DF Interview: James Patrick unleashes cool science fiction, a dash of horror and, oh yeah, perhaps the end of the world in ‘Astronaut Down’



By Byron Brewer

Douglas Spitzer wants to be one of the "astronauts" selected for the crucial Mission Politzer. And just as astronauts like Buzz Aldrin and Sally Ride, Douglas is brave, adaptable and self-sacrificing. He's one of the program's best candidates.

But if he qualifies, Douglas won't be traveling through space; he'll be launched into alternate realities on a desperate mission to save Earth from a horrific crisis that has our world on the brink of extinction. Unfortunately, it's a mission where everything will go wrong, where Douglas' training and very humanity will be put to the test, and where a deep-seeded secret could sabotage everything.
Writer James Patrick (Kaiju Score, Campisi: The Dragon Incident) and artist Rubine (Search for Hu) lead us on a perilous undertaking to save the planet from total destruction in Astronaut Down! They had ME at “Buzz Aldrin and Sally Ride”, so I tethered myself to a wall and floated into an anti-grav chamber to discuss the coming comic with scribe James Patrick.


Byron Brewer: James, tell readers a little about the inspiration for Astronaut Down coming soon from AfterShock Comics. Curiously, I heard it had to do with your fondness for the 2020 film Possessor, written and directed by Brandon Cronenberg?



James Patrick: Sure. And yeah, Possessor had kind of pushed me into making this particular book. I watched and loved that movie, and the aesthetic and originality was just mesmerizing to me. It had a unique mix of sci-fi, realism and violence. It was one of my favorite movies that year. And so I wanted, initially, to kind of just create after seeing that. To do a unique mixture. You come out of certain art, viewing it or listening to it, with kind of a high and kind of an urge to create. Now, the final product that is Astronaut Down does not resemble Possessor. It didn't inspire it in that way. It's more of a carrot that gets you off the couch and to the keyboard, and that was the big giant carrot at that moment. And I've heard a lot of creative people say that same thing about the Green Knight lately – a kind of, "I want to do something that feels like the Green Knight!" – and this was exactly that. So yeah, this thing started spinning out of that spark, and we threw in some 70's NASA, some Akira, and a dash of maybe Moebius when the scripts started growing.

And the other inspiration for the book was that I had a sh*t ton of stuff rejected and I wanted another book! I'd just come off the success of Kaiju Score, I knew there was a window in there to maybe take advantage of, and I didn't want it to pass by.
So yeah, my two motivations were Possessor and practicality.


Byron: Before we discuss more about the comic and its cast, what can you say about the world you and artist Rubine are building here? Give us just a taste of this Earth, where folks travel through things other than space and oceans.



James Patrick: The canvas here is kind of our world and kind of not our world. It resembles ours. I've said this in interviews before, but it gets the point across. Frank Miller once said he uses iconic pieces of different eras to fill Sin City. So, he might like a gun from the 20's or a car from the 50’s and so on. Astronaut Down isn't exactly like that, but to put the reader in the right sort of mindset, hopefully, we used a little 70's NASA, even though what's occurring hasn't occurred in our world yet and would technically be the future. All while society is in a place that's straight out of two years ago to now. So there's no locking down if this is our world or when it would be in our world. And all of that doesn't work on a conscious level unless people think about it. So there's this world where there's a similar program for sending people into alternate realities just like NASA sends astronauts to space or the moon. It's approached the same way, here it's been sped up out of necessity, and all the problems that come with an expedited space race arise. And the backdrop is a world that is dealing with a crisis that has changed it dramatically physically and societally, the latter of which is very similar to covid. There's just no denying this is a post-covid book the same way you can feel the post-9-11 influences in entertainment after 9-11. I did not set out to make some allegory on covid in any way, but when I needed certain elements to populate this story, it made sense. It made sense for the mechanics of the story.



Byron: Introduce us to Douglas Spitzer. Who is he as a character, his vocation and family, and how those may or may not have bearing on what we’ll be reading in this exciting new mag?



