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WAITING FOR TOMMY: IGOR KORDEY
By Richard Johnston

You may find classic examples of such behaviour on the three big websites bringing out the news about me being fired - hundreds of fans are very cheerful and happy over the fact that somebody just lost their job in a very cruel way. Just because they think that I was not good enough for the money they'd invested in those books. and that's the point. If they'd lost their job they'd just bend over and take it, because they don't think about themselves as human beings but as good or bad investment in some company's eyes.

Or another example - on the ComiX-Fan site they were mad at me for calling them names with the explanation that "children might view this site too" but what about my children? How do you think they feel viewing that site and witnessing every single day gentle words like "Kordey sucks" or "I hate Kordey", "his art makes me puke", "his drawings are horrific" etc. Do they feel good being exposed to the notion that their dad sucks?


X-TREME X-MEN: GOD LOVES MAN KILLS TPB

But other people's destinies are obviously not important. - egotism and selfishness are so deeply rooted in the nation. Ex-president of Marvel, a man with two children, was so eager to fire me a year ago if I didn't accept having an inker, knowing full well that I have three children. But I was an obstacle in HIS way to profit and prosperity... and so on and so forth...

At the end, I will repeat once again the ancient proverb -" The best slaves are those who think they are free "

RICHARD JOHNSTON: In the last few years, Marvel have seemed to specialise in a diversity of styles and designs - from Kyle Baker's TRUTH, to Frank Quitely's NEW X-MEN, to Arthur Ranson's X-FACTOR, to your CABLE/SOLDIER X, to Josh Middleton's NYX. Do you think that kind of diverse style is going away... or is it something else?

IGOR: Oh, that was mostly on "Year One", three years ago and there were more of them - the artists I really admire, like Corben, Risso and Zezelj and more. Hardly any of them are around anymore - something to think about ... all of them were different.

RICHARD: Why did you once think working for Marvel would be different? They've been a globalised company for so long, and through their history there have been examples of creators battling editors and publishers - and the creators always lose. Did you think you could make it work for you?

IGOR: If you really care, and I do, you can always try to make a difference - it's about small steps. A waterfall would be nothing without every single drop. And my predecessors always did try; without them it would be much worse today. And three years ago, putting me immediately on books like Cable, with all those political issues, or Black Widow, with stories about the Sado-Masochist underworld, I was given the impression that something was really about to move in the stale super-hero universe.... And I did a good job, changing the point of view of at least. ooh, three people. Okay, probably more. But what more can you hope for?

Pages: 1 | 2 | 3 | 4 Continued Here...

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