| Waiting For Tommy XXXII By Richard Johnston
 | 
                  I first noticed 
				  Brian 
				  Michael Bendis' work at Caliber. A series of crime noir 
				  stories before the likes of David Lapham, Frank 
				  Miller and Paul Grist were mining the field - the work was 
				  edgy, interesting and seemed to have more in common with TV 
				  and Hollywood crime fiction than anything I'd seen before in 
				  comics.
					
					  |  ULTIMATE 
						SPIDER-MAN #1/2
 | Getting 
						  picked up from Image brought that work to a new audience, 
						  especially after working on Todd McFarlane's Spawn and 
						  Sam And Twitch titles. Headhunted by Bill Jemas to co-write 
						  and script Ultimate 
						  Spider-Man, when Harras fell and Joe 
						  Quesada took residence at Bill 
						  Jemas' right hand, Bendis' work was looked on favourably. 
						  Ultimate Spider-Man was the first of the ongoing Marvel 
						  monthlies to get its recent work reprinted in hardback, 
						  with the 'DVD' treatment of springboards, scripts and 
						  insider details. Despite 
						  turning down Ultimate 
						  X-Men when he was approached to recreate that title, 
						  as he felt uncomfortable with the characters, he is 
						  to take over the book for an arc after Mark 
						  Millar leaves. | 
				  
				     
				   While having an occasionally 
					abrasive temperament, Bendis is known in the industry for 
					good times, big smiles and for being a self-deprecatory, approachable 
					individual. Let's see, shall we?
 RICHARD 
					JOHNSTON: Brian, you are charged with polluting children's 
					literature. Taking certain characters created and intended 
					to tell stories to an all-ages audience, and specifically 
					children, and writing stories featuring them to exclude the 
					younger readers. You are in fact part of a modern decline 
					in standards. Monsterman's parody of you writing Peanuts, 
					while amusing, speared the point that in both Daredevil 
					and Alias, you are doing the equivalent of Tijuana bibles, 
					slash/fiction sponsored by the current copyright owners. Alias 
					is the equivalent of a Miramax horror film that co-stars Winnie 
					The Pooh. Daredevil is Winnie The Pooh: His Life In Crime. 
					You have a moral duty to wither write these characters as 
					they were intended, or create other titles/characters from 
					new cloth, and tell their stories without featuring existing 
					juvenile characters in any way. Defend yourself. 
				  
 BRIAN 
					MICHAEL BENDIS: Well, I think my work defends me fine. 
					But Daredevil isn't Winnie The Pooh. And you damn well know 
					it. From the first issue it was a pulp hero comic about paternal 
					revenge. 
				  
 There 
					is no swearing or gratuitous violence in Daredevil or Spider-Man. 
					In fact I could argue that there is less violence in my mainstream 
					comics than any other titles. My violence is quick and painful. 
					And if there is violence it is covered up by gratuitous word 
					balloons :)  
				  
 Alias 
					is an adult book marketed and created for adults. If you are 
					accusing me of not writing down to people, I take that very 
					kindly. It's not my job to be dumb, it's my job to be interesting.
				  
					  |  ULTIMATE 
						SPIDER-MAN TPB
 | The 
						  world is fifty times more sophisticated than it was 
						  twenty years ago and so is our audience. The books reflect 
						  our times, compare the Dick Van Dyke show and Friends, 
						  same plots, same jokes, right? But everything else about 
						  the tone and craft of it are different. We have to move 
						  forward, join us.    RICHARD: 
						  I'm not accusing you of not writing down, merely not 
						  writing inclusively for a character which was created 
						  to appeal to all.  
						  BRIAN: 
						  I don't agree with this either, not everything is for 
						  everyone, in fact some of my most diehard readers don't 
						  read USM because they aren't into the character. But 
						  they do like Jessica Jones. That's also why there are 
						  different Spidey comics published every month, so fans 
						  can choose which type or types they want.   | 
				   RICHARD: 
					Do you see a difference between using Luke Cage or Captain 
					America in Alias and, say, using Tigger, apart from the 
					copyright issues? 
				  
 BRIAN: 
					I really don't. It's not like I used the characters without 
					corporate permission, you act like I am involved in some anarchistic 
					publishing coup. Marvel Comics published the book because 
					they thought it was an interesting way to present the characters...TO 
					ADULTS. It wasn't and never will be marketed towards children, 
					my new born daughter will wait twenty years to find out what 
					is wrong with her father :) 
				  
 RICHARD: 
					Would Tigger make for a fun sex toy? 
				  
 BRIAN: 
					If that's what Pooh Inc wanted to do. Marvel, like Disney, 
					has branched out to their older audience by creating product 
					for them. 
				  
 You really 
					are out on a limb on this one, it doesn't hold up. The warning 
					label on Alias couldn't be larger. And frankly, a kid wouldn't 
					be that interested in it. Batman 
					has been in his fair share of Vertigo books long before I 
					was allowed in the game. 
				  
Continued 
					Here...
				
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