We all know that two of Gotham City’s biggest heroes reside in Wayne Manor: Bruce Wayne and Alfred Pennyworth.

Batman: Overdrive, a new DC Kids graphic novel aimed at readers ages 7 to 11, is a story of new beginnings. Written by Shea Fontana and drawn by Marcelo DiChiara, it’s a retelling of the iconic story of how Bruce Wayne took his first steps towards becoming the Dark Knight, a tale of new friendships and an inventive origin for the Batmobile. But most of all, Batman: Overdrive is the story of how Bruce Wayne came to rely on his biggest supporter and closest ally, Alfred Pennyworth. (And while Batman: Overdrive is unconnected to regular comic book continuity, it’s still made all the more poignant by recent events in the pages of Batman.)

Fifteen-year-old Bruce Wayne doesn’t trust anyone. Not kids his own age, not his martial arts teacher and certainly not his butler and guardian, Alfred. Bruce can’t help but blame Alfred for not being there the night his parents died. Perhaps if the butler hadn’t had that ill-fated night off, he would have been waiting right outside the theater to take the Wayne family home.



When a classic car in an old photo of his father catches his eye, Alfred leads Bruce through the Waynes’ enormous garage, where he discovers the crumpled black shape that was once his dad’s prized car. Bruce is determined to fix it up—by himself—but fate has a different plan for the young hero.

His mission to repair the car will lead Bruce to unexpected new friendships with Mateo Diaz, a mechanically inclined teen who fixes up cars as a hobby, and Selina Kyle, a talented fellow student in his martial arts class. As they work together on restoring Thomas Wayne’s old ride, a new lead in his death comes to light, and Bruce tells his friends that there’s more to it than a mugging gone wrong.

With a name like Batman: Overdrive, you’d expect incredible, action-packed car chases, right? This graphic novel delivers those and more. High-octane excitement explodes from the pages as Bruce follows up on the lead and finds more than he bargained for. With smoke, squeals of spinning tires and the newly minted Batmobile smashing through obstacles, the artwork captures the same energy as your favorite car chases on the silver screen. You can practically hear the V8 engine revving when Bruce and Mateo fire up their finished car for the first time. (Coincidentally, Bruce’s Batmobile in Batman: Overdrive has a fair resemblance to the muscle car inspired roadster in The Batman that director Matt Reeves has unveiled.)



While Mateo and Selina come along for the ride as Bruce investigates one of Gotham’s most influential criminals, it turns out there’s an unofficial fourth member on his growing team.

On almost every page with Bruce and Alfred, you’ll find small ways Alfred shows his affection and care for his ward hidden in the colorful panels. Whether it’s a bottle of water and an ice pack waiting in the backseat after martial arts class, remembering everyone’s favorite cookies or just a comforting hand on the shoulder, Alfred Pennyworth knows just how to cheer up and support those in his care.

The kind gestures appear to be wasted on Bruce. The teenager thinks of him resentfully as “Prison Guard Pennyworth.” Later, when a photo points to Alfred having a connection to Carmine Falcone, he accuses the longtime family friend of having a hand in his parents’ deaths. Alfred explains the truth and accepts Bruce’s anger, never once raising his voice at the boy he knows is still grieving. Alfred’s patience never wavers, a true superpower that very few possess.

When Bruce finds out that Alfred stayed with him not because he had to, but because he wanted to, he realizes that blaming him for his parents’ deaths was a way to avoid blaming himself. Bruce lets go of the guilt and forgives himself, and the steadfast Alfred becomes an official member of the budding Bat-team.

“I’ll always be there to pick you up,” Alfred tells young Bruce as he sits behind the wheel of their town car. But there’s a different meaning beside the obvious behind his words. Alfred will always be there when Bruce needs him the most, to help him get up again when anyone or anything knocks him down. It’s a delightful callback to Alfred’s wisdom imparted on a much older Bruce Wayne in Batman Begins: “Why do we fall, sir? So, that we can learn to pick ourselves up.”



Batman: Overdrive is an action-packed book for Bat-fans of all ages, giving Bruce Wayne a fresh beginning with new and familiar friends at his side. Bruce, Mateo and Selina make quite the formidable team. Can you imagine a Gotham City in which the Bat and the Cat fight crime together from the very start, with Alfred helping them navigate whatever twists and turns life throws their way? Criminals wouldn’t stand a chance.

