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The Shadow Sale! from dynamite.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

OLD-TIME RADIO AND COMICS HEROES BURST BACK ONTO THE SCENE!
03/28/12 @ 4:15 pm EST
Source: USA TODAY | Comments (0) | E-mail Article | Add a Comment

Who knows what evil lurks in the hearts of men? (Hint: The guy dresses up in a cape and runs around at night. And it's not Batman.)

The Shadow still knows — as do Flash Gordon, the Lone Ranger, the Green Hornet and other heroes of 1930s and '40s radio shows, pulp magazines and movie serials.

These good guys are making a comeback, though mainly in comics and feature-length movies. Next month, The Shadow receives a comics reboot courtesy of Dynamite Entertainment, which also publishes ongoing series starring Flash Gordon and Green Hornet plus a new title with pulp hero The Spider that's due in May.

On the big screen, a masked Seth Rogen stung bad guys in last year's The Green Hornet. And in The Lone Ranger, in production for release in 2013, Armie Hammer rides tall as the title cowboy with Johnny Depp as his sidekick Tonto. Baby Boomers grew up watching the Clayton Moore TV series in the '50s, although the saga began as a 1933 radio show in Detroit.

Though these characters may not be as well known as today's comic-book superheroes or the Star Wars and Harry Potter clans, they were the bee's knees for a generation that was decades away from the Internet and iPods.

Before Batman, there was the alter ego Lamont Cranston donning the shadowy mask and hat while haunting radio waves as The Shadow, voiced by Orson Welles in the late '30s.

And before Superman and Captain America there was Flash Gordon, an all-American space adventurer who tussled with planetary tyrant Ming the Merciless in sci-fi comic strips by Alex Raymond and serial films starring Buster Crabbe.

"The '20s and '30s are seen as a very romantic age, with the criminal underworld of urban America and high adventure of exotic foreign locations providing a bit of an edge," says Garth Ennis, who is writing the new Shadow comic. "The reality, I'm sure, would have been mostly a lot more mundane and occasionally quite grim."

He's crafting The Shadow as a dangerous champion of law and order with a flair for the dramatic, and he is embracing one of the vigilante's oldest and most famous traits: his habit of laughing as he consigns his enemies to their doom.

"I decided to be fairly sparing with it," Ennis says. "If he started howling every time he threw a punch or fired a shot, it would get old fast. So I decided to preserve the laugh for moments of deep, dark, extreme humor."

His take on The Shadow comic is a bloody affair, where the mysterious figure dispatches bad guys with violent aplomb. More than 70 years ago, though, audiences had to visualize with their imagination what was going on during the radio-show exploits.

The popularity of the old Shadow and Green Hornet radio shows and their ilk in their heyday is best compared to programs children flock to today, such as Hannah Montana and Dora the Explorer, says Martin Grams Jr., a radio-show historian and author.

Back then, kids and adults would read books, pulps and comics because they were a cheap form of entertainment, and radio was an even bigger medium because it was free.

Some adaptations tank

While movies measure success with box-office receipts, commercial sponsors would gauge ratings of radio shows based on the number of giveaway premiums offered during the commercial breaks — such as various Lone Ranger rings and badges. They were then used to persuade sponsors to stick around because of a large listener base.

It wasn't just kids, either. Housebound and disabled people "who couldn't go visit their local movie theater had the opportunity to enjoy action and adventure with the turn of their dial," Grams says.

"The business of pop culture was defined during the 1930s and 1940s when movie producers snatched up the screen rights to popular radio programs and produced motion pictures, serials and film shorts based on the properties."

Since then, movie studios, TV networks and comics publishers have attempted adaptations of those characters, with varying results.

The Lone Ranger TV series began in 1949, ran eight seasons and defined the character for many. Flash Gordon sped off to space with live-action and animated shows, and a 1980 film became a cult classic with Sam Jones clad in a white shirt bearing the word "Flash."

