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DF INTERVIEW: MARK SABLE TAKES READERS ‘WHERE STARSHIPS GO TO DIE’
05/23/22 @ 8:31 am EST
Source: Dynamic Forces | Categories: MIsc | Comments (0) | E-mail Article | Add a Comment



WHERE STARSHIPS GO TO DIE #1 CVR A HAUN

DF Interview: Mark Sable takes readers ‘Where Starships Go To Die’



By Byron Brewer

Point Nemo: the farthest oceanic point on Earth from any landmass. A spacecraft graveyard where rockets and satellites can be safely ditched on the ocean floor. In a near future ravaged by climate change, an African astronaut teams with an Indian shipping magnate to mount a dangerous salvage mission to recover the wreck of humanity's first interstellar starship. But what they find is beyond their worst nightmares.

Mark Sable (Miskatonic, War on Terror: Godkillers) and Alberto Locatelli (The Believers, Cinque) bring you Where Starships Go To Die, a sci-fi horror tale that will make you rethink the space race. Speaking of which, I put on my running shorts, hopped into the space race, and chatted up this new genre mashup book with my friend, scribe Mark Sable.


Byron Brewer: Mark, from the solicit it sounds like we have some space horror here with an Aliens vibe… except – very cool – it takes place in the oceans of Earth! Voyage to the Bottom of the Sea meets Aliens? Tell readers about the inspiration for this book.



Mark Sable: The initial idea for Where Starships Go To Die was in the discovery of the existence of a real world location called “Point Nemo” (the original title for the book). It’s a spot in the South Pacific that’s the farthest oceanic point from land on Earth. More importantly, it’s a spacecraft graveyard. Nations have been intentionally ditching rockets, satellites and space stations there for decades. Its remote location means that if they miscalculate it’s still very unlikely the wreckage will hit a populated area.

My mind started reeling at the possibility of what might be found down there… and what’s on them.
We created an alternate history of over a century worth of secret space programs and doomed missions. And, I think, a unique threat that we’ve rarely seen in sci-fi.
From a fictional point of view, Ridley Scott’s Alien, John Carpenter’s The Thing and James Cameron’s The Abyss were all influences. I like the idea of mixing sci-fi and horror, and of a small, isolated crew dealing with survival against the unknown.


Byron: Without going into plot or characters, can you lay out our canvas a bit? Talk about the world you and Alberto Locatelli are preparing for readers for this adventure.



Mark Sable: Where Starships Go To Die takes place in 2075. It’s a world that’s been further ravaged by climate change and war.

When the story begins, it seems there’s some hope, though – we’re about to receive the first message from the Deadalus, humankind’s first interstellar starship. It should be reaching Barnard’s Star, a star with a possibly inhabitable exoplanet theoretically reachable by a sub-light ship.
But the Deadalus is sent hurtling back to Earth at seemingly impossible speeds, coming to rest at Point Nemo. The race for the wreckage is on.


Byron: Introduce us please to your main protagonists, an African astronaut and an Indian shipping magnate. What can you tell us (non-spoilers) about their character, their collaboration and their mission?



Mark Sable: A decade before Where Starships Go To Die begins, Captain Samkeli “Sam” Dlameni is set to become the first African in space as the commander of the Daedalus. But his native South Africa is drawn into a war with corporations trying to take over debtor nations. Not only does he miss his chance at making history, he becomes an avowed pacifist due to his wartime service.

When the Daedalus crashes, he’s reluctantly recruited by Kiara Kiathra, a woman who has made her fortune from the world’s largest shipbreaking yard in India. Commander of the salvage vessel known as the Nautilus, she’s determined to recover the Daedalus’ experimental fusion reactor, which she hopes can be used to share free energy with the poor of the global south, who have been the greatest victims of climate change.
She persuades Sam to take up the mission because she presents him with convincing evidence that the Daedalus is somehow still intact, giving him a chance to finally realize his dream of piloting it. But where he’s cautious and peaceful, she’s a ruthless risk taker who believes she’s descended from Jules Verne’s Captain Nemo. They are very clearly headed for a collision course.


Byron: What other important characters can you spotlight here for us?