Batman: Overdrive by Shea Fontana and Marcelo DiChiara is now available in bookstores, comic shops and libraries. It’s also available as a digital graphic novel.

In a twist worthy of a Hollywood script, Ryan Coogler’s breakout horror film Sinners—a 2025 box office juggernaut—owes part of its haunting aesthetic to a Marvel movie that never made it to set. The film’s eerie, period-perfect costumes were originally designed for Marvel Studios’ long-delayed Blade reboot, which remains in production limbo. According to Sinners producer Sev Ohanian, the film’s costume designer, Oscar-winner Ruth E. Carter (Black Panther), had been working on Blade when the project was shelved indefinitely. That version of Blade, starring Mahershala Ali, was once envisioned as a 1920s-set vampire thriller—eerily similar in tone and era to Sinners. When Sinners was greenlit on a tight schedule, Carter had a warehouse full of unused, period-appropriate costumes. Marvel, in a rare behind-the-scenes collaboration, allowed Coogler’s team to purchase the wardrobe “at price”. While the main cast including Michael B. Jordan, Hailee Steinfeld, and others wore custom-designed costumes tailored specifically for their characters, many of the extras in Sinners were dressed in the repurposed Blade costumes, giving the film a rich, textured authenticity without the usual prep time. First announced in 2019, Marvel’s Blade reboot has faced repeated delays due to creative changes, director exits, and industry strikes. The film was removed from Disney’s release calendar in 2024 and remains without a confirmed production date. Despite the setbacks, Mahershala Ali has expressed continued interest in the role, recently telling reporters, “Call Marvel. I’m ready”. 

Nearly 50 years after One Flew Over the Cuckoo’s Nest became a cinematic landmark, a new television spinoff is in the works—this time told through the eyes of the character who saw everything but said very little: Chief Bromden. Producer Paul Zaentz, nephew of the original film’s producer Saul Zaentz, revealed on the CK Café podcast that he has signed an agreement with the widow of author Ken Kesey to develop a TV series based on the 1962 novel. The first season will be told entirely from the perspective of Chief Bromden, the towering half-Native American patient who pretended to be deaf and mute in the original story. Zaentz explained that the series will begin within the psychiatric hospital, as in the original, but will then follow Chief’s journey after his dramatic escape—territory the original film never explored. While Milos Forman’s 1975 film adaptation won five Academy Awards, including Best Picture and Best Actor for Jack Nicholson, it famously diverged from Kesey’s novel by shifting the narrative focus from Chief Bromden to Randle McMurphy. Kesey was openly critical of this change. The upcoming series aims to restore the novel’s original point of view and delve deeper into the Chief’s inner world. Chief Bromden’s character—played by Will Sampson in the film—was a symbol of silent resistance and eventual emancipation. The new series promises to explore his backstory, his psychological trauma, and his life beyond the institution. It’s a chance to reframe the narrative around Indigenous identity, mental health, and the long shadow of institutionalization. 

Julian McMahon, the charismatic Australian actor known for his iconic roles in Nip/Tuck, Charmed, and the Fantastic Four films, has passed away at the age of 56 following a private battle with cancer. His wife, Kelly McMahon, confirmed that he died peacefully on July 2, 2025, in Clearwater, Florida. Born in Sydney on July 27, 1968, McMahon was the son of former Australian Prime Minister William McMahon. He began his career as a model before transitioning to acting in Australian soaps like The Power, The Passion and Home and Away. His move to Hollywood led to breakout roles in Profiler and Charmed, where he played the complex and seductive demon Cole Turner. But it was his portrayal of Dr. Christian Troy in FX’s Nip/Tuck that cemented his status as a television icon. The role earned him a Golden Globe nomination and showcased his ability to balance charm, darkness, and vulnerability. He later brought gravitas to the role of Victor Von Doom in the Fantastic Four films, becoming one of Marvel’s earliest cinematic villains. McMahon’s career spanned decades and genres. He starred in FBI: Most Wanted as Jess LaCroix, appeared in Hulu’s Runaways, and most recently played the Australian Prime Minister in Netflix’s The Residence—a poignant nod to his real-life heritage. McMahon is survived by his wife Kelly and his daughter Madison, whom he shared with ex-wife Brooke Burns. In her statement, Kelly described him as a man who “loved life… and whose deepest wish was to bring joy into as many lives as possible”. 