But two more recent movies, The Shadow (1994) with Alec Baldwin and the 1996 Billy Zane vehicle The Phantom (based on the comic strip from the '30s), were not exactly heroic at the box office. And Disney's new big-budget John Carter, based on the Edgar Rice Burroughs pulp sci-fi hero, has thus far tanked.

"My theory is that modern audiences have a hard time accepting un-ironic heroism unless it's presented just right," says Eric Trautmann, writer of Dynamite's Flash Gordon: Zeitgeist series. (A devotee of the era, Trautmann has a Maltese Falcon on his desk, a statue of Humphrey Bogart as Sam Spade, a Buck Rogers blaster and a replica 1930s radio.)

He concedes that pulp is difficult to write because it requires a certain innocence. Nazis show up in his series, but when they're the evil-doers du jour, modern audiences can't help but think of the Holocaust, "a sort of demise of innocence for the Western world." That makes it a lot harder to take the proceedings seriously.

'We're all geeks in a way'

"The obvious inclination is to keep things a little more self-referential and cartoony, tongue firmly in cheek," Trautmann says, "and that kind of thing really works against the story, the character, and readers' and viewers' embracing the tale."

Those characters of yesteryear, however, remain important in the history of pop-culture heroes, says comic-book artist Alex Ross, one of the creative spearheads of Dynamite's pulp series.

"Seeing how a character like The Shadow would influence every other flamboyant costumed hero in history was very interesting to me," he says. "A load of the earliest superhero fashions came from the artists swiping from Alex Raymond's Flash Gordon."

Heroic fiction draws from a lot of the same wells. Without John Carter in 1917, Trautmann feels we probably don't get Flash Gordon in 1934, a quintessentially American protagonist whose "unflappable 'can do' attitude and unshakable optimism would resonate in almost any era." Without Flash, there's no Luke Skywalker or Han Solo in Star Wars, and without that, we don't get Avatar.

"Even Star Trek owes a debt to period literature —Captain Kirk as Horatio Hornblower in space," Trautmann says. "Heroic fiction shares those archetypes and themes, so that influence is probably so ingrained now that a modern practitioner might not even be aware of what influenced the sources he or she is drawing inspiration from."

Affection for heroic pulp specifically — as with old-school sci-fi, fantasy and mystery stories — seems to be cyclical, Trautmann says. But the resurgence of these characters is also being helped by an overall nostalgia for the early- to mid-20th century, from Boardwalk Empire to Mad Men.

"It's been a rough decade or two," he says. "Looking back on what seems to be a simpler, less complicated time is certainly appealing."

Curiosity and a drive to seek knowledge are probably the main reasons people like to revisit historic pop culture, Grams says.

"We're all geeks in a way, trying to intake all the information we can on a comic-book character or movie, then digest, then recollect to friends to show how much more we know than they do."

The historian enjoys seeing kids introduced to heroes that were a seminal part of their grandparents' lives. He says it's a good bet they know tons more about The Hunger Games and Twilight than old Shadow magazine tales, and have no idea of the existence of Lone Ranger radio shows of yore.

"In my experience," Ennis says, "these characters tend to be pretty strong to begin with: They go through periods of revival, then slump due to overindulgence, then lie dormant, then undergo the next revival. But they always come back."

And, Grams notes, "the oldies are still the goodies."
MORE NEWS...
NEW DOCTOR STRANGE SPOT EXPLAINS HIS MCU ROLE COMPARED TO THE AVENGERS
09/28/16 @ 12:57 pm EST
Source: Comic Book Resources | Categories: Marvel | Comments (0) | E-mail Article | Add a Comment


New Doctor Strange Spot Explains His MCU Role Compared To The Avengers

To promote the “Expand Your Mind: An IMAX® 3D Exclusive First Look”free IMAX ticket giveaway, Marvel has released a new TV spot for director Scott Derrickson’s “Doctor Strange.” The commercial showcases new footage of the titular Doctor Strange (Benedict Cumberbatch), Tilda Swinton as The Ancient One, Benedict Wong as the mystical trainer Wong, Chiwetel Ejiofor as Baron Mordo, and Mads Mikkelsen as the villainous Kaecilius.