James Patrick: Douglas has had one course his whole life. He's aimed, trained and been focused on one thing: to be an astronaut. Whether it be to explore space or, in this case, the more symbolic version of what that means and explore alternate realities. He's been on this path and he thinks he has everything that's necessary – the exact tool-set – but when his destiny occurs and everything is on the line, he realizes there's been a wrench thrown into it. And it begins to reveal itself at the worst time.



Byron: No spoilers needed, but talk a little about Mission Politzer and how that converges with Spitzer’s life.



James Patrick: Mission Politzer is one of the missions to put an "astronaut" into another reality in an attempt to save the world. Previous missions have ended in disaster. Launches have gone horribly wrong for the "astronauts", and it's basically all come down to this to save everything. It's going to be their last shot since they're out of time. So imagine if you had to send a space shuttle up after Challenger and the stakes were, well, everything. Douglas is one of the astronauts. He's exceptional. Physically. He thinks that there is no way he can not succeed at this mission.



Byron: Are there a few other characters in the series that you can tell readers about? Maybe spotlight two or three here?



James Patrick: After Douglas, the Project Manager of Mission Politzer is Beverly Engle, and she has to not only save the world, she has to deal with all the fallout and bullsh*t that revolves around the mission. A press that's critical of her every decision. Her own self-doubt. The very stakes of the decisions she makes when it comes to selecting the astronauts, the timetable, etc. And then there's Maddie, who I won't get into, but she's a breath of fresh air that is completely the opposite of the duty-driven Douglas. She evens him out.



Byron: I will probably get a “Read the book” comment for this, but I am going to see if I can get a bit about some of the book’s mysteries. Can you give readers even the slightest of clues about a crisis which threatens Earth or an existing secret which may lead to the failure of Mission Politzer? (Haha! I know, I know… read the book.)



James Patrick: The crisis is essentially a crisis that has to do with the laws of physics and I won't get into the specifics or its origins. This is comics, so it's executed in a visual way. And how the world deals with this crisis is, as I've hinted at, similar to the different ways we dealt with covid. Where it goes from there I won't spoil, but I will say that, yes, there is a deep-seeded ticking time bomb that all of this place into Mission Politzer. A personal truth that nobody knows. It's very hard to describe it more without giving too much away.



Byron: What makes artist Rubine a great fit for this series?



James Patrick: Well, firstly and generally, he's just an exceptionally talented artist. But he also has a knack for finding that realism while still drawing amazing sci-fi. His storytelling is also very clean. And they say that the more complex a story, the more need for a cleaner art style. I'm not saying the story is super complex, but in any event he delivers it perfectly.



Byron: James, what other projects in which you are involved can you tell readers about?



James Patrick: Campisi: The Dragon Incident TPB, which collects the series, just came out on May 11th, Kaiju Score: Steal from the Gods, the sequel to Kaiju Score (optioned by Sony) is coming out right now and issue 2 hits stands on May 18th. I can't say too much about anything after those and Astronaut Down.



Dynamic Forces would like to thank James Patrick for taking time out of his busy schedule to answer our questions. Astronaut Down #1 from AfterShock Comics is slated to be on sale June 1st!
For more news and up-to-date announcements, join us here at Dynamic Forces, www.dynamicforces.com/htmlfiles/, “LIKE” us on Facebook, www.facebook.com/dynamicforcesinc, and follow us on Twitter, www.twitter.com/dynamicforces.