Jim Shooter was a towering figure in the comic book industry—both literally and professionally. He began his career at just 14 years old, writing for DC Comics, where he made a splash with stories for the Legion of Super-Heroes. His early creations included characters like Karate Kid, Ferro Lad, and Princess Projectra, as well as the villain group Fatal Five. Here’s a snapshot of his legacy: <!--[if !supportLists]-->·         <!--[endif]-->DC Comics: Started as a teenage writer, contributing to Adventure Comics and Action Comics. <!--[if !supportLists]-->·         <!--[endif]-->Marvel Comics: Rose to become Editor-in-Chief from 1978 to 1987. Under his leadership: <!--[if !supportLists]-->o    <!--[endif]-->Oversaw iconic runs like Uncanny X-Men by Claremont & Byrne, Daredevil by Frank Miller, and Thor by Walt Simonson. <!--[if !supportLists]-->o    <!--[endif]-->Introduced creator royalties and launched the Epic imprint for creator-owned work. <!--[if !supportLists]-->o    <!--[endif]-->Created the first major crossover event: Secret Wars. <!--[if !supportLists]-->·         <!--[endif]-->Valiant Comics: Co-founded the publisher in the early '90s, bringing characters like Solar: Man of the Atom and Harbinger to life. <!--[if !supportLists]-->·         <!--[endif]-->Also founded Defiant Comics and Broadway Comics, though both were short-lived. Shooter was known for his strict editorial style, which helped Marvel stay on schedule but also led to clashes with many creators. Despite the friction, his tenure is credited with revitalizing Marvel during a critical period. Jim Shooter passed away on June 30, 2025, at the age of 73. His influence on comics—both in storytelling and industry practices—remains profound. 

In the ever-watchful world of fandom sleuthing, even a simple Instagram follow can ignite a firestorm of speculation. That’s exactly what happened when filmmaker and DC Studios co-head James Gunn followed actress Adria Arjona on Instagram—a move that fans quickly interpreted as a hint she might be cast as the next Wonder Woman. But Gunn was quick to clarify: “I followed Adria on Instagram, but everybody came out, ‘He just followed her, that means she’s Wonder Woman!’” he said in a recent interview with Extra. “She’d be a great Wonder Woman, by the way. But she was in a movie that I made seven years ago. We’ve been friends and have known each other since that time. I followed her then, I didn’t just follow her.” The film Gunn referred to is The Belko Experiment (2016), which he produced and in which Arjona appeared. Their professional relationship and friendship date back to that project, making the social media follow less of a casting clue and more of a long-standing connection. Still, Gunn’s comment that Arjona “would be a great Wonder Woman” has only fueled fan enthusiasm. With a new Wonder Woman film currently in development and the DC Universe undergoing a major reboot, speculation remains high—even if Gunn insists fans shouldn’t read too much into his Instagram activity. 

In a move that blends personal branding with practical necessity, It’s Always Sunny in Philadelphia star and co-creator Rob McElhenney has officially filed to change his name to Rob Mac. The decision, confirmed by McElhenney himself, marks a significant shift for the actor, writer, and entrepreneur whose surname has long been a source of confusion—and comedy. McElhenney, whose last name has famously stumped fans and media alike (despite Ryan Reynolds’ musical pronunciation tutorial), cited global business expansion as the primary reason. As his company, More Better Industries, continues to invest internationally—including ventures in Colombia and Mexico—he found that “McElhenney” was often mispronounced or misunderstood. “As our business and our storytelling is expanding into other regions of the world and other languages in which my name is even harder to pronounce, I’m just going by Rob Mac,” he told Variety. Interestingly, the name “Mac” isn’t just a simplification—it’s also a nod to his iconic Always Sunny character, known simply as Mac. It’s a full-circle moment that blends his personal identity with his pop culture persona. The name change is already being reflected in FX press materials for both It’s Always Sunny and Welcome to Wrexham, the Emmy-winning docuseries chronicling McElhenney and Reynolds’ ownership of Wrexham AFC. 