Video: https://youtu.be/3xoxeCWpZyU
SIXTH TREMORS MOVIE OFFICIALLY IN THE WORKS
09/28/16 @ 12:53 pm EST
Source: Comic Book Resources | Categories: MIsc | Comments (0) | E-mail Article | Add a Comment


Sixth Tremors Movie Officially in the Works

Like any good B-movie monster, despite most people’s foolish assumptions that it’s dead and gone, the “Tremors” series improbably keeps on coming back to life.

Series mainstay Michael Gross — better known as Burt Gummer to fans of the franchise — announced via Facebook that a new entry into the giant predatory worm oeuvre had been officially greenlit. Now, the Tremors series’ own Facebook page confirms this to be true, just in time for the Halloween season.

TOM HOLLAND’S SPIDER-MAN STRIKES CLASSIC POSES IN NEW SET PICS
09/28/16 @ 12:48 pm EST
Source: Comic Book Resources | Categories: Marvel | Comments (0) | E-mail Article | Add a Comment


“Spider-Man: Homecoming,” directed by Jon Watts and starring Tom Holland as Peter Parker/Spider-Man, recently concluded principal photography in Atlanta, GA. Now, as recent photos have revealed,filming has moved to Spidey’s hometown of Queens, NY. New photos from ComingSoon.net give a closer look at Holland performing a stunt and hitting some classic Spidey poses on a New York City fire escape.

New Photos from the Spider-Man Filming in New York!Spider-Man: Homecoming New York SetSpider-Man: Homecoming New York SetSpider-Man: Homecoming New York Set
NEW FLASH PHOTOS FEATURE JOHN WESLEY SHIPP’S JAY GARRICK
09/28/16 @ 12:38 pm EST
Source: Comic Book Resources | Categories: DC | Comments (0) | E-mail Article | Add a Comment


New Flash Photos Feature John Wesley Shipp’s Jay Garrick

The CW has been revealing more and more about the new season of “The Flash,” and now, photos from the season’s second episode gives fans a sneak peak at John Wesley Shipp in full costume as Jay Garrick, Tom Felton as the mysterious Julian Dorn and the state of affairs as we enter the show’s “Flashpoint” reality.

The Flash -- The Flash -- The Flash -- The Flash -- The Flash -- The Flash --
FEIGE EXPLAINS WINTER SOLDIER’S STEPHEN STRANGE SHOUT OUT
09/28/16 @ 12:29 pm EST
Source: Comic Book Resources | Categories: Marvel | Comments (0) | E-mail Article | Add a Comment


Feige Explains Winter Soldier’s Stephen Strange Shout Out

As with many of Marvel’s shared universe films, 2014’s “Captain America: The Winter Soldier” was full of references to other characters in the MCU. Nick Fury uses a tranquilizer developed by Bruce Banner to slow his vital signs, Tony Stark and his company are referred to on a number of occasions and in one easy-to-miss line, S.H.I.E.L.D. turncoat Jasper Sitwell mentioned Stephen Strange — a.k.a Doctor Strange — by name. While going through a list of Hydra’s targets, Sitwell quickly rattles off to Captain America “you, a TV anchor in Cairo, the other Secretary of Defense, a high school valedictorian in Iowa City, Bruce Banner, Stephen Strange, anyone who’s a threat to Hydra!”

This was, at the time, the first mention of Marvel’s master of the mystic arts anywhere in their sprawling cinematic universe. This made fans curious: had Stephen Strange already taken on the mantle of the Sorcerer Supreme prior to the events of “Winter Soldier”? Or could Hydra predict his ultimate destiny? Kevin Feige has a simpler explanation.

“He is very well-known as a surgeon,” Feige told ComicBook.com during a visit to “Doctor Strange’s” set. “He has got various awards and plaques you’re going to see over there; he attends various galas, might be driving at one point in this movie. He has name recognition and a talent and certain Hydra computers identified him as somebody that could cause trouble for their agendas.”