Mark Sable: One of the things I’m most proud of is this book’s diverse global cast. Rounding out the crew are:

Dr. Varella, an Argentinian naval surgeon. She’s there to study the corpses on the Daedalus to see the effects of deep space on the human body, with the hopes of using that knowledge to make us more resilient to the worsening conditions here on Earth. A noble goal, but having your ship’s doctor be so cold and clinical is a recipe for conflict when things start to go bad.
Eka, an Indonesian warrior in charge of the Nautilus’ security, has got a dark past. A supposedly reformed pirate, the methods he chooses to defend the crew puts him into immediate opposition with Sam’s pacifism.
Finally, there’s Danilo, a Filipino oceanographer is maybe the most critical character to the crew’s survival. He pilots the Nautilus’ DSRV – Deep Sea Recovery Vehicle. The Daedalus is located at the very bottom of the ocean, and they simply cannot reach it without him. He’s maybe my favorite character because he’s filled with a childlike sense of wonder…but when he’s tested, Danilo shows a surprising amount of courage.


Byron: There is something or someone aboard the wreck of humanity’s first interstellar starship. Any non - “read the book” clues?



Mark Sable: Oh man, that’s a tough question! I’d direct readers to one of my other sources of inspiration, a podcast called Josh Clark’s The End of the World. It poses the question of why we haven’t found life on other planets. One of the possible answers is something so terrifying it makes me thing we’re better off alone in the universe.



Byron: Could you give readers a summation, an extended overview of this series?



Mark Sable: Initially, Sam, Kiara and the rest of the crew is faced with the challenge of locating and raising a wreck from the most remote spot on Earth. But soon, they find themselves competing with the warring U.S. and Chinese navies, discovering other wrecks from doomed missions constituting secret space programs from history’s worst regimes, and finally, confronting something not of this world that is hunting them one by one. All the while, trying to survive in the most hostile environment on this planet. Each issue ups the stakes considerably.



Byron: Talk about your collaboration on this mag with artist Alberto Locatelli.



Mark Sable: Alberto was a revelation. His storytelling and characterization are incredible, filled with a tremendous amount of energy and emotion.

Because this is a project with sci-fi and horror elements, I wanted to ground this series with as much reality as possible. I threw a ton of reference at him, and he not only nailed all of it, he imbued it – and the book as a whole – with tremendous heart.
He might be the real star of this book, and I wouldn’t be surprised to see everyone clamoring to work with him.


Byron: Mark, are there any other projects in which you are involved you can tell readers about?



Mark Sable: I’m currently working on two more projects for AfterShock, which has been a great home for me since doing Godkillers and Miskatonic with them over the past couple of years. Only one has been announced, a collaboration with artist Andrea Olimpieri, and all we can say about it is that it’s hard sci-fi.

I’m doing another sci-fi book with Jeremy Haun (who did the covers for Where Starships Go To Die and my other AfterShock books) at Comixology Originals and Dark Horse, which published The Dark and Dracula: Son of the Dragon last year. I wish I could say more, but if you’ve seen Jeremy’s work, you’ll love it.
And I’m completing work on Chaotic Neutral, a combination fantasy comic/fantasy role-playing adventure that artist/co-creator Chris Anderson and I did a successful Kickstarter for in the fall. The comic has been long done, and I’m currently playtesting the module with my weekly D&D group. At some point, we hope to make it available to those who missed the Kickstarter via Backerkit – follow me on social media for updates on that front.
There’s more in the works, but that’s all I’m allowed to mention for now. I’m really grateful to my readers and publishers for keeping me so busy and giving me the opportunity to tell stories with such great collaborators.


Dynamic Forces would like to thank Mark Sable for taking time out of his busy schedule to answer our questions. Where Starships Go To Die #1 from AfterShock Comics is slated to be on sale June 8th!