ABC has officially pulled the plug on Doctor Odyssey, the high-concept medical drama from prolific creator Ryan Murphy, after just one season. The show, which followed a team of doctors navigating emergencies aboard a luxury cruise ship, will not return for a second voyage. Premiering in fall 2024, Doctor Odyssey starred Joshua Jackson as Dr. Max Bankman, alongside Phillipa Soo, Sean Teale, and Don Johnson. The series blended medical drama with high-seas spectacle, drawing comparisons to The Love Boat with a modern, campy twist. Its trailer broke records with 77.8 million views in 48 hours, and the premiere drew 13.6 million cross-platform viewers. Despite the flashy debut and a loyal cult following, the show struggled to maintain momentum. Ratings dipped over the season, and its linear performance lagged behind other ABC dramas. While ABC has yet to issue a formal cancellation statement, the cast contracts are expiring on Monday with no sign of renewal and the sets are being dismantled. And while the ship has sailed on ABC, Ryan Murphy retains creative control and could potentially revive the series elsewhere, such as Hulu, where it performed well on streaming platforms. 

Is The Batman Part II script finally done? It appears so. Writer/Director Matt Reeves just posted to social media a blurry picture of himself and co-writer Mattson Tomlin that shows the title page for a script with the logo from The Batman and appears to have the title "The Batman: Part II". Co-head of DC Studios James Gunn said recently that he was expecting to get the script soon but denied that the deadline had already passed. If the script is complete and ready to move forward, it is still in plenty of time to make the current release date of October 2027. This should be good news to fans of the director and franchise and also to actor Robert Pattinson who had commented recently that he was worrying he was going to age out of the role if it took too much longer.  

Prime Video’s hit action-thriller Reacher is shaking things up for its fourth season, and one of the most notable changes is the addition of Christopher Rodriguez-Marquette to the cast. The Barry actor steps into the role of Jacob Merrick, a small-town policeman, in a recasting that follows the departure of Jay Baruchel due to personal reasons. Rodriguez-Marquette’s casting came together at lightning speed—he was reportedly selected the same day the role breakdown was released and flown to set within days. His character, Merrick, is said to play a significant role in the upcoming season, which adapts Lee Child’s 13th Jack Reacher novel, Gone Tomorrow. The story kicks off with a tense encounter on a train that spirals into a deadly conspiracy involving powerful enemies. Season 4 also welcomes a host of new faces, including Sydelle Noel, Agnez Mo, Anggun, Kevin Corrigan, Kevin Weisman, Marc Blucas, and Kathleen Robertson. Alan Ritchson returns as the titular Jack Reacher, with Maria Sten reprising her role as Frances Neagley. Rodriguez-Marquette brings a diverse résumé to the series, with recent appearances in Barry, Mozart in the Jungle, and indie films like Grind and Fear, Inc.. 

In a move that’s sending ripples through both Hollywood and Her Majesty’s Secret Service, acclaimed filmmaker Denis Villeneuve has officially been named the director of the next James Bond movie. This marks the first 007 installment under Amazon MGM Studios’ creative leadership, following their acquisition of the franchise’s rights in 2022. Villeneuve, the visionary behind Dune, Arrival, and Blade Runner 2049, brings a reputation for cerebral storytelling and breathtaking visuals. His appointment signals a bold new chapter for the Bond saga—one that may blend the franchise’s signature espionage thrills with a deeper, more atmospheric tone. “Some of my earliest movie-going memories are connected to 007,” Villeneuve said in a statement. “I grew up watching James Bond films with my father, ever since Dr. No with Sean Connery. I’m a die-hard Bond fan. To me, he’s sacred territory. I intend to honor the tradition and open the path for many new missions to come”. The film will be produced by Amy Pascal and David Heyman, with Villeneuve also serving as executive producer alongside Tanya Lapointe. While no release date has been announced, production is expected to begin after Villeneuve completes work on Dune: Part Three, slated for release in late 2026. As for who will don the tuxedo next, speculation continues to swirl. Aaron Taylor-Johnson remains a frontrunner, but no official casting has been confirmed.