In the comics, Doctor Strange is a world-renowned surgeon before an accident cripples his hands. As with other early Marvel characters, Strange needed to overcome a great hubris before he can be a hero. Judging by the trailers and Feige’s words, it would seem that the movie will follow this aspect of the comics closely.

Directed by Scott Derrickson and starring Benedict Cumberbatch, Tilda Swinton, Chiwetel Ejiofor, Rachel McAdams and more, “Doctor Strange” opens on November 4th.
SAMUEL L. JACKSON BELIEVES SHIELD WILL RETURN TO THE MCU
09/28/16 @ 12:25 pm EST
Source: Comic Book Resources | Categories: Marvel | Comments (0) | E-mail Article | Add a Comment


Samuel L. Jackson Believes SHIELD Will Return To The MCU

At the end of 2014’s “Captain America: Winter Soldier,” S.H.I.E.L.D. was no more. And with Nick Fury’s absence during this year’s “Captain America: Civil War,” it seems that the Avengers might have also lost their most trusted mentor. But don’t count the former director of S.H.I.E.L.D. out, however. According to Samuel L. Jackson, S.H.I.E.L.D. may be dismantled — but it still has a place within the Marvel Cinematic Universe.

“There’s some way of fixing what they created, and hopefully somebody has that going on or Nick Fury is out there — wherever he is, probably hanging out with Jules and walking the world — figuring out what happened and how it got to that particular place,” Jackson told ComingSoon.net during a press conference for “Miss Peregrine’s Home For Peculiar Children.” “Maybe they’ll find out that all that was part of a ruse to get to something else also. That would be great.”

It should be noted that the restoration of S.H.I.E.L.D. — including the reveal of a new director — is a major part of the current season of ABC’s “Agents of S.H.I.E.L.D.”

Nick Fury was last seen in 2015’s “Avengers: Age of Ultron.” While there’s no official confirmation that Nick Fury will make his triumphant return in “Avengers: Infinity Wars” — what promises to be one of the biggest films of the MCU — Jackson seems confident. After all,someone with oversight has to help the Avengers battle Thanos (Josh Brolin) and his Infinity Stones.

“They’ll bring me back somehow, some way, for some reason,” Jackson said. “I mean, they didn’t have me around to referee the kids when they didn’t go to their rooms and got in this big old fight. We’ll see what happens.”

“Avengers: Infinity Wars” starts filming in Atlanta this November and will be released on May 4, 2018. The fourth Avengers film, which will have a separate title, will be shot concurrently and be released on May 3, 2019.
WONDER WOMAN TAKES THE SPOTLIGHT ON FRANK CHO’S TRINITY #2 VARIANT
09/28/16 @ 12:19 pm EST
Source: Comic Book Resources | Categories: DC | Comments (0) | E-mail Article | Add a Comment


He may no longer be providing variant covers for “Wonder Woman,” butFrank Cho is depicting the Amazonian hero once again on a cover for DC Comics“Trinity” #2.

Flanked by her co-stars Superman and Batman, CBR had the exclusive first look at Cho’s offering for the second chapter of Francis Manapul’s ongoing series. While the first issue of the series focused on the trio of heroes getting to know each other in their civilian identities of Diana, Clark Kent and Bruce Wayne, Cho’s cover features a Wonder Woman geared-up and ready for battle.

trinity-2-frank-cho-variant
'MISS PEREGRINE' TO PUNISH COMPETITION AT WEEKEND BOX OFFICE
09/28/16 @ 12:14 pm EST
Source: Deadline | Categories: MIsc | Comments (0) | E-mail Article | Add a Comment


miss peregrine

So far at the fall domestic box office we’ve seen a slew of misfires out of the gate including Blair Witch, Bridget Jones’s Baby, Snowden, The Light Between Oceans, Morgan, The Disappointments Room and The Wild Life. Even though some wide product has moved off the fall schedule, it’s still a vicious marketplace particularly since it’s a sleepy time at multiplexes. This weekend alone, there’s only 4% of K-12 schools out, and 1% of colleges according to ComScore. Let’s hope this weekend’s fresh crop doesn’t add to this growing list of agita, ultimately outnumbering last autumn’s 15 bombs.