In a twist worthy of a Hollywood script, Ryan Coogler’s breakout horror film Sinners—a 2025 box office juggernaut—owes part of its haunting aesthetic to a Marvel movie that never made it to set. The film’s eerie, period-perfect costumes were originally designed for Marvel Studios’ long-delayed Blade reboot, which remains in production limbo. According to Sinners producer Sev Ohanian, the film’s costume designer, Oscar-winner Ruth E. Carter (Black Panther), had been working on Blade when the project was shelved indefinitely. That version of Blade, starring Mahershala Ali, was once envisioned as a 1920s-set vampire thriller—eerily similar in tone and era to Sinners. When Sinners was greenlit on a tight schedule, Carter had a warehouse full of unused, period-appropriate costumes. Marvel, in a rare behind-the-scenes collaboration, allowed Coogler’s team to purchase the wardrobe “at price”. While the main cast including Michael B. Jordan, Hailee Steinfeld, and others wore custom-designed costumes tailored specifically for their characters, many of the extras in Sinners were dressed in the repurposed Blade costumes, giving the film a rich, textured authenticity without the usual prep time. First announced in 2019, Marvel’s Blade reboot has faced repeated delays due to creative changes, director exits, and industry strikes. The film was removed from Disney’s release calendar in 2024 and remains without a confirmed production date. Despite the setbacks, Mahershala Ali has expressed continued interest in the role, recently telling reporters, “Call Marvel. I’m ready”. 

Nearly 50 years after One Flew Over the Cuckoo’s Nest became a cinematic landmark, a new television spinoff is in the works—this time told through the eyes of the character who saw everything but said very little: Chief Bromden. Producer Paul Zaentz, nephew of the original film’s producer Saul Zaentz, revealed on the CK Café podcast that he has signed an agreement with the widow of author Ken Kesey to develop a TV series based on the 1962 novel. The first season will be told entirely from the perspective of Chief Bromden, the towering half-Native American patient who pretended to be deaf and mute in the original story. Zaentz explained that the series will begin within the psychiatric hospital, as in the original, but will then follow Chief’s journey after his dramatic escape—territory the original film never explored. While Milos Forman’s 1975 film adaptation won five Academy Awards, including Best Picture and Best Actor for Jack Nicholson, it famously diverged from Kesey’s novel by shifting the narrative focus from Chief Bromden to Randle McMurphy. Kesey was openly critical of this change. The upcoming series aims to restore the novel’s original point of view and delve deeper into the Chief’s inner world. Chief Bromden’s character—played by Will Sampson in the film—was a symbol of silent resistance and eventual emancipation. The new series promises to explore his backstory, his psychological trauma, and his life beyond the institution. It’s a chance to reframe the narrative around Indigenous identity, mental health, and the long shadow of institutionalization. 

Julian McMahon, the charismatic Australian actor known for his iconic roles in Nip/Tuck, Charmed, and the Fantastic Four films, has passed away at the age of 56 following a private battle with cancer. His wife, Kelly McMahon, confirmed that he died peacefully on July 2, 2025, in Clearwater, Florida. Born in Sydney on July 27, 1968, McMahon was the son of former Australian Prime Minister William McMahon. He began his career as a model before transitioning to acting in Australian soaps like The Power, The Passion and Home and Away. His move to Hollywood led to breakout roles in Profiler and Charmed, where he played the complex and seductive demon Cole Turner. But it was his portrayal of Dr. Christian Troy in FX’s Nip/Tuck that cemented his status as a television icon. The role earned him a Golden Globe nomination and showcased his ability to balance charm, darkness, and vulnerability. He later brought gravitas to the role of Victor Von Doom in the Fantastic Four films, becoming one of Marvel’s earliest cinematic villains. McMahon’s career spanned decades and genres. He starred in FBI: Most Wanted as Jess LaCroix, appeared in Hulu’s Runaways, and most recently played the Australian Prime Minister in Netflix’s The Residence—a poignant nod to his real-life heritage. McMahon is survived by his wife Kelly and his daughter Madison, whom he shared with ex-wife Brooke Burns. In her statement, Kelly described him as a man who “loved life… and whose deepest wish was to bring joy into as many lives as possible”. 