For more news and up-to-date announcements, join us here at Dynamic Forces, www.dynamicforces.com/htmlfiles/, LIKE us on Facebook, www.facebook.com/dynamicforcesinc, and follow us on Twitter, www.twitter.com/dynamicforces.
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SINNERS BOUGHT COSTUMES FROM MARVEL'S DELAYED BLADE PRODUCTION
07/05/25 @ 1:54 pm EST
Source: Variety | Comments (0) | E-mail Article | Add a Comment
In a twist worthy of a Hollywood script, Ryan Coogler’s breakout horror film Sinners—a 2025 box office juggernaut—owes part of its haunting aesthetic to a Marvel movie that never made it to set. The film’s eerie, period-perfect costumes were originally designed for Marvel Studios’ long-delayed Blade reboot, which remains in production limbo. According to Sinners producer Sev Ohanian, the film’s costume designer, Oscar-winner Ruth E. Carter (Black Panther), had been working on Blade when the project was shelved indefinitely. That version of Blade, starring Mahershala Ali, was once envisioned as a 1920s-set vampire thriller—eerily similar in tone and era to Sinners. When Sinners was greenlit on a tight schedule, Carter had a warehouse full of unused, period-appropriate costumes. Marvel, in a rare behind-the-scenes collaboration, allowed Coogler’s team to purchase the wardrobe “at price”. While the main cast including Michael B. Jordan, Hailee Steinfeld, and others wore custom-designed costumes tailored specifically for their characters, many of the extras in Sinners were dressed in the repurposed Blade costumes, giving the film a rich, textured authenticity without the usual prep time. First announced in 2019, Marvel’s Blade reboot has faced repeated delays due to creative changes, director exits, and industry strikes. The film was removed from Disney’s release calendar in 2024 and remains without a confirmed production date. Despite the setbacks, Mahershala Ali has expressed continued interest in the role, recently telling reporters, “Call Marvel. I’m ready”.Sinners 
ONE FLEW OVER THE CUCKOO’S NEST SPINOFF SERIES TO EXPLORE CHIEF BROMDEN’S STORY
07/05/25 @ 1:29 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a Comment
Nearly 50 years after One Flew Over the Cuckoo’s Nest became a cinematic landmark, a new television spinoff is in the works—this time told through the eyes of the character who saw everything but said very little: Chief Bromden. Producer Paul Zaentz, nephew of the original film’s producer Saul Zaentz, revealed on the CK Café podcast that he has signed an agreement with the widow of author Ken Kesey to develop a TV series based on the 1962 novel. The first season will be told entirely from the perspective of Chief Bromden, the towering half-Native American patient who pretended to be deaf and mute in the original story. Zaentz explained that the series will begin within the psychiatric hospital, as in the original, but will then follow Chief’s journey after his dramatic escape—territory the original film never explored. While Milos Forman’s 1975 film adaptation won five Academy Awards, including Best Picture and Best Actor for Jack Nicholson, it famously diverged from Kesey’s novel by shifting the narrative focus from Chief Bromden to Randle McMurphy. Kesey was openly critical of this change. The upcoming series aims to restore the novel’s original point of view and delve deeper into the Chief’s inner world. Chief Bromden’s character—played by Will Sampson in the film—was a symbol of silent resistance and eventual emancipation. The new series promises to explore his backstory, his psychological trauma, and his life beyond the institution. It’s a chance to reframe the narrative around Indigenous identity, mental health, and the long shadow of institutionalization.One Flew Over 
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07/05/25 @ 1:20 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a Comment
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07/01/25 @ 3:12 pm EST
Source: Bleeding Cool | Comments (0) | E-mail Article | Add a Comment
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07/01/25 @ 2:50 pm EST
Source: Deadline | Comments (0) | E-mail Article | Add a Comment
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ROB MCELHENNEY DECIDES TO CHANGE NAME
06/28/25 @ 2:09 pm EST
Source: Variety | Comments (0) | E-mail Article | Add a Comment
In a move that blends personal branding with practical necessity, It’s Always Sunny in Philadelphia star and co-creator Rob McElhenney has officially filed to change his name to Rob Mac. The decision, confirmed by McElhenney himself, marks a significant shift for the actor, writer, and entrepreneur whose surname has long been a source of confusion—and comedy. McElhenney, whose last name has famously stumped fans and media alike (despite Ryan Reynolds’ musical pronunciation tutorial), cited global business expansion as the primary reason. As his company, More Better Industries, continues to invest internationally—including ventures in Colombia and Mexico—he found that “McElhenney” was often mispronounced or misunderstood. “As our business and our storytelling is expanding into other regions of the world and other languages in which my name is even harder to pronounce, I’m just going by Rob Mac,” he told Variety. Interestingly, the name “Mac” isn’t just a simplification—it’s also a nod to his iconic Always Sunny character, known simply as Mac. It’s a full-circle moment that blends his personal identity with his pop culture persona. The name change is already being reflected in FX press materials for both It’s Always Sunny and Welcome to Wrexham, the Emmy-winning docuseries chronicling McElhenney and Reynolds’ ownership of Wrexham AFC.Rob Mac 
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06/28/25 @ 1:59 pm EST
Source: Variety | Comments (0) | E-mail Article | Add a Comment
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Source: Twitter | Comments (0) | E-mail Article | Add a Comment
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Source: Deadline | Comments (0) | E-mail Article | Add a Comment
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Source: Deadline | Comments (0) | E-mail Article | Add a Comment
In a move that’s sending ripples through both Hollywood and Her Majesty’s Secret Service, acclaimed filmmaker Denis Villeneuve has officially been named the director of the next James Bond movie. This marks the first 007 installment under Amazon MGM Studios’ creative leadership, following their acquisition of the franchise’s rights in 2022. Villeneuve, the visionary behind Dune, Arrival, and Blade Runner 2049, brings a reputation for cerebral storytelling and breathtaking visuals. His appointment signals a bold new chapter for the Bond saga—one that may blend the franchise’s signature espionage thrills with a deeper, more atmospheric tone. “Some of my earliest movie-going memories are connected to 007,” Villeneuve said in a statement. “I grew up watching James Bond films with my father, ever since Dr. No with Sean Connery. I’m a die-hard Bond fan. To me, he’s sacred territory. I intend to honor the tradition and open the path for many new missions to come”. The film will be produced by Amy Pascal and David Heyman, with Villeneuve also serving as executive producer alongside Tanya Lapointe. While no release date has been announced, production is expected to begin after Villeneuve completes work on Dune: Part Three, slated for release in late 2026. As for who will don the tuxedo next, speculation continues to swirl. Aaron Taylor-Johnson remains a frontrunner, but no official casting has been confirmed.Bond 
 
