes to revitalizing franchises having written
Spider-Man: Homecoming for Marvel Studios and wrote and directed
Dungeons & Dragons: Honor Among Thieves which was very well received by fans and critics.
MILES TELLER BLAMES FANTASTIC FOUR 2015 FAILURE ON ONE PERSON11/15/25 @ 12:32 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a CommentWith
The Fantastic Four: First Steps having moved to Disney+, the
Pedro Pascal and
Vanessa Kirby lead team is now first in fans minds. But one person still thinks about the First Family of Marvel presented a decade ago and what went wrong.
Miles Teller, who played Reed Richards in
Josh Trank’s 2015 version of the property, still thinks about the project and how he believes the problems all came down to one person. Teller was on Sirius XM’s
Radio Andy show said, “You saw the movie, right? Your eyes were working during that time? I think it’s unfortunate because so many people worked so hard on that movie. And, honestly, maybe there was one really important person who kind of f***ed it all up.” While Teller didn’t say who that was, he was referring to the person who made the final cut on the film, which was not director Trank. Teller said that he wanted a superhero film on his resume to help show him as a serious leading man, but after seeing the final cut recalled, “I remember talking to one of the studio heads, and I was like, ‘I think we’re in trouble.'” The 2015 version made $167 million worldwide compared to this year’s version which made $521 million. He stopped short of calling for a director’s cut of the film.
WHY THE CREEPER SHOULD GET HIS OWN DCU FILM11/09/25 @ 2:03 pm EST
Source: Wikipedia | Comments (0) | E-mail Article | Add a CommentThe Creeper is a unique character from DC Comics, first introduced in "Showcase #73" in 1968. Created by Steve Ditko, The Creeper’s real name is Jack Ryder, a former television talk show host and investigative journalist in Gotham City. After being attacked during an undercover operation at a costume party, Ryder is injected with a serum by Dr. Yatz and gains superhuman abilities, including enhanced strength, agility, rapid healing, and a pain tolerance bordering on the supernatural. The serum, combined with a bizarre costume, transforms him into The Creeper, a vigilante known for his wild laughter, erratic behavior, and flamboyant appearance—a shock of green hair, yellow skin, and a red mane-like cape. The Creeper remains largely untouched by mainstream media, providing an opportunity to introduce audiences to a fresh face and break away from more established archetypes. His blend of horror, humor, and psychological complexity could create a film that stands out from traditional superhero fare. The Creeper’s unsettling persona and visual style lend themselves well to a film that could blend genres—horror, black comedy, and superhero action. His maniacal laugh and unpredictable methods could inject dark humor and psychological thrills, appealing to fans of films like "Joker" and "Deadpool" while carving out a distinctive identity in the DCU. Jack Ryder’s journey from cynical journalist to bizarre vigilante offers rich storytelling potential. Exploring themes of identity, sanity, and the nature of heroism, a Creeper film could delve into Ryder’s internal struggles and the impact of his dual life, making for a character-driven narrative that resonates with audiences seeking depth and complexity. And with being set in Gotham City, The Creeper’s adventures naturally intersect with the city’s gritty underworld, providing opportunities for noir-style detective storytelling. His background in journalism and investigation can be leveraged to create suspenseful plots involving corruption, criminal conspiracies, and moral ambiguity—making him an ideal protagonist for a film that explores the darker aspects of the DC Universe. The Creeper stands as one of DC Comics’ most unconventional and intriguing characters. His untapped potential, distinctive personality, and ability to straddle multiple genres make him a perfect candidate to lead a film in the new DCU.
PREDATOR: BADLANDS HAS FRANCHISE BEST OPENING11/09/25 @ 1:37 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a CommentPredator: Badlands is doing very well, thanks for asking. The latest film in the long-running franchise set a few high franchise marks including domestic opening with $40M, best worldwide opening with $80M and best Cinemascore with an A-. The film also sits a the top of this week’s box office beating out the 2nd place film, Regretting You, by $32.9M… though that film is in its 3rd week. Other new films opening this week,
Sarah’s Oil and
Nuremberg, opened in 4th and 5th with just over $4M each.
Badlands is the third
Predator project for director
Dan Trachtenberg, the first
Prey showed how he could handle the franchise but then he wanted to follow it up with an animated film,
Killer of Killers and then for the first time
Badlands make the Predator the protagonist.