Jim Shooter was a towering figure in the comic book industry—both literally and professionally. He began his career at just 14 years old, writing for DC Comics, where he made a splash with stories for the Legion of Super-Heroes. His early creations included characters like Karate Kid, Ferro Lad, and Princess Projectra, as well as the villain group Fatal Five. Here’s a snapshot of his legacy: <!--[if !supportLists]-->·         <!--[endif]-->DC Comics: Started as a teenage writer, contributing to Adventure Comics and Action Comics. <!--[if !supportLists]-->·         <!--[endif]-->Marvel Comics: Rose to become Editor-in-Chief from 1978 to 1987. Under his leadership: <!--[if !supportLists]-->o    <!--[endif]-->Oversaw iconic runs like Uncanny X-Men by Claremont & Byrne, Daredevil by Frank Miller, and Thor by Walt Simonson. <!--[if !supportLists]-->o    <!--[endif]-->Introduced creator royalties and launched the Epic imprint for creator-owned work. <!--[if !supportLists]-->o    <!--[endif]-->Created the first major crossover event: Secret Wars. <!--[if !supportLists]-->·         <!--[endif]-->Valiant Comics: Co-founded the publisher in the early '90s, bringing characters like Solar: Man of the Atom and Harbinger to life. <!--[if !supportLists]-->·         <!--[endif]-->Also founded Defiant Comics and Broadway Comics, though both were short-lived. Shooter was known for his strict editorial style, which helped Marvel stay on schedule but also led to clashes with many creators. Despite the friction, his tenure is credited with revitalizing Marvel during a critical period. Jim Shooter passed away on June 30, 2025, at the age of 73. His influence on comics—both in storytelling and industry practices—remains profound. 

In the ever-watchful world of fandom sleuthing, even a simple Instagram follow can ignite a firestorm of speculation. That’s exactly what happened when filmmaker and DC Studios co-head James Gunn followed actress Adria Arjona on Instagram—a move that fans quickly interpreted as a hint she might be cast as the next Wonder Woman. But Gunn was quick to clarify: “I followed Adria on Instagram, but everybody came out, ‘He just followed her, that means she’s Wonder Woman!’” he said in a recent interview with Extra. “She’d be a great Wonder Woman, by the way. But she was in a movie that I made seven years ago. We’ve been friends and have known each other since that time. I followed her then, I didn’t just follow her.” The film Gunn referred to is The Belko Experiment (2016), which he produced and in which Arjona appeared. Their professional relationship and friendship date back to that project, making the social media follow less of a casting clue and more of a long-standing connection. Still, Gunn’s comment that Arjona “would be a great Wonder Woman” has only fueled fan enthusiasm. With a new Wonder Woman film currently in development and the DC Universe undergoing a major reboot, speculation remains high—even if Gunn insists fans shouldn’t read too much into his Instagram activity. 

In a move that blends personal branding with practical necessity, It’s Always Sunny in Philadelphia star and co-creator Rob McElhenney has officially filed to change his name to Rob Mac. The decision, confirmed by McElhenney himself, marks a significant shift for the actor, writer, and entrepreneur whose surname has long been a source of confusion—and comedy. McElhenney, whose last name has famously stumped fans and media alike (despite Ryan Reynolds’ musical pronunciation tutorial), cited global business expansion as the primary reason. As his company, More Better Industries, continues to invest internationally—including ventures in Colombia and Mexico—he found that “McElhenney” was often mispronounced or misunderstood. “As our business and our storytelling is expanding into other regions of the world and other languages in which my name is even harder to pronounce, I’m just going by Rob Mac,” he told Variety. Interestingly, the name “Mac” isn’t just a simplification—it’s also a nod to his iconic Always Sunny character, known simply as Mac. It’s a full-circle moment that blends his personal identity with his pop culture persona. The name change is already being reflected in FX press materials for both It’s Always Sunny and Welcome to Wrexham, the Emmy-winning docuseries chronicling McElhenney and Reynolds’ ownership of Wrexham AFC. 