As Sony/MGM/Village Roadshow/LStar’s Western Magnificent Seven eases at least 50% in its second trot with $17 million, 20th Century Fox/Chernin Entertainment’s Tim Burton feature adaptation of the Ransom Riggs kids novel Miss Peregrine’s Home For Peculiar Children is expected to settle in at No. 1 with a mid-$20M opening at 3,520 locations. While Miss Peregrine might look and smell like Guillermo del Toro’s gothic title Crimson Peak, which died last year at this time ($55M production cost, $31M domestic, $74.7M global B.O.), it is not. There’s a decent want-to-see here given both the novel and director Burton’s fanbase. Tracking currently shows a strong 21% first choice among both women under 25 and teens 12-16. Estimated production cost is $110M. Currently reviews are so-so with 32 registering a 59% score on Rotten Tomatoes.

Riggs’ story follows Jake (Asa Butterfield) who learns of mystical powers in his family, which leads him to an orphanage with other peculiar children like himself. For 70 weeks, Miss Peregrine lived on the The New York Times bestseller list for children’s books: It hit No. 1 on April 29, 2012 after a 45-week run, and lived in that spot for roughly the next month. Miss Peregrine can count on 350 premium large-format screens to boost her B.O. this weekend. Previews start Thursday at 7 PM.
JON FAVREAU TO DIRECT DISNEY'S 'THE LION KING'; FEATURE REIMAGINING ON FAST-TRACK
09/28/16 @ 12:09 pm EST
Source: Deadline | Categories: Disney | Comments (0) | E-mail Article | Add a Comment


the-lion-king

Swinging from their blockbuster collaboration on The Jungle Book, The Walt Disney Studios and helmer Jon Favreau are teaming on a new reimagining of The Lion King.

The Lion King builds on Disney’s success of updating and reinventing its classics for a contemporary audience with recent hits like Maleficent ($758.5M WW box office),Cinderella ($543.5M) and The Jungle Book. The latter was a CGI/live action technological marvel that has grossed $965.8M worldwide this year and is globally the No. 4 film of 2016. Disney and Favreau are also in development on a sequel.

Disney’s latest reimagining is the upcoming Beauty And The Beast. In similar fashion to that film, the live-action Lion King will include songs from the original animated pic.
DEADPOOL DOES SHAKESPEARE –YOUR FIRST LOOK AT DEADPOOL #21!
09/28/16 @ 12:05 pm EST
Source: Marvel | Categories: Marvel | Comments (0) | E-mail Article | Add a Comment


This October, the Merc With a Mouth is crashing headlong into Marvel NOW! and he’s bringing William Shakespeare with him! Today, Marvel is pleased to present your first look inside DEADPOOL #21 – the colossal 80 page issue coming to comic shops and digital devices on October 26th! First up, witness the the return of one of Deadpool’s greatest adversaries as Madcap returns to the fold in a brand-new full length adventure from Gerry Duggan and Mateo Lolli! No one has pushed Deadpool to the limit quite like Madcap. Is Wade ready to face him again? Then, Deadpool goes Shakespeare for an all-new 60-page tale from writer Ian Doescher (William Shakespeare’s Star Wars) and artist Bruno Oliveira! Those old plays from English class just got a lot more interesting. Don’t say we never taught you anything! Be there for the tales of the bard as you’ve never seen them before when DEADPOOL #21 comes to comic shops and digital devices on October 26th!

DEADPOOL #21 (AUG160837)Written by GERRY DUGGAN & IAN DOESCHER
Art by MATEO LOLLI & BRUNO OLIVEIRACover by MIKE HAWTHORNE
Variant Covers by MIKE MAYHEW (AUG160838)
and JANET LEE (AUG160840)Secret Comic Variant by SCOTT KOBLISH (AUG160839)
Champions Variant by PHIL NOTO (AUG160841)FOC – 10/03/16, On-Sale – 10/26/16

 
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EPISODE 722 - THE CNI PATRONUS!

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