BROWN AND HARBOUR APPEAR TOGETHER ON RED CARPET11/08/25 @ 4:21 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a CommentRecent reports about problems on the set of
Stranger Things may not have been what they seemed. There were stories being published that
Millie Bobby Brown had filed a report against co-star
David Habour, accusing the older actor of bullying. But the validity of those reports are now in question as both Brown and Harbour joined their Stranger Things cast members at the red=carpet premiere of the show’s fifth and final season. Brown and Harbour were seen joking together and even hugging. Brown has also spoke of Habour to Extra, saying: “It’s been amazing. We’re so lucky to have each other. The show means so much to the both of us, and to everyone here. This has been the last 10 years of our lives.” Brown stars as the psych-powered Eleven and Harbour plays Sherriff Jim Hopper who ends up adopting her. The fifth and final season will release on Netflix in three sets with Volume 1 on November 26 (four episodes), Volume 2 on Christmas (three episodes), and The Finale on New Year’s Eve.
A KILLER BY ANY OTHER NAME.... 11/01/25 @ 2:53 pm EST
Source: comicbook.com | Comments (0) | E-mail Article | Add a CommentThere is a major movie franchise out there that is not going by its original name and it’s thanks to the star. When screenwriter
Derek Kolstad finished what would become is most popular film, he was inspired by revenge-thrillers with one-word titles like
Payback and
Shooter. He dubbed his film,
Scorn. The problem came when the star of the film went out and talked about it, he always referred to it by the lead character’s name rather than the title. After a while, the studio realized that their star,
Keanu Reeves, had done millions of dollars worth of brand recognition for the name John Wick… they decided to go with it and renamed the film. Why Reeves did this is unknown, but Kolstad has since admitted that
John Wick is a better franchise name, saying, “I can’t imagine it being Scorn now.” Was this an intentional thing on Reeves’ part or just a happy coincidence? We may never know.
OCTOBER 2025 - WHAT COULD'VE BEEN11/01/25 @ 2:38 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a CommentIf you check the major Hollywood sites like
Deadline and
Variety, they’ll tell you that October 2025 has been the lowest box office take in almost 30 years. It sits currently at $440 million with a few days left to add. In 1998 the box office did $455 million, which this month should just creep past. By comparison October 2018 did $832 million with just three films:
Venom,
A Star is Born and
Halloween, taking in $481 million. But last year, October only took in $478 million showing the decreasing trend. Adding to the decline is the fact that no major releases were scheduled for this weekend because of the Halloween holiday. And what was put into theaters the whole month really didn’t get people’s attention.
Tron: Ares was the highest profile film and that hasn’t even broken $70 million in its four weeks in theaters. When you look at numbers like that, it’s hard not to think about what might have been. There was a big budget film slated for release this month, a film that got delayed and delayed and hasn’t even started filming. A film that finally has a finished script and is set to release in October of 2027… that of course is
Matt Reeves’ The Batman Part 2. One of the most anticipated films currently in production, the sequel to the 2022 hit, bolstered also by the fan favorite HBO series
The Penguin, would easily match and likely succeed the success of the first film.
The Batman opened on March 4, 2022 and ended that month with $338 million domestically. It was originally scheduled to be released October 3rd, looking at that release date, this year there really wasn’t any big film put in its place. The film would’ve done better than the first and that amount would’ve driven 2025 towards the top of the list, maybe even surpassing 2018. Ah, what could’ve been.
NEW TRADEMARK FILING HINTS AT FUTURE OF DCU10/26/25 @ 12:25 pm EST
Source: The Direct | Comments (0) | E-mail Article | Add a CommentDC Studios has potentially taken a significant step by filing for a trademark for a film titled "Salvation Run." A move that isn’t too surprising since the Salvation planet and the idea of using it as a prison for meta humans was introduced in the season finale of Peacemaker season 2. But the filing does indicate just how big this idea could be for the DCU. "Salvation Run" is a storyline from DC Comics that originally ran in the late 2000s. The story centers on the mass exile of some of DC's most notorious villains to a hostile alien world, forcing them to band together for survival. It was a concept originally pitched to DC by Game of Thrones writer George R.R. Martin. The trademark filing by DC Studios suggests that the company is considering developing "Salvation Run" into a feature film. While trademark filings do not guarantee that a film will be produced, they often indicate serious intent or early-stage development. The filing protects the title and concept, ensuring that DC Studios retains exclusive rights as plans evolve. Should "Salvation Run" move forward, it could introduce a fresh dynamic to DC's film slate. Instead of focusing on heroes, this story would shine a spotlight on villains, possibly expanding character development and offering audiences new perspectives on well-known antagonists. It also opens opportunities for ensemble casting, complex storytelling, and connections to other DC properties.