ABC has officially pulled the plug on Doctor Odyssey, the high-concept medical drama from prolific creator Ryan Murphy, after just one season. The show, which followed a team of doctors navigating emergencies aboard a luxury cruise ship, will not return for a second voyage. Premiering in fall 2024, Doctor Odyssey starred Joshua Jackson as Dr. Max Bankman, alongside Phillipa Soo, Sean Teale, and Don Johnson. The series blended medical drama with high-seas spectacle, drawing comparisons to The Love Boat with a modern, campy twist. Its trailer broke records with 77.8 million views in 48 hours, and the premiere drew 13.6 million cross-platform viewers. Despite the flashy debut and a loyal cult following, the show struggled to maintain momentum. Ratings dipped over the season, and its linear performance lagged behind other ABC dramas. While ABC has yet to issue a formal cancellation statement, the cast contracts are expiring on Monday with no sign of renewal and the sets are being dismantled. And while the ship has sailed on ABC, Ryan Murphy retains creative control and could potentially revive the series elsewhere, such as Hulu, where it performed well on streaming platforms. 

Is The Batman Part II script finally done? It appears so. Writer/Director Matt Reeves just posted to social media a blurry picture of himself and co-writer Mattson Tomlin that shows the title page for a script with the logo from The Batman and appears to have the title "The Batman: Part II". Co-head of DC Studios James Gunn said recently that he was expecting to get the script soon but denied that the deadline had already passed. If the script is complete and ready to move forward, it is still in plenty of time to make the current release date of October 2027. This should be good news to fans of the director and franchise and also to actor Robert Pattinson who had commented recently that he was worrying he was going to age out of the role if it took too much longer.  

Prime Video’s hit action-thriller Reacher is shaking things up for its fourth season, and one of the most notable changes is the addition of Christopher Rodriguez-Marquette to the cast. The Barry actor steps into the role of Jacob Merrick, a small-town policeman, in a recasting that follows the departure of Jay Baruchel due to personal reasons. Rodriguez-Marquette’s casting came together at lightning speed—he was reportedly selected the same day the role breakdown was released and flown to set within days. His character, Merrick, is said to play a significant role in the upcoming season, which adapts Lee Child’s 13th Jack Reacher novel, Gone Tomorrow. The story kicks off with a tense encounter on a train that spirals into a deadly conspiracy involving powerful enemies. Season 4 also welcomes a host of new faces, including Sydelle Noel, Agnez Mo, Anggun, Kevin Corrigan, Kevin Weisman, Marc Blucas, and Kathleen Robertson. Alan Ritchson returns as the titular Jack Reacher, with Maria Sten reprising her role as Frances Neagley. Rodriguez-Marquette brings a diverse résumé to the series, with recent appearances in Barry, Mozart in the Jungle, and indie films like Grind and Fear, Inc.. 

In a move that’s sending ripples through both Hollywood and Her Majesty’s Secret Service, acclaimed filmmaker Denis Villeneuve has officially been named the director of the next James Bond movie. This marks the first 007 installment under Amazon MGM Studios’ creative leadership, following their acquisition of the franchise’s rights in 2022. Villeneuve, the visionary behind Dune, Arrival, and Blade Runner 2049, brings a reputation for cerebral storytelling and breathtaking visuals. His appointment signals a bold new chapter for the Bond saga—one that may blend the franchise’s signature espionage thrills with a deeper, more atmospheric tone. “Some of my earliest movie-going memories are connected to 007,” Villeneuve said in a statement. “I grew up watching James Bond films with my father, ever since Dr. No with Sean Connery. I’m a die-hard Bond fan. To me, he’s sacred territory. I intend to honor the tradition and open the path for many new missions to come”. The film will be produced by Amy Pascal and David Heyman, with Villeneuve also serving as executive producer alongside Tanya Lapointe. While no release date has been announced, production is expected to begin after Villeneuve completes work on Dune: Part Three, slated for release in late 2026. As for who will don the tuxedo next, speculation continues to swirl. Aaron Taylor-Johnson remains a frontrunner, but no official casting has been confirmed.