RECENT NEWS

Latest News
Updated: 07/05/25 @ 1:54 pm

1. SINNERS BOUGHT COSTUMES FROM MARVEL'S DELAYED BLADE PRODUCTION

2. ONE FLEW OVER THE CUCKOO’S NEST SPINOFF SERIES TO EXPLORE CHIEF BROMDEN’S STORY

3. JULIAN MCMAHON, STAR OF 'FANTASTIC FOUR' AND ‘CHARMED,’ DIES AT 56

4. COMIC LEGACY OF JIM SHOOTER

5. JAMES GUNN'S SOCIAL MEDIA MOVE SPARKS WONDER WOMAN SPECULATION



6. ROB MCELHENNEY DECIDES TO CHANGE NAME

7. DOCTOR ODYSSEY SINKS AT ABC

8. THE BATMAN PART II SCRIPT APPEARS TO BE DONE

9. REACHER SEASON 4 SEES MAJOR ROLE RECASTING

10. DENIS VILLENEUVE TAPPED TO DIRECT THE NEXT JAMES BOND FILM



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38. DOCTOR WHO SEASON ENDS WITH SURPRISE REGENERATION * SPOILERS *

39. JOSEPH QUINN ACCIDENTALLY CONFIRMS FANTASTIC FOUR VILLAIN

40. BIG ANNOUNCEMENTS FROM NETFLIX'S TUDUM 2025



41. A GRITTY CRIME THRILLER THAT’S ALREADY MAKING WAVES

42. TOBY HUSS JOINS KING OF THE HILL REVIVAL TAKING OVER AS DALE GRIBBLE

43. MARVEL WILL SKIP HALL H AT COMIC-CON THIS SUMMER

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45. YOUR FIRST LOOK AT THE EPIC CONCLUSION OF 'ULTRAMEGA' BY JAMES HARREN



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48. FIRST LOOK: DARAK FACES OFF AGAINST SOLILA IN 'VOID RIVALS' #20

49. NEW GRAPHIC NOVEL 'TIM BURTON’S THE NIGHTMARE BEFORE CHRISTMAS: LONG LIVE THE PUMPKIN QUEEN' HITS SHELVES IN JUNE

 

Latest News
Updated: 07/05/25 @ 1:54 pm

1. SINNERS BOUGHT COSTUMES FROM MARVEL'S DELAYED BLADE PRODUCTION

2. ONE FLEW OVER THE CUCKOO’S NEST SPINOFF SERIES TO EXPLORE CHIEF BROMDEN’S STORY

3. JULIAN MCMAHON, STAR OF 'FANTASTIC FOUR' AND ‘CHARMED,’ DIES AT 56

4. COMIC LEGACY OF JIM SHOOTER

5. JAMES GUNN'S SOCIAL MEDIA MOVE SPARKS WONDER WOMAN SPECULATION



DF Interviews
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CNI Podcast
EPISODE 1058 - CNI-PIERCER!

Reviews: Buffy the Vampire Slayer: Willow #1, Empyre #0: Avengers, Empyre #0: Fantastic Four, Snowpiercer season finale, The Old Guard film 


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